Jump to content

Straw Feminist: Difference between revisions

m
clean up
No edit summary
m (clean up)
Line 13:
== Anime ==
* Benio and the Zuka Club from ''[[Ouran High School Host Club]]'' are a troupe of [[Schoolgirl Lesbians|lesbian actresses]] (parody of the real-life [[Takarazuka]] Revue) who advocate female superiority and at one point (pictured above) perform a [[Those Wacky Nazis|Nazi salute]] against a backdrop of a red flag with the Japanese character 女 (''onna'' meaning "woman") instead of a Swastika -- ''literal'' feminazis. Their radicalism is probably just a result of being headstrong teenagers who are just as silly as the Host Club, though, and at the end of the episode Haruhi, whom they'd been trying to recruit, tells them that she finds their viewpoint "interesting and unique" but doesn't feel like leaving her friends in the Host Club. In the original manga, the conflict is eventually resolved with the Host Club's apologetic invitation to one of the Zuka Club's performances, which everyone found very enjoyable. For some reason, probably because of the differences in the story this ending was replaced with [[Banana Peel|banana peel jokes]] in Bones' anime adaptation.
* ''[[Armitage III]]''. The [[Backstory]] is given in snippets, but a key plot element is that feminists have become political powerhouses equivalent to Greens. It is implied by the presence of an Earth "observer" that on Earth, women have gained status equivalent to modern-day South African whites - and few are willing to give that up just because [[Mars Needs Women]]. Space has been colonized, and Mars has been partially [[Terraform|Terraformed]]ed, but has thus been unable to draw enough women to the planet to breed new Martians. Androids known as "[[A Mech by Any Other Name|Seconds]]" were created first as a source of labor, then upgraded to [[Ridiculously Human Robot|Ridiculously Human Robots]]s as a immigration draw; come to Mars and leave the shrews behind for a [[Yamato Nadeshiko|sweet, willing]] [[Mega Corp|conCeption]] [[Sex Bot]]! The long term solution was to {{spoiler|''build'' fertile women - the titular "Thirds"; robots so human that they can be '''impregnated'''. When the Straw Feminists find out about the plan, the threat to their power base pisses them off to no end, resulting in an ultimatum; scrap the baby machines or Mommy will come do it personally, [[The War of Earthly Aggression|along with as much of the landscape as necessary]].}}
* ''[[Kaichou wa Maid-sama]]'' stars Misaki Ayuzawa, the first female [[Student Council President]] of an all-boys-turned-coed school, who initially fits this trope, causing her no end of trouble against the majority male student body. Her backstory -- herbackstory—her father abandoning her, her younger sister, and their sickly mother to a huge debt -- providesdebt—provides some justification, and soon [[Character Development]] forces her to face the fact that the boys' antagonism to her is but a reflection of her own antagonism against them. It soon becomes clear that, regardless, Misaki's dislike of injustice in any form is much stronger than her dislike of men.
** What chapter or episode does she learn this?
* ''[[Aquarion Evol]]'' features MIX, a prudish redhead who deems boys inferior to girls in terms of combat potential, and is opposed to inter-gender interaction even after her school turned from gender-segregated to coed. She in particular despises Andy and his [[Lovable Sex Maniac|lecherous antics]]. This is partially justified by her father's affair with a woman he met at a hole-in-the-wall bathhouse (thus also contributing to her dislike of holes, which happens to be Andy's specialty). Soon, however, she starts defrosting to her male classmates and learns to cooperate with them.
* During the 'Til Death chapter of the [[Star Trek]] [[Comic Book Adaptation|manga]] the Enterprise comes across a [[After the End|ruined planet]], finding two sarcophagi on the surface. After beaming them back up the male and female crew begin acting hostile toward each other, at which point the women begin to behave as [[Straw Feminist]] and the men begin to act [[Straw Misogynist|in a similar fashion]]. The sarcophagi open and Spock is able to determine that the planet was [[Apocalypse How|destroyed]] in a [[Gendercide|gender war]], the leaders of which inside the coffins have been [[Mass Hypnosis|psychically influencing]] the crew.
