| Display title | Genre Busting |
| Default sort key | Genre Busting |
| Page length (in bytes) | 75,444 |
| Namespace ID | 0 |
| Page ID | 83291 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | HeneryVII (talk | contribs) |
| Date of latest edit | 13:15, 15 May 2023 |
| Total number of edits | 42 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Transcluded templates (9) | Templates used on this page:
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Most creative work fits nicely into a series of classifications. We can quickly tell the difference between a sitcom and a sonnet, and we know what to expect in each one. Even if a work defies our specific expectations about tropes, it usually conforms to more general expectations about the genre. A sci-fi show can be new and different and innovative, but it can at the same time very clearly be science fiction, with a whole range of tropes assumed in that category. |
