| Display title | The Wire |
| Default sort key | Wire, The |
| Page length (in bytes) | 92,124 |
| Namespace ID | 0 |
| Page ID | 148242 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 11 (0 redirects; 11 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 18:49, 1 May 2023 |
| Total number of edits | 29 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Transcluded templates (6) | Templates used on this page:
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Baltimore is back, baby. If you feel the need to make stories that blow past the boundaries of detective/crime drama, you need to be working a Baltimore setting. Homicide: Life on the Street set the bar. The Wire doesn't just jump that bar, it executes a triple somersault and lands perfectly on the other side. |