 
 
Line 31:
* Sarah Rainmaker of ''[[Gen 13]]'' frequently yelled at Grunge for gawking at her and Bobby for being sexist. However, she had no problems objectifying women herself. In one issue she yells at Grunge for staring at her chest, but just a few pages before remarks that a Coda Warrior had a "Nice Ass."
* Although her pro-feminist stance was portrayed as a good thing in the '70s, by the ''[[Justice League of America|Justice League Europe]]'' days of the late '80s, [[Power Girl]] was portrayed as an obnoxiously outspoken feminist; this may have been a reflection of the more [[Reactionary Fantasy|conservative attitudes]] of the Reagan years. Today, her attitudes are portrayed in a positive light again (though the [[Fan Service]] has been dialed up a bit as well).
* [[Marvel Comics]] supervillain Superia wants to either eliminate, enslave, or [[Gender Bender|feminize]] all men-- andmen—and doesn't mind sterilizing 90% of Earth's women to make it happen. As Anaconda of the Serpent Society puts it, "What'samatter, you didn't get asked out to the prom or somethin'?"
** Superia seems to have dropped this in her recent reappearance. She has both men and women in her employ and treats both her male and female mooks like crap and now mainly focuses on her own selfish goals. This is probably because her previous schemes usually were foiled with the help other female characters.
** Marvel also has Man-Killer, whose name speaks for itself. Though she has something of an excuse since she was scarred by men.
* Diane Di Massa [[Parodied Trope|took this to the extreme]] in ''Hothead Paisan: Homicidal Lesbian Terrorist'', who dreams of "a world without penises".
* The British adult comic [[Viz]] has Millie Tant, a fat, ugly and possibly lesbian extreme feminist who spouts a lot of S.C.U.M.-esque nonsense and many strips end with her turning out to be a [[Straw Hypocrite|hypocrite]].
* Women from [[Marvel Comics|Thundra's future]] fit this trope to a 'T'. After their reality merged with its [[Spear Counterpart]] the result had both sexes living together in peace. Thundra later found another such reality, basically the copy of her original one, lived there for awhile and then came back to present leaving there a daughter Lyra who grew up into another [[Straw Feminist]] but [[All of the Other Reindeer|for a number]] [[My Species Doth Protest Too Much|of reasons]] [[Character Development|changed for better]].
* Parodied in a [[Gail Simone]] issue of ''[[Wonder Woman]]'', in a [[Stylistic Suck|really bad movie]] of Diana's life (actually created by a villain):
{{quote|'''Old Amazon''': I say to you, that beast is man! See its lust for alcohol, and raw meat, and sex!
Line 46:
'''Wonder Woman''' ''([[Thought Caption]])'': Urgh. Kill the scriptwriter. }}
** ''[[Robot Chicken]]'' portrayed Wonder Woman this way for a parody of ''[[The Real World]]'', where the raging feminist with a chip on her shoulder is practically a stock character. At one point, while comforting Catwoman, she remarks [[Les Yay|"Who needs men anyway?"]], and the sketch ends with her [[Berserk Button|jumping up, shouting "THAT'S IT!" and beating the stuffing out of one of the guys]] because [[Disproportionate Retribution|he coughed (politely) during dinner]].
** Played disturbingly straight in the [[New 52]] reboot by the other Amazons. Every few decades they go out to sea to find ships crewed by men. They couple with the men, then ''kill'' them. Female children conceived this way become the next generation of Amazons, while the male children are given to Hephaestus to act as his labor force in exchange for his weapons. Diana is appropriately horrified by this revelation and immediately tries to liberate the males -- shemales—she only stops when she sees that Hephaestus truly loves them as his surrogate sons and they in turn love him as their surrogate father.
* A Superman comic had [[Psycho Electro|Livewire]] cause every computer, camera, microphone, and the like to malfunction whenever men tried to use them. Justified in that most of the media of Metropolis was portrayed as [[Stay in the Kitchen|misogynist douchebags,]] less so when completely innocent men were targeted as well.
