The Zeroth Law of Trope Examples: Difference between revisions
Content added Content deleted
mNo edit summary |
Looney Toons (talk | contribs) (Merged final paragraph of page into the example it duplicates, some markup tweaks) |
||
Line 9: | Line 9: | ||
* [[Badass Beard]] |
* [[Badass Beard]] |
||
{{quote|"He that hath a beard is more than a youth, and he that hath no beard is less than a man;" |
{{quote|"He that hath a beard is more than a youth, and he that hath no beard is less than a man;" |
||
|''[[Much Ado About Nothing]]''}} |
|||
* [[Fatal Flaw]] |
* [[Fatal Flaw]] |
||
{{quote|"So, oft it chances in particular men, |
{{quote|"So, oft it chances in particular men, |
||
Line 18: | Line 19: | ||
As infinite as man may undergo -- |
As infinite as man may undergo -- |
||
Shall in the general censure take corruption |
Shall in the general censure take corruption |
||
From that particular fault." |
From that particular fault." |
||
|''[[Hamlet]]''}} |
|||
* [[Foregone Conclusion]]: Shakespeare coined the phrase, although he used it to mean the [[Inverted Trope|inverse]] and it got [[Trope Decay|trope decayed]] ("foregone" means "averted" [[You Keep Using That Word|even today]]): |
* [[Foregone Conclusion]]: Shakespeare coined the phrase, although he used it to mean the [[Inverted Trope|inverse]] and it got [[Trope Decay|trope decayed]] ("foregone" means "averted" [[You Keep Using That Word|even today]]): |
||
{{quote|"But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be [[All Just a Dream|but a dream]]." |
{{quote|"But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be [[All Just a Dream|but a dream]]." |
||
|''[[Othello]]''}} |
|||
* [[Milking the Giant Cow|Hamming It Up]]: |
* [[Milking the Giant Cow|Hamming It Up]]: |
||
{{quote|"Nor do not saw the air too much with your hands, but suit the action to the word, the word to the action." |
{{quote|"Nor do not saw the air too much with your hands, but suit the action to the word, the word to the action." |
||
|''[[Hamlet]]''}} |
|||
* [[Miles Gloriosus]]: Ancient Pistol is a character who appears in three plays (''[[Henry IV Part 2]]'', ''[[The Merry Wives of Windsor]]'', and ''[[Henry V]]'') and is a pretty straight example. |
* [[Miles Gloriosus]]: Ancient Pistol is a character who appears in three plays (''[[Henry IV Part 2]]'', ''[[The Merry Wives of Windsor]]'', and ''[[Henry V]]'') and is a pretty straight example. |
||
* [[Lampshade Hanging]]: |
* [[Lampshade Hanging]]: |
||
{{quote|"If this were acted upon the stage I would condemn it as an improbable fiction." |
{{quote|"If this were acted upon the stage I would condemn it as an improbable fiction." |
||
|''[[Twelfth Night]]''}} |
|||
* [[MST3K Mantra]]: |
* [[MST3K Mantra]]: |
||
{{quote|"Do not infest your mind with beating on |
{{quote|"Do not infest your mind with beating on |
||
The strangeness of this business" |
The strangeness of this business" |
||
|''[[The Tempest]]''}} |
|||
* [[Naughty Nuns]]: In ''[[Measure for Measure]]'' |
* [[Naughty Nuns]]: In ''[[Measure for Measure]]'' |
||
* [[Out, Damned Spot!]]: |
* [[Out, Damned Spot!]]: Well, of course, as it's the [[Trope Namer]]: |
||
{{quote|"Out, damned spot! out, I say!" |
{{quote|"Out, damned spot! out, I say!" |
||
|''[[Macbeth]]''}} |
|||
* [[Prince and Pauper]]: ''[[The Taming of the Shrew]]'' used this one almost three centuries before the [[Trope Namer]] did. |
* [[Prince and Pauper]]: ''[[The Taming of the Shrew]]'' used this one almost three centuries before the [[Trope Namer]] did. |
||
* [[Refuge in Audacity]] |
* [[Refuge in Audacity]] |
||
Line 37: | Line 44: | ||
''That you have but slumbered here / While these visions did appear'' |
''That you have but slumbered here / While these visions did appear'' |
||
''And this weak and idle theme, / no more yielding, but a dream'' |
