The Zeroth Law of Trope Examples: Difference between revisions

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* [[Badass Beard]]
* [[Badass Beard]]
{{quote|"He that hath a beard is more than a youth, and he that hath no beard is less than a man;"|''[[Much Ado About Nothing]]''}}
{{quote|"He that hath a beard is more than a youth, and he that hath no beard is less than a man;"
|''[[Much Ado About Nothing]]''}}
* [[Fatal Flaw]]
* [[Fatal Flaw]]
{{quote|"So, oft it chances in particular men,
{{quote|"So, oft it chances in particular men,
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As infinite as man may undergo --
As infinite as man may undergo --
Shall in the general censure take corruption
Shall in the general censure take corruption
From that particular fault."|''[[Hamlet]]''}}
From that particular fault."
|''[[Hamlet]]''}}
* [[Foregone Conclusion]]: Shakespeare coined the phrase, although he used it to mean the [[Inverted Trope|inverse]] and it got [[Trope Decay|trope decayed]] ("foregone" means "averted" [[You Keep Using That Word|even today]]):
* [[Foregone Conclusion]]: Shakespeare coined the phrase, although he used it to mean the [[Inverted Trope|inverse]] and it got [[Trope Decay|trope decayed]] ("foregone" means "averted" [[You Keep Using That Word|even today]]):
{{quote|"But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be [[All Just a Dream|but a dream]]." |''[[Othello]]''}}
{{quote|"But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be [[All Just a Dream|but a dream]]."
|''[[Othello]]''}}
* [[Milking the Giant Cow|Hamming It Up]]:
* [[Milking the Giant Cow|Hamming It Up]]:
{{quote|"Nor do not saw the air too much with your hands, but suit the action to the word, the word to the action."|''[[Hamlet]]''}}
{{quote|"Nor do not saw the air too much with your hands, but suit the action to the word, the word to the action."
|''[[Hamlet]]''}}
* [[Miles Gloriosus]]: Ancient Pistol is a character who appears in three plays (''[[Henry IV Part 2]]'', ''[[The Merry Wives of Windsor]]'', and ''[[Henry V]]'') and is a pretty straight example.
* [[Miles Gloriosus]]: Ancient Pistol is a character who appears in three plays (''[[Henry IV Part 2]]'', ''[[The Merry Wives of Windsor]]'', and ''[[Henry V]]'') and is a pretty straight example.
* [[Lampshade Hanging]]:
* [[Lampshade Hanging]]:
{{quote|"If this were acted upon the stage I would condemn it as an improbable fiction."|''[[Twelfth Night]]''}}
{{quote|"If this were acted upon the stage I would condemn it as an improbable fiction."
|''[[Twelfth Night]]''}}
* [[MST3K Mantra]]:
* [[MST3K Mantra]]:
{{quote|"Do not infest your mind with beating on
{{quote|"Do not infest your mind with beating on
The strangeness of this business"|''[[The Tempest]]''}}
The strangeness of this business"
|''[[The Tempest]]''}}
* [[Naughty Nuns]]: In ''[[Measure for Measure]]''
* [[Naughty Nuns]]: In ''[[Measure for Measure]]''
* [[Out, Damned Spot!]]:
* [[Out, Damned Spot!]]: Well, of course, as it's the [[Trope Namer]]:
{{quote|"Out, damned spot! out, I say!"|''[[Macbeth]]''}}
{{quote|"Out, damned spot! out, I say!"
|''[[Macbeth]]''}}
* [[Prince and Pauper]]: ''[[The Taming of the Shrew]]'' used this one almost three centuries before the [[Trope Namer]] did.
* [[Prince and Pauper]]: ''[[The Taming of the Shrew]]'' used this one almost three centuries before the [[Trope Namer]] did.
* [[Refuge in Audacity]]
* [[Refuge in Audacity]]
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''That you have but slumbered here / While these visions did appear''
''That you have but slumbered here / While these visions did appear''
''And this weak and idle theme, / no more yielding, but a dream''
''And this weak and idle theme, / no more yielding, but a dream''