 
Line 72:
* General Jinjur from ''[[The Marvelous Land of Oz]]'' plotted the overthrow of King Scarecrow because she thought the [[Land of Oz]] was ruled by men for too long. May have actually been an [[Affectionate Parody]] of the early women's movement, as [[L. Frank Baum]] was actually the son-in-law of one of the movement's prime movers. [[The Other Wiki]] [[wikipedia:L. Frank Baum#Women.27s Suffrage Advocate|has more on the subject]].
* ''Edge of Apocalypse'' has the vice president.
* Akasha in ''[[The Vampire Chronicles|Queen of the Damned]]'' by [[Anne Rice]]. Though she does not use politically correct terms, since she's supposed to be an [[Ancientancient Egypt|ancient Egyptian]]ian, she believes all violence on Earth is caused by men. Her plan is to use her near-omnipotent powers as mother of all [[Our Vampires Are Different|vampires]] to [[Gendercide|destroy almost all the world's males]] and create a utopia run by women, with herself as benevolent queen and goddess. In the end {{spoiler|she is destroyed by female twin vampires Mekare and Maharet, for personal reasons as much as to stop her plot.}} She may or may not really be a straw feminist since it's unclear whether or not the author agrees with her (persistent [[Author Avatar]] Lestat seems very ambivalent).
* Sisera Catheter in ''Postmodern Pooh'', who dissects ''Winnie the Pooh'' from the standpoint of "gynocritical discourse". Though the book is an obvious exaggeration, the footnotes quoting [[Real Life]] academic feminists suggest that [[Poe's Law]] applies to some extent.
* In [[Haruki Murakami]]'s ''[[Kafka on the Shore]]'', two such beings visit the library where Oshima works, explicitly to find how the organization of the library is unfriendly to female patrons. They are shocked into silence when Oshima gives them an interesting [[The Reveal|heart-to-heart]].
* The title character in Tess Gerrittsen's "Rizzoli" series shows traits of this. She dislikes beautiful women (partly because she isn't) and is all too eager to assign a negative characteristic to them, and she often expresses disgust and contempt for the men who have fallen in love with them, dismissing them all as shallow and foolish. She also has a chip on her shoulder about being the only female detective in the homicide department and is quick to interpret all criticism--andcriticism—and praise, for that matter--asmatter—as sexist. And in a scene where she visits a bar, she views nearly every man there as a potential rapist and every woman as an idiot willing to put herself in danger.
* Subverted in J. Courtney Sullivan's ''Commencement'' with a ''sympathetic'' portrayal of a radical feminist: April, one of the main characters, is a self-described MacKinnonite who sees organizations like NOW as "not doing enough." However, she's shown to be more of a [[Well-Intentioned Extremist]], a good person who perhaps is a bit too idealistic {{spoiler|which she's abandoned by the end of the novel after she learns the hard way that some people like to take advantage of wide-eyed young guns}}. (Even the de rigeur anti-male attitude [[Freudian Excuse|is explained]] in April's case: her father [[Disappeared Dad|abandoned April and her mom]], and when April was 13 {{spoiler|a middle-aged family friend [[Break the Cutie|raped]] and [[Crosses the Line Twice|impregnated]] her}}.) The other three main characters, April's friends, each represent more moderate variations on feminism (one even works for NOW). April's [[Complete Monster]] of a boss, Ronnie Munro, could be seen as a straight-playing of the trope, if the novel didn't go out of its way acknowledge that her brand of "feminism" is far from the most prevalent or consistent one.
* In [[Half Moon Investigations]], the third most crucial group to the plot is a group of pre-pubescent aged elementary schoolgoing midgets who worship some important woman and try to get as many boys as they can expelled from their school. They also are violent and not afraid to do illegal things, like locking the main characters up.
* [[Wife-Basher Basher|Niklas]] from Jens Lapidus' ''Aldrig Fucka Up'' (translated "never fuck up") is a rare male [[Straw Feminist]]. He beats up his neighbours boyfriend for hitting her, stalks several men whose names he stole form a women's shelter, shooting one, and torturing another to death, and at the finale, blows up a [[Corrupt Corporate Executive]] who organizes orgies for the upper class. And this is only one of the [[Third Line, Some Waiting]].
