Display title | Ben-Hur: A Tale of the Christ (1925 film) |
Default sort key | Ben-Hur: A Tale of the Christ (1925 film) |
Page length (in bytes) | 1,552 |
Namespace ID | 0 |
Page ID | 458954 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
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Page creator | Robkelk (talk | contribs) |
Date of page creation | 13:24, 27 May 2019 |
Latest editor | GethN7 (talk | contribs) |
Date of latest edit | 14:22, 13 July 2021 |
Total number of edits | 9 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | Adapted from General Lew Wallace's popular novel Ben-Hur: A Tale of the Christ published in 1880, the epic Ben-Hur featured one of the most exciting spectacles in silent film: the chariot race that was shot with 40 cameras on a Circus Maximus set costing a staggering (for the day) $300,000. In addition to the grandeur of the chariot scene, a number of sequences shot in Technicolor also contributed to the epic status of Ben-Hur, which was directed by Fred Niblo and starred Ramon Novarro as Judah Ben-Hur and Francis X. Bushman as Messala. While the film did not initially recoup its investment, it did help to establish its studio, MGM, as one of the major players in the industry. |