''take my hand, if we be friends / and Robin shall restore amends''|''[[A Midsummer Night's Dream]]''}}
''take my hand, if we be friends / and Robin shall restore amends''
|''[[A Midsummer Night's Dream]]''}}
* [[Seen It a Million Times]]:
* [[Seen It a Million Times]]:
{{quote|"How many times shall this our lofty scene be acted o'er? In states unborn and accents yet unknown".|''[[Julius Caesar (theatre)|Julius Caesar]]''}}
{{quote|"How many times shall this our lofty scene be acted o'er? In states unborn and accents yet unknown".
|''[[Julius Caesar (theatre)|Julius Caesar]]''}}
* [[Show Within a Show]]: Many times.
* [[Show Within a Show]]: Many times.
* [[Sock Puppet]]: The use of multiple user ID's to pretend to be someone else or create artificial support for one side in a debate is usually associated with the Internet era, but the same trick was used in ''Julius Caesar'' Act 1 Scene 2 by creating hardcopy messages "in different hands" (ie: by forging the handwriting to appear to be multiple other people) and physically throwing them through Brutus' window.
* [[Sock Puppet]]: The use of multiple user ID's to pretend to be someone else or create artificial support for one side in a debate is usually associated with the Internet era, but the same trick was used in ''Julius Caesar'' Act 1 Scene 2 by creating hardcopy messages "in different hands" (ie: by forging the handwriting to appear to be multiple other people) and physically throwing them through Brutus' window. Yes, a character uses a [[Online Personas|made-up persona]] in a play set in ancient Rome and written in Elizabethan England. It's also an early example of [[Astroturf]]ing.
* [[Spin-Off]]: The character of Falstaff, from Henry IV parts 1 and 2, was given his own play, at Royal request.
* [[Spin-Off]]: The character of Falstaff, from Henry IV parts 1 and 2, was given his own play, at Royal request.
* [[Sweet Polly Oliver]]: The Bard had ''five'' plays that made use of this plot - ''[[As You Like It]]'', ''[[Two Gentlemen of Verona]]'', ''[[Twelfth Night]]'', ''[[The Merchant of Venice]]'', and ''[[Cymbeline]]'' - long before the [[Trope Namer]] was written. Was pretty easy for a playwright to use this Trope during a time period [[Fridge Logic| where female characters were always played by men anyway.]]
* [[Sweet Polly Oliver]]: The Bard had ''five'' plays that made use of this plot - ''[[As You Like It]]'', ''[[Two Gentlemen of Verona]]'', ''[[Twelfth Night]]'', ''[[The Merchant of Venice]]'', and ''[[Cymbeline]]'' - long before the [[Trope Namer]] was written. Was pretty easy for a playwright to use this Trope during a time period [[Fridge Logic| where female characters were always played by men anyway.]]
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'''Aaron:''' ''That which thou canst not undo.''
'''Aaron:''' ''That which thou canst not undo.''
'''Chiron:''' ''Thou hast undone our mother.''
'''Chiron:''' ''Thou hast undone our mother.''
'''Aaron:''' ''Villain, I have ''done'' thy mother.''|''[[Titus Andronicus (theatre)|Titus Andronicus]]''}}
'''Aaron:''' ''Villain, I have ''done'' thy mother.''
|''[[Titus Andronicus (theatre)|Titus Andronicus]]''}}
{{quote|'''Painter:''' ''Y'are a dog.''
{{quote|'''Painter:''' ''Y'are a dog.''
'''Apemantus:''' ''Thy mother's of my generation. What's she, if I be a dog?''|''[[Timon of Athens]]''}}
'''Apemantus:''' ''Thy mother's of my generation. What's she, if I be a dog?''
|''[[Timon of Athens]]''}}

Quite possibly the ultimate proof of the truth of this law: Shakespeare has an example of a [[Sock Puppet]] in ''[[Julius Caesar]]''. Yes, a character uses a [[Online Personas|made-up persona]] in a play set in ancient Rome and written in Elizabethan England. It's also used as an early example of [[Astroturf]]ing.


{{reflist}}
{{reflist}}