* ''[[Percy Jackson and The Olympians]]'' gives us Circe, who believes that all men are pigs, and...considering [[Baleful Polymorph|her powers]], and [[Odyssey|the work in which she originally appeared]], you can pretty much see where she's going with that (though for the sake of convenience, she currently uses guinea pigs). She believes that women are so oppressed that they can only achieve power through magic (a belief later expressed by her niece Medea in the sequel series ''[[The Heroes of Olympus]]''). She's so bad that even [[Soapbox Sadie|Annabeth]] thinks she's a misandrist bitch.
** The Hunters of Artemis are actually ''heroic'' versions of this. They still [[Does Not Like Men|don't like men]], and have sworn off any romantic relationships with them, but unlike Circe, they don't ''harm'' guys unless provoked. (Which isn't very reassuring, considering that Greek deities like Artemis are infamous for [[Disproportionate Retribution]] and often consider small, harmless, and usually unintentional actions to be legitimate "provocation." Artemis claims to have turned guys into jackalopes and other animals just for ''stumbling upon their camp.'') Zoe Nightshade, the lieutenant of the Hunters, hates guys at first, but Percy's actions gradually cause her to respect them.
Line 97:
* ''[[Herman's Head]]'' had [[Handsome Lech]] Jay getting gut-punched by a butch member of [[Fun with Acronyms|WAMP]] (Women Against Male Persons), a feminist organization so radical they neuter gingerbread men.
* ''[[The West Wing]]'':
** If she's not written well, C.J Cregg in can sometimes border on this trope; fortunately, most of the time, she's written very well. Of note, however, is the episode 'The Women Of Qumar', in which C.J reacts very poorly the news of a US arms deal made to a [[Qurac]]-style country which has a poor record on women's rights; whilst the point the episode was making as a valid one, it unfortunately chose to make it by having C.J act in a very unprofessional, out-of-character and borderline [[Straw Feminist]] fashion.
** Abby Bartlet also faces this risk at times, although like C.J, she is normally written well enough to avoid it.
** The episode 'Night Five' features an intern with [[Straw Feminist]] tendencies who takes umbrage at a joke Sam makes towards Ainsley Hayes which sends him into a defensive frenzy all episode, and who eventually gets torn a new one by Ainsley herself by the end. Considering this was written not long after Sorkin's public spat with the moderators and commentators on the [[Television Without Pity]] boards, in which the possibility of sexism in his writing had been the topic of intense discussion, many have taken the existence of this character as a device to be torn down solely to show that his writing was not sexist. It doesn't help that, in the context of the episode, [[Straw Man Has a Point|the woman kind of had a point]].
* ''[[Lost in Space]]'' had an episode with this. The [[Straw Feminist]] villainess (who always got her [[Faceless Goons]] to do everything for her) agreed to take Dr. Smith as her consort (after checking his teeth!), and spent most of the episode forcing the males to be her slaves and the females to accept her cultish female supremacy. The result was not so much offensive as unintentionally hilarious.
* One of the episodes of ''[[House (TV series)|House]]'' mocks this trope. The patient is the personal assistant of a woman whose mission in life is to basically "enforce" gender equality in workplaces. When House finds out what she does, he tells his team to apologize for him raping her. "You know, metaphorically, by having a penis." She's seen in the cold open entering a board room full of men and snidely asking them why they didn't even "pretend to put a female on the board" and saying that there were plenty of secretaries and stenos downstairs. This is a pretty rough strawman even for US television, since she came off as more of a bitch than an egalitarian. The fact that after said patient was committed for a couple of days at most, [[George Jetson Job Security|she fired her and hired someone else]] doesn't help matters.
