| Display title | The Turning Point |
| Default sort key | Turning Point, The |
| Page length (in bytes) | 5,326 |
| Namespace ID | 0 |
| Page ID | 130116 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
| Edit | Allow all users (infinite) |
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| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 16:34, 18 June 2021 |
| Total number of edits | 13 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The Turning Point revitalized the fad for Ballet and dance films. Released in 1977, the same year as Annie Hall and Star Wars, it also inaugurated Mikhail Baryshnikov's pop culture career as a film star. The film's ballet credentials are impeccable: it was directed by former dancer and choreographer Herb Ross; was produced by Ross' wife, legendary ballerina Nora Kaye; and featured several established or up-and-coming ballet stars in the cast. |