| Display title | Saltimbanco |
| Default sort key | Saltimbanco |
| Page length (in bytes) | 5,572 |
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| Page ID | 80017 |
| Page content language | en - English |
| Page content model | wikitext |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 02:15, 11 August 2020 |
| Total number of edits | 9 |
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Cirque Du Soleil's fifth production, which opened in the spring of 1992, is the oldest of the company's shows that is still up and running. The plot is a celebration of urbanity; the title is Italian for the phrase "to jump on a bench" and can also refer to a street performer. The characters, who live in "the city", are divided into three groups—the Multicolored Worms that show up early on for the Chinese Poles act, representing primitive lifeforms; the Masked Worms, people forever clad in face-concealing white masks, afraid to show their individuality and serving as observers in Act One; and the Baroques, life-loving, good-natured rowdies who represent what the Urban Worms can evolve into and are the only characters seen in Act Two. |