| Display title | The Red Stapler |
| Default sort key | Red Stapler, The |
| Page length (in bytes) | 104,554 |
| Namespace ID | 0 |
| Page ID | 14168 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 21:43, 15 January 2024 |
| Total number of edits | 32 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
| Transcluded templates (8) | Templates used on this page:
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The situation where a movie affects or creates a Real Life demand for an object, good or service. This can lead to Defictionalization, where things only start being made due to demand for fictional things. For example, Swingline originally didn't make red staplers; the people who made the film Office Space painted a black stapler red for the film. Eventually can result in a Life Imitates Art situation. |
