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Art Evolution: Difference between revisions

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An art evolution, however, is ''not'' necessarily an upgrade. The animation may actually become ''worse'' if the animators become [[Lazy Artist]] or their [[Executive Meddling|budget is slashed]], especially in long-running series which are more likely to have an [[Off-Model]] episode or two. Artistic quality is also highly subjective, which can lead to some fans becoming [[They Changed It, Now It Sucks|displeased with the new art style over the familiar old one]], even as [[Grow the Beard|others praise it]].
 
Very obvious in webcomicsweb comics, since the vast majority of webcomicsweb comics are amateur work; it may be the artist's first sustained attempt at drawing at all. Professional artists often recommend such artists continue honing their style rather than becoming too comfortable too soon. Genuinely good artists tend to have five hundred drawings for every ten good ones, even if they hide them away from the comic's archives.
 
Not to be confused with [[Art Shift]], which is a sudden, temporary change in artistic style as [[Homage]] or [[The Parody|parody]]. However, [[Lampshade Hanging|lampshadings]] of Art Evolution are often accomplished by means of an [[Art Shift]]. In a series with significant Art Evolution, the older style may reappear for a [[Retraux Flashback]].
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* Author Kouji Kumeta, best known for ''[[Sayonara, Zetsubou-sensei]]'', has a habit of starting of starting off series in one style, and ending them completely differently. His first relatively successful manga, ''Go!! Southern Ice Hockey Club'', started out in a fairly generic late-'80s style and worked its way into a much more angular, completely different look. Following on that, ''Katte ni Kaizou'' started out with this angular, shaded look, and ended up as, well... ''[[Sayonara, Zetsubou-sensei]]''. His latest series has had a modest amount of change in the way characters are drawn, but not as extreme as his previous two series. This is lampshaded substantially in episode 2 of ''Goku'', where everyone is drawn in the author's art style circa 1991.
* Somewhat apparent in ''[[Venus Versus Virus]]''. The characters round out more evenly after volume 5. ''Very'' apparent when you look at the [[What Could Have Been|oneshot]] from the first volume.
* In ''[[Rosario Plus+ Vampire]]'', if you look at the first chapter and the most recent one without reading any of the ones in between, you'd think they were drawn by entirely different artists. The characters looked much rounder and more cartoonish (and just plain not as good) in their humble beginnings, but given the series began as a romantic-comedy, this evolution is plenty justified when [[Cerebus Syndrome]] set in, turning the events of the story into a full-blown shounen direction.
** This is an especially striking example due to the astonishing speed with which it happened. ''[[Rosario Plus+ Vampire]]'' is 7 years old,{{when}} but by its 2ndsecond serialization less than 4 years later it was barely recognizable.
** Compare [http://www.mangareader.net/320-22350-51/rosario-vampire/chapter-1.html this] with [http://www.mangareader.net/319-22344-6/rosario-vampire-ii/chapter-16.html this]. No, seriously; that's the same artist, same series, only five years apart.
* ''[[Yami no Matsuei]]'', where the manga artwork and the characters—especially the male characters—start out damn pretty, then through the first 11 volumes gradually became drop-dead gorgeous and sexy. Unfortunately, the very last manga installments suffered from a massive drop in art quality, with the character designs becoming distinctly crude and blocky compared to the earlier artwork, possibly because of health issues with the author.
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