| Display title | The Last Horse Crosses the Finish Line |
| Default sort key | Last Horse Crosses the Finish Line, The |
| Page length (in bytes) | 7,572 |
| Namespace ID | 0 |
| Page ID | 96473 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Edit | Allow all users (infinite) |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 00:17, 27 February 2024 |
| Total number of edits | 18 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | In any form of comedy and/or drama, whether it be Eastern or Western, the main character will be painfully oblivious to the events that are occurring right in front of him or her. Typically, it is up to the supporting cast, way before the revelation is necessary, to figure out the painfully obvious characteristic of the new personality, or find out a clue so shocking, that it can’t refuse to be overlooked. Instinctively, said support will try any which way to get the information known to the leading man/woman, with unsuccessful results. When the main character eventually does find out what the others have been trying to tell him/her, one of the two outcomes will happen, depending on the situation: |