The World as Myth: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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''[[The Number of the Beast]]'' and its two sequels make extensive use of the concept to permit a [[Massively Multiplayer Crossover]] between all the fictional universes that Heinlein wrote and those of several other authors of his era.
''[[The Number of the Beast]]'' and its two sequels make extensive use of the concept to permit a [[Massively Multiplayer Crossover]] between all the fictional universes that Heinlein wrote and those of several other authors of his era.


=== Heinlein novels explicitly set in the World as Myth: ===
== Heinlein novels explicitly set in the World as Myth ==


* ''[[The Number of the Beast]]''
* ''[[The Number of the Beast]]''
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=== Tropes embodied or directly implied by the World as Myth: ===
== Tropes embodied or directly implied by the World as Myth ==
* [[Alternate Universe]]
* [[Alternate Universe]]
* [[Cosmic Retcon]]
* [[Cosmic Retcon]]
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{{reflist}}
{{reflist}}
[[Category:Settings]]
[[Category:Settings]]
[[Category:index]]
[[Category:Index]]
[[Category:The World as Myth]]
[[Category:The World as Myth]]

Revision as of 16:46, 14 June 2015

Robert A. Heinlein's The Number of the Beast introduces the concept of the "World as Myth" which supposes that all fictional universes are equally real and, moreover, are accessible to one another via interdimensional travel.

The act of authorship is what creates said universes, which leads to the interesting notion that the characters in any given universe may be controlled, at any given moment, by an Author from another. Characters could, in theory, meet their own Author. Conversely, each Author is a character in someone else's fiction.

The Number of the Beast and its two sequels make extensive use of the concept to permit a Massively Multiplayer Crossover between all the fictional universes that Heinlein wrote and those of several other authors of his era.

Heinlein novels explicitly set in the World as Myth


Tropes embodied or directly implied by the World as Myth