* Lilith House, a feminist organization on campus in season 3 of ''[[Veronica Mars]]'', leads a lot of angry protests against a serial rapist on campus who shaves the heads of his victims. After a Halloween party at a frat house, one of its members is herself raped and shaved. They then launch an all-out attack against the fraternity house to get them banned from campus. Once Veronica proves that the fraternity house is innocent of the rape, they get very angry at her for stopping the fraternity house from getting banned. Oh, and the feminist who was raped? {{spoiler|''She faked the whole thing''}}.
Line 108:
** Subverted where Donna Pinciotti is very passionate in her feminist beliefs yet she remains a very likable character.
** Played straighter, and for laughs, with her [[Hot Mom]] Midge. She gets caught up in second-wave feminism and tries to prove to her husband that women are just as capable as men...but unfortunately, Midge is [[Too Dumb to Live|an idiot]], so it doesn't really work.
* On ''[[ER]]'', Dr. Anna DelAmico acted hell-bent on interpreting EVERY SINGLE THING a male co-worker said or did as sexist and patronizing and/or a come-on. When he called her by her first name rather than "Dr.", she ranted and raved at him for several minutes and all but accused him of hitting on her and/or trying to undermine her in front of her patients, and continued to do this even after he apologized and assured her that he meant nothing improper and often called the male doctors by their first name too. Later, when he offered her help with patients or advice on how to deal with them, she blasted him for being condescending. At no time did it ever occur to her that she was overreacting. What's worse, upon complaining to a coworker, the other woman also played this trope straight, automatically assuming that the man was in the wrong and that his supposed sexist treatment was because he had been unable to get her into bed--withoutbed—without ''ever'' hearing the man's side of the story.
* [[Granola Girl]] Topanga Lawrence from the first season of ''[[Boy Meets World]]''. In an episode where the class is supposed to dress up as themselves as adults with future careers, Topanga shows up as the President of the United States, which isn't a prestigious job since women eliminated war by moving all men underground to use only for breeding. Fortunately, [[Retcon|retconningretcon]]ning gets rid of the misandry in later seasons.
* ''[[Buffy the Vampire Slayer]]'': Anya(nka) and Willow's mom. Anya is a misandrist who dedicated over a thousand years to punishing men. She eventually starts realizing some men are good after falling in love with Xander. It takes her a long time to start feeling guilty, though. Willow's mom is a shrink built on theory who doesn't pay any attention to her kid, and once ranted about the patriarchal content of [[Mister Rogers' Neighborhood|the Mr. Rogers show]]. Because creator [[Joss Whedon]] is a feminist himself, these straw feminists are in a different context than others.<br /><br />The initial introduction of 'vengeance demons' implied that they were all, like Anya, devoted exclusively to punishing men for wronging women. Later episodes introduced more diversity while establishing that this approach was largely born from Anya's own personal issues.
 
The initial introduction of 'vengeance demons' implied that they were all, like Anya, devoted exclusively to punishing men for wronging women. Later episodes introduced more diversity while establishing that this approach was largely born from Anya's own personal issues.
* Parodied in ''[[Big Wolf on Campus]]'' episode, "The Pleasantville Strangler". Stacy attends a feminist rally in honor of "Abigal B. Abbernacky", who was the town's first feminist. Tommy attends the rally as well (mostly as an excuse to cozy up to Stacy). Midway through, Stacy is possessed by the ghost of the titular strangler and begins to wrestle Tommy to the ground, causing the rally leader to shout "Show the man who has the power!" and one of the girls to exclaim "I didn't know this was going to be an anti-men thing!" Before all of this goes down, the girls all seem to just be calling for equal pay.
* ''[[Ally McBeal]]'' played with this trope a fair bit - many of the cases the team handled were accusations of sexual discrimination of some kind, and had an opposing lawyer, plaintiff or witness with a straw feminist argument to back it up. Ally (or, more frequently, her colleagues) would counter with a far more reasoned response along the lines of 'normal' feminist views, based on equal treatment for men and women alike. It's worth noting they didn't always win, mind...
