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''Blade Runner'' is a [[Genre Busting|genre-bending]] 1982 [[Science Fiction]] film that borrows stylistic elements from [[Film Noir]] and [[Hardboiled Detective]] fiction. Set in a [[Dystopia|dystopian]] [[Twenty Minutes Into the Future|near-future]] [[City Noir]] version of Los Angeles, it established much of the tone and flavor of the [[Cyberpunk]] movement and the film style of [[The Future Is Noir|Tech Noir]]. It is a highly intelligent film, [[Visual Effects of Awesome|visually stunning]] and features a seriously great script. The definitive high-def/BluRay [[Directors Cut]] came out in 2007.
 
Deckard is a Blade Runner. His job is to [[Deadly Euphemism|"retire"]] renegade [[Artificial Human|Replicants]] -- rogue androids that are not supposed to be on Earth. Some of the most advanced replicantsReplicants yet have escaped, and Deckard is [[One Last Job|assigned to retire them]]. But they are so like normal humans that Deckard can't help but empathize with them, and he even falls for one.
 
''Blade Runner'' was loosely based on the [[Philip K. Dick]] novel ''[[Do Androids Dream of Electric Sheep]]'' The title itself comes from the novel ''The Bladerunner'' by Alan E. Nourse<ref>though in a roundabout fashion; the writer Hampton Fascher, took it from a [[William S. Burroughs]] adaptation Blade_Runner_(a_movie) which was originally meant to be a treatment of Nourse's novel but became its own novella</ref>. Other than the title, the movie has nothing to do with ''The Bladerunner''. It just [[Rule of Cool|sounded cool]].
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=== ''Blade Runner'' provides examples of the following: ===
* [[Adaptation Distillation]]: [[Philip K. Dick]] loved the visual imagery of those parts of the film he saw. He said they resonated deeply with his imagined future. But he is also on record as saying [[Ridley Scott]] inverted the meaning of the replicantsReplicants' inhumanity; from being self-serving non-empathic killers to being 'supermen who couldn't fly'. As impressed as he was, PKD maintained that it wasn't his story. In the final interview before his death, Dick said "After I finished reading the screenplay, I got the novel out and looked through it. The two reinforce each other, so that someone who started with the novel would enjoy the movie and someone who started with the movie would enjoy the novel."
** In an interview, Rutger Hauer revealed that he had been a fan of the book long before the movie, and preferred to think of film Deckard as a sap who was [[Robosexual|pining over a vibrator]].
* [[Adult Child]]: While the Replicants are adults both physically and mentally, they're still very childlike in their emotions, be it Pris's very whimsical behavior or Roy basically having a temper tantrum {{spoiler|when meeting Tyrell and becoming a [[Self-Made Orphan]]}}.
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* [[Anti-Hero]]: Deckard. Depending on your interpretation of the movie, it is positively unnerving to have a state-sponsored killer of escaped slaves as the protagonist, quite unremarked, anvils undropped.
** Or he is [[Averted Trope|simply a guy]] recycling machines that go haywire and kill people.
** Probably [[Sliding Scale of Anti-Heroes|Type IV]]. Deckard's job of retiring replicantsReplicants is a very dark grey, but he regards it as his duty as a police officer and doesn't believe killing them to be wrong. <!-- NOT A TYPE V! Direct quote from the sliding scale page: "TYPE IV: These are the darkest possible while having fundamentally good intentions." -->
* [[Anti-Villain]]: Roy Batty. Created as a slave-soldier with a short expiration date, his only goal for himself and his fellow replicantsReplicants is life. Even his killing of the {{spoiler|man who installed all replicantsReplicants with an "expiration date"}} is understandable. He shows more remorse over his actions than Deckard ever does.
** But even putting aside the crew he killed during his original escape, he does {{spoiler|crush an unarmed man's head open with his bare hands, and kill Sebastian,}} a man who'd sheltered and helped him.
** A blend of [[Sliding Scale of Anti-Villains|Types II and III]], with shades of IV. Roy is a [[Woobie]] with a cause he's fighting for, but also commits several acts of violence that serve no greater purpose or necessity than his own urges. <!-- DEFINITELY NOT A FULL IV! Direct quote from the sliding scale page: "Basically, these guys are NEVER actively malevolent". -->
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* [[Badass Longcoat]]: Deckard and Batty.
* [[Barrier-Busting Blow]]: Batty punches through a rotting wall during their final encounter.
* [[Bigger Bad]]: The [[Mega Corp|Tyrell Corporation]] is responsible for the creation of the replicantsReplicants as well as [[What Measure Is a Non-Human?|the resulting social hierarchy between them and humans]]. However, it doesn't play as direct a role in the film as [[Big Bad]] Roy Batty, and its distance from the plot is even emphasized in a scrapped scene, when {{spoiler|"Tyrell" is revealed to be a replicantReplicant of the real founder of the corporation, who died many years before}}.
