Baroque Pop: Difference between revisions
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Baroque pop is a style of music that combines pop songwriting with (often complex) classical instrumentation. Instead of synths or electric guitars, expect to hear pianos, harpsichords, strings, woodwinds, and harps. This style started in the mid-60s. Even though the subgenre is called ''baroque'' pop, much of the instrumentation of it is more akin to the Classical period (ca. 1750 to the early 1800s), which was after the Baroque period (mid-1600s to ca. 1750). Chamber pop/rock is like baroque pop/rock, except that the instrumentation is influenced by chamber music. |
Baroque pop is a style of music that combines pop songwriting with (often complex) classical instrumentation. Instead of synths or electric guitars, expect to hear pianos, harpsichords, strings, woodwinds, and harps. This style started in the mid-60s. Even though the subgenre is called ''baroque'' pop, much of the instrumentation of it is more akin to the Classical period (ca. 1750 to the early 1800s), which was after the Baroque period (mid-1600s to ca. 1750). Chamber pop/rock is like baroque pop/rock, except that the instrumentation is influenced by chamber music. |
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The exact origins of baroque pop are unknown. Burt Bacharach and Phil Spector often made or produced classical-inspired music. The Zombies' "She's Not There" is often cited as an early example of the subgenre, but although the song had many harmonic qualities found in later baroque pop, it didn't use classical instrumentation. The song and group did inspire Michael Brown to form The Left Banke, whose 1966 single "Walk Away Renée" is considered the first true baroque pop single. [[The Beatles ( |
The exact origins of baroque pop are unknown. Burt Bacharach and Phil Spector often made or produced classical-inspired music. The Zombies' "She's Not There" is often cited as an early example of the subgenre, but although the song had many harmonic qualities found in later baroque pop, it didn't use classical instrumentation. The song and group did inspire Michael Brown to form The Left Banke, whose 1966 single "Walk Away Renée" is considered the first true baroque pop single. [[The Beatles (band)|The Beatles]], [[The Beach Boys]], [[The Moody Blues]], [[ABBA]], the [[Bee Gees]], and [[Procol Harum]] are a couple of bands from this time that had absorbed the influence of the subgenre. |
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Baroque pop then faded into the background as [[Punk Rock |
Baroque pop then faded into the background as [[Punk Rock]], [[Heavy Metal|metal]], [[Electronic Music]], and [[Progressive Rock]] dominated the music scene. It slowly started to revive. Now baroque pop is more common, although its musicians are often classified under indie, [[Alternative Rock|alternative]], folk, Americana, [[Britpop]], or [[Dream Pop]] instead. |
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=== Some Baroque Pop and Chamber Pop artists are: === |
=== Some Baroque Pop and Chamber Pop artists are: === |
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* [[ |
* [[Tori Amos]] (especially her first three albums, ''Midwinter Graces'', and ''Night of Hunters'') |
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* Anathallo evolved into this. Initially, they were [[Post Rock]]. |
* Anathallo evolved into this. Initially, they were [[Post Rock]]. |
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* [[Antony And The Johnsons]] |
* [[Antony And The Johnsons]] |
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* [[The Beach Boys]] |
* [[The Beach Boys]] |
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* [[Beach House]] |
* [[Beach House]] |
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* [[The Beatles ( |
* [[The Beatles (band)|The Beatles]] |
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* [[The Bee Gees]] (early years) |
* [[The Bee Gees]] (early years) |
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* [[Belle and Sebastian ( |
* [[Belle and Sebastian (band)|Belle and Sebastian]] |
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* Beulah |
* Beulah |
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* Andrew Bird |
* Andrew Bird |
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* [[The Decemberists]] |
* [[The Decemberists]] |
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* The Dirty Projectors |
* The Dirty Projectors |
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* [[The Divine Comedy ( |
* [[The Divine Comedy (band)|The Divine Comedy]] |
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* Nick Drake |
* Nick Drake |
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* [[Efterklang]] |
* [[Efterklang]] |
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* [[Feist]] |
* [[Feist]] |
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* [[Fleet Foxes]] |
* [[Fleet Foxes]] |
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* [[Florence and |
* [[Florence and the Machine]] |
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* [[ |
* [[The Free Design]] |
