| Display title | The Quincy Punk |
| Default sort key | Quincy Punk, The |
| Page length (in bytes) | 10,103 |
| Namespace ID | 0 |
| Page ID | 18724 |
| Page content language | en - English |
| Page content model | wikitext |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Looney Toons (talk | contribs) |
| Date of latest edit | 13:57, 24 June 2021 |
| Total number of edits | 10 |
| Recent number of edits (within past 180 days) | 0 |
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Every youth subculture gets its moment to be The New Rock and Roll—greasers, mods, hippies, thugs, goths; hell, Mystery Science Theater 3000 proves the beatniks got a good round of it. And when the late '70s and early '80s came around, the punks got it with both barrels. The subculture relied on brilliant and strange hairstyles, a growing feeling of societal discontent, and stripped-down, often angry music. It was like a license to sow moral panic. |
