| Display title | Shock Corridor |
| Default sort key | Shock Corridor |
| Page length (in bytes) | 1,041 |
| Namespace ID | 0 |
| Page ID | 457615 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 13:50, 30 March 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 12:57, 3 October 2020 |
| Total number of edits | 3 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Director Sam Fuller's movies often were labeled too edgy and unseemly, with the ability to simultaneously grab and repel the viewer. Seen as Hollywood's tough guy, his style was most evident in his breakneck storytelling and central characters who defy easy categorization. In Shock Corridor, undercover reporter Peter Breck gets himself committed to a psychiatric ward to flush out a Pulitzer Prize-worthy story. Cinematographer Stanley Cortez shot the film entirely indoors in ominously lit rooms and corridors, and editor Jerome Thoms amps up the hysteria with quick cuts that create a montage of disturbing behavior, violent outbursts, and dream sequences. |
