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Sympathetic POV: Difference between revisions

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Compare [[Villain Episode]] and [[POV Sequel]]. Contrast with [[In Another Man's Shoes]], [[Only One]], [[The Rashomon]]. See also [[A Lighter Shade of Grey]].
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== Anime &and Manga ==
* The second season of the ''[[Gunslinger Girl]]'' anime showed the perspectives of the SWA who were trying to protect Italy and the Padanian terrorists who were trying to free their country from an oppressive government.
* In the ''[[Fullmetal Alchemist]]'' manga the near-genocidal Ishval Massacre is told from the point of view of the invading Amestrian soldiers, the Rockbells (heroic war-zone doctors), and an unnamed Ishvalan Warrior Priest (Scar). Nearly all the Amestrian soldiers are shown as disgusted by the orders of the higher-ups, who are mostly [[Complete Monster|remorseless bastards]], to the point where about 20% of the Amestrian officers are killed by subordinates tired of killing innocent people. By the end of the volume everyone except the actual villains are traumatized. In one scene Alex Louis Armstrong, mainly a source for comedy relief, is shown having a nervous breakdown right on the field while cradling a dead Ishvalan child.
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== Literature ==
* Notable in the ''[[Discworld]]'' novel ''[[Discworld/The Truth|The Truth]],'' in which the protagonist is a journalist who causes some friction with the City Watch (effectively the city's police force). The Watch had been portrayed in previous novels as likablelikeable good guys, but here they appear sinister and obstructive, even though they're just the same as they always were.
** The later book ''[[Discworld/Going Postal (Discworld)|Going Postal]]'' takes the POV of [[Boxed Crook|con artist-turned-government employee]] Moist von Lipwig. From his perspective, the newspaper started by the main character from ''The Truth'' becomes little more than a tool to be played with by whoever's clever enough, instead of the struggling moral emblem it was in the previous book. Also, from his perspective, he sees the ''Times'' editor William de Worde as a pompous windbag, while in ''The Truth'' de Worde is living on his wits and trying to stay a step ahead of his enemies, much like Lipwig does in his books.
** And in ''Thud!'' we see the trouble both the ''Times'' and, to a lesser extent, the Post Office are causing from the Watch's point of view.
** Many think that this is Vetinari's doing, since his whole modus operandi for staying in power is that everyone hates him, but hates each other more.
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[[Category:Narrative Devices]]
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[[Category:Narrative Devices]]
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