Long Day's Journey Into Night: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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{{tropelist}}
This play provides examples of:

* [[Author Avatar]]: O'Neill spent a great deal of his early adulthood at sea, battled with alcoholism and depression, and suffered from tuberculosis, just like Edmund.
* [[Author Avatar]]: O'Neill spent a great deal of his early adulthood at sea, battled with alcoholism and depression, and suffered from tuberculosis, just like Edmund.
* [[The Disease That Shall Not Be Named]]: Literally. Edmund tries not to speak about his illness, as he believes it could be his mother's final breaking point.
* [[Creator Breakdown]]
* [[Downer Ending]]: It is implied that the end scene has been and will be repeated many, many more times.
* [[Downer Ending]]: It is implied that the end scene has been and will be repeated many, many more times.
* [[Fatal Flaw]]: See above.
* [[Fatal Flaw]]: See above.
* [[Generation Xerox]]: Perhaps one of the morals of the play, sad as it may be.
* [[Generation Xerox]]: Perhaps one of the morals of the play, sad as it may be.
* [[Ignored Epiphany]]
* [[Ignored Epiphany]]
* [[Incurable Cough of Death]]: {{spoiler|Actually Tuberculosis.}}
* [[Incurable Cough of Death]]: {{spoiler|Actually Tuberculosis}}.
* [[It Was His Sled]]: {{spoiler|Morphine. Alcoholism. Tuberculosis. James (most likely) accidentally killed his infant brother. Edmund is Eugene O'Neill.}}
* [[Lampshade Hanging]]: "What a bastard to have for a father! Christ, if you put him in a book, no one would believe it!"
* [[Lampshade Hanging]]: "What a bastard to have for a father! Christ, if you put him in a book, no one would believe it!"
* [[Parents As People]]: And how. Mary and James are depressingly human.
* [[The Disease That Shall Not Be Named]]: Literally. Edmund tries not to speak about his illness, as he believes it could be his mother's final breaking point.
* [[The Ophelia]]: Mary, especially in the last scene. Mostly due to the {{spoiler|morphine}}.
* [[The Ophelia]]: Mary, especially in the last scene. Mostly due to the {{spoiler|morphine}}.
** '''James''': The mad scene. Enter Ophelia!
** '''James''': The mad scene. Enter Ophelia!
* [[Parents as People]]: And how. Mary and James are depressingly human.
* [[Shout Out Literature]]: Edmund compares himself to a [[The Seagull|seagull.]]
* [[Shout-Out/Literature]]: Edmund compares himself to a [[The Seagull|seagull.]]
* [[Shout Out to Shakespeare]]: Too many to count; the Tyrones are a family of actors, after all.
* [[Shout-Out/To Shakespeare]]: Too many to count; the Tyrones are a family of actors, after all.
* [[Write Who You Know]]: Where to begin? Everyone is directly based on his real family and even share their first named: O'Neill's father was a famous [[Melodrama]] actor named James; his addict mother's first name was Mary, although she went by Ella; and his older brother was James Jr (Jamie). There's even a fleeting reference to the dead infant son being named Eugene-- essentially O'Neill swaps names with Edmund the [[Author Avatar]], the actual name for his dead sibling.


{{reflist}}
{{reflist}}
[[Category:Theatrical Productions]]
[[Category:Theatrical Productions]]
[[Category:Long Days Journey Into Night]]
[[Category:Long Day's Journey Into Night]]
[[Category:Theatre]]

Latest revision as of 23:44, 25 January 2017

Long Day's Journey Into Night is the story of a day in the life of a loving but dysfunctional Irish-American family as it is torn apart by addiction, resentment, and regret. It is also Eugene O'Neill's most autobiographical play, hence his insistence that it not be published until after his death. Winner of the 1957 Pulitzer Prize.


Tropes used in Long Day's Journey Into Night include: