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Disneyfication: Difference between revisions

added note about "Saving Mr. Banks" to "Mary Poppins" entry.
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(added note about "Saving Mr. Banks" to "Mary Poppins" entry.)
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* Disney's so-called adaptation of Mary Norton's ''[[Bedknob and Broomstick]]'' dropped the original book's ''entire plot'', and instead created a new one from whole cloth involving Eglantine Price's attempt to learn magic solely in order to help the British effort in [[World War Two]]. Along the way, a medieval sorcerer became a modern con-man, an island of [[Talking Animal]]s was added apparently just to give Disney's animation division something to do that year, and a climactic battle scene of magically powered suits of plate armor versus a Nazi invasion force replaced the book's much more low-key conclusion. Oh, and they made it a musical. A major plot element complete with its own musical number, critical to the climax of the film, was conjured up out of a random two-word phrase ("substitutiary locomotion") that appears only once in a minor conversation on which the children eavesdrop in the book. And on top of all that, they pluralized both nouns in the title for no obvious reason.
* Likewise, ''[[Mary Poppins]]'' began as a series of seven books about a quite snarky and unpleasant magical nanny. Particularly towards the final books, the series become increasingly bizarre and increasingly interested in mythology, mysticism and herbalism (as was [[Author Appeal|its author, P.L. Travers]], a devotee of Theosophy). It's all a far cry from the Disney film version, which Travers loathed.
** Disney at least owned up to this in their 2013 film about the making of ''Mary Poppins'', ''[[Saving Mr. Banks]]'', where as part of the story they contrasted their adaptation with Travers' inspiration for the character, showing ''why'' she felt Disney's film was a betrayal.
* ''[[Pocahontas]]'' pretty much shredded everything we know about the historical woman. For one thing she was between 10 and 12 years old when she first met John Smith, making a romantic relationship unlikely at best. Her father had fifty wives and many children. She was taken to Jamestown as a hostage and married before her trip to London, and no Armada was threatening to annihilate her people. John Smith was not a Prince Charming type, but in fact an unattractive, short man with a giant woolly beard. Just about the only bit they got right was her saving Smith from execution, and even ''that'' is considered by some historians to have been the enactment of a ritual (and thus Smith wasn't in any real danger). [[Unreliable Narrator|Still other historians suspect Smith of making up the entire story, since it doesn't appear until he wrote his memoirs, four years after her ''death'']].
** And she didn't actually marry John Smith. She married John ''Rolfe''. The sequel addresses this, albeit in an inaccurate way, playing with drama between the two Johns. History reports that when she met John Smith in London, she slapped his face.
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