* [[Bilingual Bonus]]: Gaff's multilingual Cityspeak, which is a mishmash of various languages including Spanish, Japanese and Hungarian. Lófasz! Nehogy már!
** The first thing he says to Deckard translates to "You are the [[Title Drop|Blade Runner!]]"
* [[Bilingual Dialogue]]
* [[Bittersweet Ending]]: The director's and final cut end with Deckard realizing that the four years expiration date ''does'' apply to Rachael, and he {{spoiler|- possibly being a replicantReplicant himself - may end with the same fate a well}}. However, the film closes on a note of acceptance, as the quote on the bottom of this page suggests.
* [[Blown Across the Room]]: Holden in the scene at the beginning of the film in which he interrogates Leon.
** In fact, he gets blown ''clean through the goddamn wall''. Do NOT ask Leon about his mother.
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* [[Deadly Euphemism]]: "Retire" for kill.
* [[Defective Detective]]: Deckard. Not only is he plagued with self-loathing and doubt, he becomes increasingly unsure that his role as Blade Runner is ethical, and eventually {{spoiler|becomes a fugitive with Rachael}}.
* [[Designated Hero]]: Invoked in this case. The replicantsReplicants are escaped slaves. The Blade Runners are bounty hunters who get money for gunning them down. A Blade Runner protagonist makes for an uneasy moral setting at best.
* [[Digital Head Swap]]: The original version had a shot during Zhora's death where it was obvious that a stunt double was standing in for the actress. For the 2007 [[Re Cut|Final Cut]], actress Joanna Cassidy's face was digitally superimposed over that of the stunt double.
* [[Disturbed Doves]]: In the Bradbury Building, where the final confrontation takes place.
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* [[Face Death with Dignity]]: What Roy finally does in the end.
{{quote| '''Roy Batty''': "All those moments will be lost in time... like tears... in rain. Time to die."}}
* [[Failure Is the Only Option]] {{spoiler|The replicantsReplicants' quest for more life}} is doomed from the beginning.
* [[Famous Last Words]]: Roy Batty's famous lines, "I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams... glitter in the dark near the [[Tannhauser Gate]]. All these moments will be lost in time ... like tears ... in rain. Time to die."
** Made all the more awesome by the fact that "like tears in rain" was ad-libbed by Rutger Hauer.
* [[Fantastic Aesop]]: The movie seems to be trying to use the replicantsReplicants to make a point about human understanding and identity which relies heavily on the replicantsReplicants having a short 'hard-coded' lifespan.
* [[Fantastic Noir]]
* [[Fantastic Racism]]: The sexually-charged racial-slur "skin-job" says a ''lot'' about how a person who uses it thinks of replicantsReplicants, as [[Lampshade Hanging|lampshaded by the much-maligned narration of the non-director's cut.]]
{{quote| '''Deckard:''' ''"Skin job", that's what he calls them. Historically he's the kind of cop who calls black men niggers."''}}
* [[Fauxlosophic Narration]]: The narration in the theatrical cut is kind of dreadful, and veers straight into this at the end of the film.
* [[Feather Boa Constrictor]]: Zhora wears a replicantReplicant snake as a fashion accessory.
* [[Final Speech]]: Delivered famously by Roy.
* [[Five Stages of Grief]]: Roy appears to go through them all except for denial.
** Anger: "Fiery the angels fell; deep thunder rolled around their shores; burning with the fires of Orc!"
** Bargaining: His attempt to extract a longer life span from his own creator.
** Depression: When he realisesrealizes it's already too late for his comrades and howls with grief over Priss' body
** Acceptance: His famous dying speech expresses only regret that the things he knows will become lost forever.
** Rachael goes through a similar process, only we also get to see her early Denial stage, which we can assume happened to Roy and the others off-screen before the start of the story.
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* [[The Future Is Noir]]: ''Blade Runner'' practically invented a genre by mixing [[Film Noir]] aesthetics and [[Cyberpunk]] themes.
* [[Gaia's Lament]]: Earth is an ecological disaster, with an irradiated atmosphere, and very little natural life left.
** Indeed, aside from making human slave labourlabor, the Tyrell Corporation has a nice [[Only Electric Sheep Are Cheap|lucrative little side line in synthetic animals]] going. A fact that allows Deckard to advance his search for Zhora by finding snake scales with a serial number on them.
