Belle de Jour: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
m (Vorticity moved page Belle De Jour to Belle de Jour)
m (trope=>work)
Line 1: Line 1:
{{trope}}
{{work}}
[[File:catherine_deneuve_gallery_6_3081.jpg|frame]]
[[File:catherine_deneuve_gallery_6_3081.jpg|frame]]


Line 33: Line 33:
[[Category:The Criterion Collection]]
[[Category:The Criterion Collection]]
[[Category:Roger Ebert Great Movies List]]
[[Category:Roger Ebert Great Movies List]]
[[Category:Films of the 1960s0s]]
[[Category:Films of the 1960s]]
[[Category:Belle De Jour]]
[[Category:Belle de Jour]]

Revision as of 02:48, 30 January 2014

It is possibly the best-known erotic film of modern times, perhaps the best. That's because it understands eroticism from the inside-out--understands how it exists not in sweat and skin, but in the imagination.

Belle de Jour is one of the most famous films directed by Luis Bunuel. Released in 1967, it starred then-débutante Catherine Deneuve.

Séverine (Deneuve) looks outwardly like the perfect Housewife. Beautiful, demure, well-mannered and impeccably groomed, she is the very image of bourgeois propriety. In fact she is a masochist who likes to fantasize about being humiliated and treated like a sex object. On the recommandation of a friend, she acts out on these fantasies by becoming a part-time prostitute in an upscale brothel. Since she only turns tricks during her husband's business hours, she is given the moniker Belle de Jour, "daytime beauty".


Contains the following tropes: