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Trapped in the Past: Difference between revisions

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* An early '70s ''[[National Lampoon]]'' had a short story "Going Back" where a guy in his 30s wakes up in his childhood home (oddly, he's still his grownup self, but everyone sees him as a kid.) He eagerly goes to school, thinking he'll wow the teachers with his talent and knowledge, but is perceived as merely average. He upsets his teacher when he blurts out that General MacArthur has been kicked out of Korea, forgetting it hasn't happened yet, then launches into a Vietnam-era rant about policing the world, not a smart thing to do in the McCarthy era. He gets grounded by his parents, and gloomily pictures his kid self in the future in his bachelor apartment, watching color tv all night and dropping water balloons off the balcony.
 
=== A group or community is transplanted. ===
* ''[[Island in The Sea of Time]]'' by [[S.M. Stirling]]. The island of Nantucket is whisked into 1250 BC, and must contend with Bronze Age cultures and their own crop of power-hungry renegades. This one ''does'' contend with language difficulties, uptime diseases, and so forth; the Nantucketers manage to wipe out huge numbers of Native Americans before they even realize what's going on, because the first party sent to the mainland contains someone with a sniffle. Their language difficulties are moderately eased by the fact that the languages of Europe are, at that point, much closer to still being "Proto-Indo-European"...
* The ''Assiti Shards'' milieu by [[Eric Flint]] and others. Cast-off shards of transdimensional alien "art" bombard Earth and transpose large chunks of it with other times and places. Several alternate histories are planned in this meta-setting, including ''Time Spike'' (several separate Shard events deposit a modern maximum security prison, the Cherokees on the Trail of Tears, a band of conquistadors, and multiple pre-Columbian Indian settlements into the Cretaceous), ''1776'' (the armies of George Washington and Frederick the Great both find themselves in ancient Rome during the Crisis of the Third Century), and ''By Any Other Name'' (the Assiti themselves make unwilling contact with Elizabethan England), but only two has seen any publishing. The first one has, however, seen a lot:
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