* [[Gainax Ending]]: In the [[Directors Cut]]. Although there's a general (and movie-changing) implication, the details are unclear, at best. What was up with that {{spoiler|unicorn}}? <ref>Don't try to explain it here, people -- take it to the Wild Mass Guessing page instead. It's open to interpretation.</ref>
* [[Glamour Failure]]: Can be forced by using the Voight-Kampff test to detect them, which monitors answers and subtle physical response to emotional questions. Otherwise replicantsReplicants are identical to humans. On occasion their eyes can be seen to glow slightly, but according to [[Word of God]], this is for the audience, and characters can't see it).
* [[Gorn]]: {{spoiler|Tyrell's}} death, in the International and Final cuts.
* [[Gray and Gray Morality]]: The story is rife with this. Roy Batty [[Lampshade Hanging|lampshades]] Deckard's proclivity for shooting unarmed people in the back.
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* [[Non-Indicative Name]]: There is nary a blade to be found in this movie. The term "blade runner" comes from ''The Blade Runner'', a completely unrelated dystopian novel in which the term refers to someone who sells black-market medical supplies. [[Ridley Scott]] bought the rights to the novel so that he could use the term in his film for no other reason than that it [[Rule of Cool|sounds cool]]. Also, given a certain [[Follow the Leader|thematic similarity]] to an earlier dystopian sci-fi film, it was just clever marketing to use a title with the word "[[Logan's Run|runner]]" in it.
* [[Nothing Is Scarier]]: The final confrontation between Deckard and Roy.
* [[One Last Job]]: Retiring the escaped group of replicantsReplicants, for Deckard
* [[Orwellian Retcon]]: Originally, Scott, Ford, and the writers agreed that Deckard was human. When Scott made the [[Directors Cut]] in 1992, he had [[Shrug of God|changed his mind]], and he inserted a [[Dream Sequence|two-second-long clip of a unicorn]] to change Deckard's nature in the movie.
* [[Popcultural Osmosis]]: ''Blade Runner'' was highly influential on [[Cyberpunk]] and [[Post Cyber Punk]] fiction. It is such a poster child for popcultural osmosis that the imagery in the film is sometimes familiar to people who've never even seen it.
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** Tsingtao is another brand name mentioned that survived the alleged curse, though the bottle Deckard buys after killing Zhora [[In Name Only|more resembles Gin or Vodka]] than the real world Chinese Lager.
* [[Punch Clock Hero]]: Deckard.
* [[Redemption Equals Death]]: {{spoiler|Roy Batty}}, rescuing and sparing Deckard's life just before his death. And {{spoiler|Deckard}} himself: if he is a replicant, he will die very soon "paying" for the {{spoiler|replicantsReplicants he killed in the name of the state}}.
* [[Riddle for the Ages]]: [[Philip K. Dick]]'s characters don't always know what's real and what's not real. There's not supposed to be a "right answer." Filmmakers are most faithful to the source material when they leave the ambiguities in, whether intentionally or not. [[Ridley Scott]] chose to disregard this advice.
* [[Ridiculous Future Inflation]]: Deckard has to pay a fairly infuriating price for a 30-second [[Video Phone|vidphone]] call.
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* [[Shown Their Work]]: A serendipitous example: When Batty and Tyrell are arguing about how to prolong a Replicant's lifespan, Batty mentions something called "EMS". Tyrell says they already tried "Ethyl methanesulfonate" unsuccessfully. Ethyl methanesulfonate ''is'' an actual organic compound with mutagenic qualities, used in genetics.
* [[Slap Slap Kiss]]: Rachael and Deckard don't actually hit each other, but Deckard is very rough and dominating with her before they fall into each others' arms.
* [[Smart People Play Chess]]: Tyrell and Sebastian regularly play chess. The replicantReplicant Roy Batty tricks his way into Tyrell's presence by demonstrating his chess skills.
* [[Smug Snake]]: Gaff. So very much. Possibly Holden, too.
* [[Snakes Are Sexy]]: "Ladies and gentlemen... Taffey Lewis presents... Miss Salome and the snake. Watch her take the pleasures from the serpent... that once corrupted man."
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* [[Trashcan Bonfire]]: Sometimes visible in the mean streets where Deckard works.
* [[Trickster Mentor]]: Gaff, in the Westwood Studio's [[Video Game]].
* [[Turned Against Their Masters]]: The replicantsReplicants, angry over their servitude and intentionally limited lifespan. A lifespan that was limited in order to curb the development of rebellious anger, even.
* [[Ubermensch]]: Roy Batty was intentionally created to be one, with a genius-level intellect. He naturally becomes the leader of the escaped replicantsReplicants.
* [[Ugly Hero, Good-Looking Villain]]: The final showdown. Compare the grimy, grizzled, blood-smeared form of Deckard to the nearly naked, nearly flawless body of Roy Batty. May or may not be an inversion and/or subversion depending on who you regard to be the hero and villain of the piece. During the '80s Harrison Ford was well-known for getting his ass kicked on camera really well.
* [[Used Future]]
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