Line 121 ⟶ 123:
** On ''[[Criminal Intent]]'', Eames will often play this role while being the [[Good Cop, Bad Cop|bad cop]].
* Inverted once in [[Sliders]] episode named "''The Weaker Sex''" where women rule the world. Initially it was described as positive - there were no wars, there were no class differences except; Men were considered the inferior sex, suffering the same injustices faced by women today like sexual harassment in their jobs (if they have any time from housecare), and not suitable for anything remarkable such as becoming a leading political or religious figure (even the Pope was female). Arturo becomes a somewhat unwilling figurehead for a men's rights movement in an election for becoming a Mayor.
* An episode of [[The Cosby Show]] played this out. Theo offers to plan a bachelor party for Denise's husband Martin. When he offers to get Martin a stripper, Martin tells him "no". Well, this apparently isn't good enough for Denise, who, egged on by her sister Sondra, starts screaming at Martin for not being offended and disgusted at the idea of having a stripper. The scenario degenerates into a "battle of the sexes", with the women basically denouncing everything the men say or do as sexist and patronizing, while the men actually make several valid points about the women overreacting, and their blatant [[Double Standard]]--Sondra—Sondra outright dismisses male stripping as "different", while continuing to denounce female stripping as degrading and refuses to explain exactly WHY there's a difference. Keep in mind that this all happened ''after'' Martin said "No" to having a stripper, meaning there was no reason for the argument to start in the first place.
* ''[[Glee]]'': In-universe, Sue Sylvester sometimes makes it out like the only reason men don't like her is because she's a strong woman trying to succeed in a patriarchal culture, never mind that she's outrageously evil. And she doesn't mind delightfully shoving Will and taunting "Can't push a woman?"
** The episode ''[[Themed Episode|The Power Of Madonna]]'' has Quinn (who ironically embodied the WORST stereotype of woman in the first 13 episodes, what with her use of [[The Baby Trap]]) AND Finn (who says 'It's easy to be a dude' before the guys perform 'What It Feels Like For A Girl'. Um no Finn, not at all. But then again, Finn's not so bright...) by the end of the end of the episode, with [[Dogged Nice Guy]] Artie as the [[Straw Misogynist]].
* ''Nightstand'', the 1990s parody of daytime talk shows, had the recurring [[Straw Feminist]] guest Dr. [[Just for Pun|Sans-Peen]]. A [[Does Not Like Men|man-hating lesbian]], the one time she agreed with her male chauvinist counterpart was wanting to see a nubile female guest jump up and down some more.
* Played with and ultimately averted with the character of Dana Foster (Staci Keanan) on the 1990s sitcom ''[[Step by Step]]''. A [[Dumb Blonde|Smart Blonde]], Dana was proudly feminist and was not afraid to say so. This was portrayed both positively and negatively over the course of the series, with the writers making Dana by turns a [[You Go, Girl!]], a [[Deadpan Snarker]], a [[Magnificent Bastard|Magnificent Bitch]], and (very occasionally) a [[Butt Monkey]]. One episode had her signing herself and her sisters up for a self-defense class, and they all take to the training quite well. Another, though, has Dana absurdly claiming that women can do ''anything'' men can do - even if they lack the physical strength for it - and getting called out for this by her sisters. Overall, Dana was one of the more competent and likable characters on the show in spite of her flaws, and even got some [[Character Development]] by lightening up in the later seasons and getting a boyfriend who was healthily macho - and, remarkably, all this without [[Chickification|running afoul]] [[Reactionary Fantasy|of the usual pitfalls]].
* ''[[Charmed]]'' gives us Penny Halliwell who claims that men are "utensils" that can be disposed of when they're finished. This attitude probably comes from the fact that she was married four times (and engaged twice more) and she even states that something must have gone wrong when the Chosen Child is a boy. She gets a little better though.
** In "Battle of the Hexes," [[The Scrappy|Billie]] all of a sudden cops this attitude. When she inadvertently puts on the Girdle of Hippolyta, this attitude gets turned [[Up to Eleven]].
* Often parodied on ''[[Community]]'' with Britta Perry, who has a tendency to deliver [[Straw Feminist]] pronouncements along with her general [[Granola Girl]] attitude. It usually involves her getting outraged at the flip of a coin, exposed as a bit of [[Hypocrite]] and generally ends up with her making herself look foolish.
* Rare male example with Georg in ''[[Naeturvaktin]]'', who passionately insists he is a radical feminist despite having [[Know-Nothing Know-It-All|basically no idea what radical feminism is]]. He insists the progenitor of feminism was not Mary Wollstonecraft but Karl Marx, and displays obvious misogyny towards women, which, when called upon, he argues is because "[[Madonna-Whore Complex|there are women, and there are hags]]". This is eventually revealed to be the result of his [[Dark and Troubled Past]], being raised by a domineering radfem mother who psychologically and sexually abused him.
* Samantha Carter had some shades of this during the [[Early Installment Weirdness|first couple of episodes]] of ''[[Stargate SG-1]]'', the crowning moment of which came during the pilot (her infamous "reproductive organs" speech). [[Word of God|Amanda Tapping]] actually complained to the writers that "women don't talk like that". The speech was later cut from the pilot's re-release as a DVD movie, and Carter proceeded to spend the rest of the show kicking ass and taking names without making a fuss over her gender.
Line 143 ⟶ 145:
 
== Mythology ==
* The original Amazons from [[Classical Mythology]] may be the [[Ur Example|Ur Examples]]s. They were a tribe of all-female warriors who, [[Depending on the Writer]], either [[Gendercide|killed their sons]], enslaved them, or killed some and enslaved the others. The Amazons managed to keep their tribe going by having sex with neighboring men (in versions where they killed all the boys), or their male slaves (in versions where they enslaved them). They were likely created to justify the Greeks' [[Stay in the Kitchen]] philosophy--"Well, we're only oppressing our women because if we don't, they'll rise up and oppress us even worse!"
** Fun fact: since the original Amazons were a [[Values Dissonance|horror story about women who would forsake femininity]], they did a lot of things to drive this fact home which were lost in later, [[Fan Service]]-laden adaptations, such as cutting off one of their breasts (so they could shoot bows without the string whacking against it). Think about ''that'' the next time you read about some literal [[Hot Amazon|Hot Amazons]]s.
 
 
Line 153 ⟶ 155:
== Radio ==
 
* [[Royal Canadian Air Farce]] did a bit called "Man Bash", a mock [[Game Show]] featuring a [[Straw Feminist]] host who made the male contestant's life hell, while overly praising and helping the female contestant.
 
== Tabletop Games ==
Line 159 ⟶ 161:
* In ''[[Werewolf: The Apocalypse]]'', the all-female Black Furies fit this trope to some extent. While some are into the spirituality of womanhood and/or seek gender equality and reproductive freedom, others are on a sacred quest to castrate every male they come across. But even the more well-rounded Furies have the Tribal Weakness of an easier time frenzying against men due to pent-up frustration against them. They eventually became more well-rounded with later editions, going from man-hating Amazons to a mystical cult of warrior women that worshiped Gaia in her guise of Artemis and provided the Garou Nation with necessary prophecy.
** In ''Apocalypse'', the guidebook that dealt with the end of the world for ''W:tA'', there's a chapter that discusses the possibility that the Apocalypse may begin when another entire tribe of the Garou falls to the Wyrm. The suggested scenario for the corruption and fall of the Black Furies involves all of them changing into... the most stereotypical possible version of the tribe, out to cull the human race by murdering most of the men.
* A more concrete example comes with the [[New World of Darkness]] ''[[Vampire: The Requiem]]''. The Circle of the Crone is a covenant that is rather feminist in its leanings, but not to the point of straw--exceptstraw—except for one faction within the covenant, the Daughters of the Goddess, who use for public example of their valuing men and not being misandrist a ritual where they sacrifice a male vampire, ritualistically called the Oak King. This is the only ritual where male vampires are allowed any sort of prominence, and they may only be the Oak King. Needless to say, the other covenants, and indeed most other factions within the Circle, ain't buyin' it.
* The third-party [[Dungeons and Dragons|D&D 3e book]] ''The Slayer's Guide to Amazons''. Quite-literal [[Hot Amazon|Hot Amazons]]s who view men as only good for [[Lady Land|siring daughters]] {{spoiler|(and for [[Black Widow|sacrificing to their goddess after the fact]])}}, [[Offing the Offspring|bash in the skulls of any unlucky sons]], have estrus cycles like [[Incredibly Lame Pun|bitches]], and are classified as [[Neutral Evil]] [[Evil Is Sexy]]? Not even the fact that they're portrayed [[Straw Man Has a Point|relatively]] [[Villain Protagonist|sympathetically]] [[Even Evil Has Standards|compared]] to a [[Straw Misogynist]] [[Aristocrats Are Evil|nobleman]] really redeems this culture from [[Unfortunate Implications|coming off rather]] like a [[Matriarchy|sexist matriarchy]]. And their canonically [[Stripperiffic]] outfits, and the phrase "hell hath no fury" on the back cover, ''really'' don't help.
 
 
Line 169 ⟶ 171:
 
== Video Games ==
* One interviewee on the talk radio channel in ''[[Grand Theft Auto]]: Vice City'' was one of these, contrasting with hip, somewhat stupid '80s girl Amy. The key comedy aspect in that interviewee was that she'd just spent a year "undercover" as a man and written a book on her findings. Moreover, the interviewee mentions learning various things about men over the process of being disguised as one, including how men find sports interesting, like looking at pictures of naked women, ear hats and smoke cigarettes. She's a pretentious [[Straw Feminist]] to boot, lambasting "half-hearted bra burners" in her interview. In a strange turn of events, [[wikipedia:Self-Made Man|this later happened]] in real life.
* In ''[[Baldur's Gate]]'':
** {{spoiler|Edwin}} briefly becomes one of these thanks to some [[Applied Phlebotinum]] that he [[Be Careful What You Wish For|covets]].
Line 196 ⟶ 198:
* Hippolyta in the [[Whateley Universe]] is defined by this trope, to the point of calling Hank a 'traitor' for transforming into a male.
* Played for laughs with Germaine from the [http://illwillpress.com Foamy Cartoons]. Course, she's not as extreme as others on this page, but that's most likely because [[Department of Redundancy Department|it's being played for laughs]].
* [[The Nostalgia Chick]] plays it for laughs in [[Kickassia]] when she became [[Sarah Palin|Nostalgia Palin]]. She blames the fact that everyone thinks she's a complete idiot now on the prejudice women face in politics. <ref> Of course, this wasn't so much as mocking feminism than it was slamming [[Sarah Palin]].</ref> Plot-wise, it also had to do with the fact that she was ''trying'' to establish herself as {{spoiler|a [[Magnificent Bastard|Magnificent]] [[Bitch in Sheep's Clothing]], but [[Jesus Was Way Cool|Santa Christ]] proved to be the [[Spanner in the Works]] for that one.}}
 
 
Line 212 ⟶ 214:
** Also, IIRC ''[[Superfriends]]'' had a one-time villainess who [[Hypnotize the Princess|brainwashes all the women in the world]] (including [[Wonder Woman]] and Jaina of the Wonder Twins) to turn against males.
* ''[[Family Guy]]'':
** In an episode where Peter is forced into sensitivity training... He was so trained that he himself did a feminism equivalent of the [[Heel Face Turn]] and became an extremely fluffy combination of this and a cookie baking, bridge playing young biddy that blames all the ills on men. He ends up falling in with one-shot [[Straw Feminist]] character Gloria Ironbox, who implies that Lois' choice to be a wife and stay-at-home mother is the reason Peter doesn't respect women and that her children are screwed. And what does Lois do? [[Shut UP, Hannibal|After shutting down her arguments,]] [[Mama Bear|she beats the shit out of her.]] The [[Cat Fight]] [[Girl-On-Girl Is Hot|manages to]] [[Snap Back|return Peter to normal.]]
** Peter once accuses Lois of being a feminist, however he considers that a sexy part of her.
* ''[[The Simpsons (animation)|The Simpsons]]'':
10,856

edits

Cookies help us deliver our services. By using our services, you agree to our use of cookies.