''And this weak and idle theme, / no more yielding, but a dream'' |
||
''take my hand, if we be friends / and Robin shall restore amends'' |
''take my hand, if we be friends / and Robin shall restore amends'' |
||
|''[[A Midsummer Night's Dream]]''}} |
|||
* [[Seen It a Million Times]]: |
* [[Seen It a Million Times]]: |
||
{{quote|"How many times shall this our lofty scene be acted o'er? In states unborn and accents yet unknown". |
{{quote|"How many times shall this our lofty scene be acted o'er? In states unborn and accents yet unknown". |
||
|''[[Julius Caesar (theatre)|Julius Caesar]]''}} |
|||
* [[Show Within a Show]]: Many times. |
* [[Show Within a Show]]: Many times. |
||
* [[Sock Puppet]]: The use of multiple user ID's to pretend to be someone else or create artificial support for one side in a debate is usually associated with the Internet era, but the same trick was used in ''Julius Caesar'' Act 1 Scene 2 by creating hardcopy messages "in different hands" (ie: by forging the handwriting to appear to be multiple other people) and physically throwing them through Brutus' window. |
* [[Sock Puppet]]: The use of multiple user ID's to pretend to be someone else or create artificial support for one side in a debate is usually associated with the Internet era, but the same trick was used in ''Julius Caesar'' Act 1 Scene 2 by creating hardcopy messages "in different hands" (ie: by forging the handwriting to appear to be multiple other people) and physically throwing them through Brutus' window. Yes, a character uses a [[Online Personas|made-up persona]] in a play set in ancient Rome and written in Elizabethan England. It's also an early example of [[Astroturf]]ing. |
||
* [[Spin-Off]]: The character of Falstaff, from Henry IV parts 1 and 2, was given his own play, at Royal request. |
* [[Spin-Off]]: The character of Falstaff, from Henry IV parts 1 and 2, was given his own play, at Royal request. |
||
* [[Sweet Polly Oliver]]: The Bard had ''five'' plays that made use of this plot - ''[[As You Like It]]'', ''[[Two Gentlemen of Verona]]'', ''[[Twelfth Night]]'', ''[[The Merchant of Venice]]'', and ''[[Cymbeline]]'' - long before the [[Trope Namer]] was written. Was pretty easy for a playwright to use this Trope during a time period [[Fridge Logic| where female characters were always played by men anyway.]] |
* [[Sweet Polly Oliver]]: The Bard had ''five'' plays that made use of this plot - ''[[As You Like It]]'', ''[[Two Gentlemen of Verona]]'', ''[[Twelfth Night]]'', ''[[The Merchant of Venice]]'', and ''[[Cymbeline]]'' - long before the [[Trope Namer]] was written. Was pretty easy for a playwright to use this Trope during a time period [[Fridge Logic| where female characters were always played by men anyway.]] |
||
Line 48: | Line 57: | ||
'''Aaron:''' ''That which thou canst not undo.'' |
'''Aaron:''' ''That which thou canst not undo.'' |
||
'''Chiron:''' ''Thou hast undone our mother.'' |
'''Chiron:''' ''Thou hast undone our mother.'' |
||
'''Aaron:''' ''Villain, I have ''done'' thy mother.'' |
'''Aaron:''' ''Villain, I have ''done'' thy mother.'' |
||
|''[[Titus Andronicus (theatre)|Titus Andronicus]]''}} |
|||
{{quote|'''Painter:''' ''Y'are a dog.'' |
{{quote|'''Painter:''' ''Y'are a dog.'' |
||
'''Apemantus:''' ''Thy mother's of my generation. What's she, if I be a dog?'' |
'''Apemantus:''' ''Thy mother's of my generation. What's she, if I be a dog?'' |
||
|''[[Timon of Athens]]''}} |
|||
Quite possibly the ultimate proof of the truth of this law: Shakespeare has an example of a [[Sock Puppet]] in ''[[Julius Caesar]]''. Yes, a character uses a [[Online Personas|made-up persona]] in a play set in ancient Rome and written in Elizabethan England. It's also used as an early example of [[Astroturf]]ing. |
|||
{{reflist}} |
{{reflist}} |