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* [[Serge Gainsbourg]] |
* [[Serge Gainsbourg]] |
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* Chris Garneau |
* Chris Garneau |
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* Grizzly Bear |
* Grizzly Bear |
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* Jellyfish (They started off as [[Power Pop]], but moved towards this later on) |
* Jellyfish (They started off as [[Power Pop]], but moved towards this later on) |
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* [[ |
* [[Keane]] |
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* The Left Banke |
* The Left Banke |
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* [[Jens Lekman]] |
* [[Jens Lekman]] |
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* [[Love ( |
* [[Love (band)|Love]] |
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* [[The Magnetic Fields]] |
* [[The Magnetic Fields]] |
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* The Millenium |
* The Millenium |
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* [[ |
* [[My Brightest Diamond]] |
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* [[The National]] |
* [[The National]] |
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* [[Joanna Newsom]] |
* [[Joanna Newsom]] |
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* [[ |
* [[Nico]]'s ''Chelsea Girl'' |
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* Owen Pallett |
* Owen Pallett |
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* [[Perfume Genius]] |
* [[Perfume Genius]] |
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* [[Procol Harum]] |
* [[Procol Harum]] |
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* [[ |
* [[Rasputina]] |
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* [[Simon and Garfunkel]] |
* [[Simon and Garfunkel]] |
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* Duncan Sheik |
* Duncan Sheik |
Revision as of 00:44, 9 April 2014
"Baroque pop is to pop music what progressive rock is to rock music. |
Baroque pop is a style of music that combines pop songwriting with (often complex) classical instrumentation. Instead of synths or electric guitars, expect to hear pianos, harpsichords, strings, woodwinds, and harps. This style started in the mid-60s. Even though the subgenre is called baroque pop, much of the instrumentation of it is more akin to the Classical period (ca. 1750 to the early 1800s), which was after the Baroque period (mid-1600s to ca. 1750). Chamber pop/rock is like baroque pop/rock, except that the instrumentation is influenced by chamber music.
The exact origins of baroque pop are unknown. Burt Bacharach and Phil Spector often made or produced classical-inspired music. The Zombies' "She's Not There" is often cited as an early example of the subgenre, but although the song had many harmonic qualities found in later baroque pop, it didn't use classical instrumentation. The song and group did inspire Michael Brown to form The Left Banke, whose 1966 single "Walk Away Renée" is considered the first true baroque pop single. The Beatles, The Beach Boys, The Moody Blues, ABBA, the Bee Gees, and Procol Harum are a couple of bands from this time that had absorbed the influence of the subgenre.
Baroque pop then faded into the background as Punk Rock, metal, Electronic Music, and Progressive Rock dominated the music scene. It slowly started to revive. Now baroque pop is more common, although its musicians are often classified under indie, alternative, folk, Americana, Britpop, or Dream Pop instead.
Some Baroque Pop and Chamber Pop artists are:
- Tori Amos (especially her first three albums, Midwinter Graces, and Night of Hunters)
- Anathallo evolved into this. Initially, they were Post Rock.
- Antony And The Johnsons
- Arcade Fire
- Emilie Autumn in the Enchant Era - "Opheliac" is much more industrial/metal, though there's still violins. Perhaps her music could be called chamber metal.
- The Association
- Burt Bacharach
- The Beach Boys
- Beach House
- The Beatles
- The Bee Gees (early years)
- Belle and Sebastian
- Beulah
- Andrew Bird
- The Brunettes
- Camera Obscura
- John Cale
- The Decemberists
- The Dirty Projectors
- The Divine Comedy
- Nick Drake
- Efterklang
- The Elephant 6 Collective
- The Apples in Stereo
- Beulah
- Circulatory System
- Elf Power
- Neutral Milk Hotel
- Of Montreal
- The Olivia Tremor Control
- Feist
- Fleet Foxes
- Florence and the Machine
- The Free Design
- Serge Gainsbourg
- Chris Garneau
- Lisa Germano
- Grizzly Bear
- Jellyfish (They started off as Power Pop, but moved towards this later on)
- Keane
- The Left Banke
- Jens Lekman
- Love
- The Magnetic Fields
- The Millenium
- My Brightest Diamond
- The National
- Joanna Newsom
- Nico's Chelsea Girl
- Owen Pallett
- Perfume Genius
- Procol Harum
- Rasputina
- Simon and Garfunkel
- Duncan Sheik
- Elliott Smith
- Sopor Aeternus & the Ensemble of Shadows is this mixed with Darkwave.
- Regina Spektor
- Starflyer 59 dipped into this on their 2001 album Leave Here a Stranger (which was a tribute to the Beach Boys' Pet Sounds) and their 2005 album Talking Voice Vs. Singing Voice.
- Strawbs
- Sufjan Stevens
- Vienna Teng
- Rufus Wainwright
- Scott Walker
- The Zombies