Display title | Salesman |
Default sort key | Salesman |
Page length (in bytes) | 1,164 |
Namespace ID | 0 |
Page ID | 456770 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | Robkelk (talk | contribs) |
Date of page creation | 20:01, 26 January 2019 |
Latest editor | Robkelk (talk | contribs) |
Date of latest edit | 12:57, 3 October 2020 |
Total number of edits | 3 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | As documentary filmmakers, Albert and David Maysles gravitated toward the fringes of society for their "cinema direct: nothing between us and the subject." In Salesman, the brothers and frequent collaborator Charlotte Zwerin focus on a waning American phenomenon: the door-to-door salesman; specifically, four representatives of the Mid-American Bible Company. At the center is Paul "The Badger" Brennan who reflects on his career choice with the refrain of the pop tune "Is That All There Is?" |