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It's Popular, Now It Sucks: Difference between revisions

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* Using the Phillips CD-I games as a source for [[Youtube Poop]] has been frowned upon by the members of the [[You Chew]] community for years now, although some people are still able to make some funny videos using them.
* The Daewoo Lacetti (aka the [[Market-Based Title|Chevrolet Optra]] in the rest of the world (except Europe, where it's badged as the Daewoo/Chevrolet Lacetti, and Suzuki Forenza in North America, and [[Market-Based Title|Holden Barina]] in [[Land Down Under|Australia and New Zealand]].) was considered great at launch in 2002 (or late 2003, in the rest of the world, 2004 for North America), but by 2008 was considered to have lost its elite luxury image due to offering a basic 1.4-litre version, and going for the [[Lowest Common Denominator]] in equipment levels. However, motoring press and the public's opinion differed on this car. Now, with the new General Motors, it, and its successor, the Chevrolet Cruze are seen as a joke by some... but the [[Popularity Polynomial]] may come into play here. [[The Plan|some kind of plan maybe?]]
* One of Fametracker's main features was "The Fame Audit", a rather justified/averted form of this trope, where, [[Exactly What It Says on the Tin|as the title suggests]], the evaluated the relative merits and demerits of various pop-culture figures, both famous and somewhat under-the-radar, and would determine whether they were getting the appropriate amount of fame, and whether or not for the right reasons. Notable nods included a then-under-the-radar Jon Stewart from when he was only a year into hosting ''[[The Daily Show]]'', where they determined that he deserved even more fame. Cut to the Re-Audit four years later when he was already quite famous, and they not only still loved him, but wanted his fame to continue to grow. ([FT] may be gone, but the former editors are still clearly pleased with his current fame.) In spite of the clear cases where they feel are low-talent (Sharon Stone and [[John Travolta (Creator)]]) or on the wane ([[Michael Jackson]] circa the 2002 audit) among other things, they are rather objective in their assessments, sometimes choosing to either leave well enough alone or suggest a bump up in fame for people they might otherwise be ambivalent about who are nonetheless unpretentious and enjoyable enough to deserve some sort of extended presence. Beyond that, they have recommended that stars they have liked stay at their exact same spot of fame lest they become too overexposed or pushed into overly high-profile projects (see: [[Will Ferrell]] and Steven Soderbergh via their audits), or consequently a bump down for said cases either already beyond that point ([[Stephen Colbert]]'s audit) or simply in need of going away in order to refocus (Lisa Kudrow and [[Edward Norton]]).
* This is common in the feminist blogosphere. From reading posts on feminist blogs, you would think that in order for any sort of media to be considered feminist it has to be made by an [[Twofer Token Minority|atheist bisexual multiracial polyamorist with cerebral palsy]] who is doing everything herself and does everything for free(because making money is bowing to the patriarchy!), and it has to only come on at local independent festivals.
** Or maybe it's just that privileged people oftentimes don't get the problems of marginalized groups right when making media.
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