The Giant Claw: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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En route back to the United States, Mitch and Sally's plane is attacked. Screeching is heard. They crash-land on a farm but survive unscathed and are taken in by a redneck named Pierre. More screeching is heard. Mitch and Sal go outside and find Pierre lying on the ground in terror near his spooked livestock. He claims to have seen the mythical witch ''La Cargagne'', an omen of his impending death.
En route back to the United States, Mitch and Sally's plane is attacked. Screeching is heard. They crash-land on a farm but survive unscathed and are taken in by a redneck named Pierre. More screeching is heard. Mitch and Sal go outside and find Pierre lying on the ground in terror near his spooked livestock. He claims to have seen the mythical witch ''La Cargagne'', an omen of his impending death.


Finally arriving back in General Buskirk's office, Mitch is surprised to discover that his story about a battleship-sized UFO is no longer dismissed as pure fallacy. Another aircraft, this time carrying a bunch of investigators, was lost shortly after the pilot radioed a distress call that a bird the size of... wait for it... a battleship, was attacking the plane. Not to mention some googly-eyed pictures snapped by a high-altitude balloon's camera.
Finally arriving back in General Buskirk's office, Mitch is surprised to discover that his story about a battleship-sized UFO is no longer dismissed as pure fallacy. Another aircraft, this time carrying a bunch of investigators, was lost shortly after the pilot radioed a distress call that a bird the size of... wait for it... a battleship, was attacking the plane. Not to mention some googly-eyed pictures snapped by a high-altitude balloon's camera.


Thus we finally get our first glimpses of the beast that would put the combined worst of the bestiaries from every [[Dungeons and Dragons]] Monster Manual to shame: a mighty battleship-sized phoenix from outer space, that flies faster than the speed of sound, that emanates a force-field of antimatter protecting it from all that the military can throw at it... as embodied by ''' a puppet that looks like [[Sesame Street|Big Bird's]] evil twin'''.
Thus we finally get our first glimpses of the beast that would put the combined worst of the bestiaries from every [[Dungeons & Dragons]] Monster Manual to shame: a mighty battleship-sized phoenix from outer space, that flies faster than the speed of sound, that emanates a force-field of antimatter protecting it from all that the military can throw at it... as embodied by ''' a puppet that looks like [[Sesame Street|Big Bird's]] evil twin'''.


It's time for women to gaze at the sky and pretend to scream in terror, for model cars and trains to be awkwardly plucked off ''papier-mâché'' sets, and for a scheme "[[Crazy Enough to Work|so crazy, it just might work!]]" to be contrived to defeat the bird.
It's time for women to gaze at the sky and pretend to scream in terror, for model cars and trains to be awkwardly plucked off ''papier-mâché'' sets, and for a scheme "[[Crazy Enough to Work|so crazy, it just might work!]]" to be contrived to defeat the bird.


This movie is simply priceless. It's got everything that a B science-fiction/horror movie from the 50s should have; a completely ridiculous monster, laughable dialogue delivered with total sincerity, copious use of mismatched stock footage, gobs and gobs of pseudo-scientific [[Techno Babble]]... you name it. All that's missing is the [[Fauxlosophic Narration]]. Although the actors' ruminations on their careers upon seeing the monster for the first time might've been entertaining.
This movie is simply priceless. It's got everything that a B science-fiction/horror movie from the 50s should have; a completely ridiculous monster, laughable dialogue delivered with total sincerity, copious use of mismatched stock footage, gobs and gobs of pseudo-scientific [[Techno Babble]]... you name it. All that's missing is the [[Fauxlosophic Narration]]. Although the actors' ruminations on their careers upon seeing the monster for the first time might've been entertaining.


Because... perhaps most priceless of all is the fact that all scenes with the actors were filmed first -- and ''then'' the scenes with the puppet were spliced in. None of the cast actually saw what they were supposed to be terrified of until they attended the film's premiere. Reportedly, Morrow, upon hearing the ''audience's'' reaction, left the theater with a red face hidden beneath a turned-up collar.
Because... perhaps most priceless of all is the fact that all scenes with the actors were filmed first -- and ''then'' the scenes with the puppet were spliced in. None of the cast actually saw what they were supposed to be terrified of until they attended the film's premiere. Reportedly, Morrow, upon hearing the ''audience's'' reaction, left the theater with a red face hidden beneath a turned-up collar.


By the way, it was released by Columbia Pictures -- also responsible for ''[[Lawrence of Arabia]]'' and ''[[Jason and The Argonauts (Film)|Jason and The Argonauts]]''. This is the one that tends not to be mentioned in the studio-anniversary clip shows.
By the way, it was released by Columbia Pictures -- also responsible for ''[[Lawrence of Arabia]]'' and ''[[Jason and the Argonauts]]''. This is the one that tends not to be mentioned in the studio-anniversary clip shows.


It never got an episode on ''[[Mystery Science Theater 3000]]'', which, quite frankly, is a crime. [[The Angry Video Game Nerd (Web Video)|James Rolfe]], however, [http://cinemassacre.com/2009/10/13/13-giant-claw-1957/ gives a fine insight on it].
It never got an episode on ''[[Mystery Science Theater 3000]]'', which, quite frankly, is a crime. [[The Angry Video Game Nerd|James Rolfe]], however, [https://web.archive.org/web/20131029105933/http://cinemassacre.com/2009/10/13/13-giant-claw-1957/ gives a fine insight on it].


{{tropelist}}
{{tropelist}}


* [[Antimatter]]: Well, Hollywood antimatter, anyway.
* [[Antimatter]]: Well, Hollywood antimatter, anyway.
* [[Attack of the 50 Foot Whatever]]
* [[Attack of the 50-Foot Whatever]]
* [[Attack of the Killer Whatever]]
* [[Attack of the Killer Whatever]]
* [[B-Movie]]
* [[B-Movie]]
* [[Big Applesauce]]: The climax takes place in New York.
* [[Big Applesauce]]: The climax takes place in New York.
* [[Contemplate Our Navels]]: The female lead gets ''two'' scenes of ruminating on tragic deaths, almost one right after the other.
* [[Contemplate Our Navels]]: The female lead gets ''two'' scenes of ruminating on tragic deaths, almost one right after the other.
* [[Defrosting Ice Queen]]: Sally Caldwell is quite the ice queen towards Mitch, at first. Then his "charm" finally wins her over.
* [[Defrosting Ice Queen]]: Sally Caldwell is quite the ice queen towards Mitch, at first. Then his "charm" finally wins her over.
* [[Department of Redundancy Department]]: "As big as a battleship." This is apparently the only really big thing the scriptwriters had ever seen in their entire lives.
* [[Department of Redundancy Department]]: "As big as a battleship." This is apparently the only really big thing the scriptwriters had ever seen in their entire lives.
* [[Enforced Method Acting]]: Be sure to check out the ''furious'' look on Jeff Morrow's face when huge chunks of flaming debris land inches from his head.
* [[Enforced Method Acting]]: Be sure to check out the ''furious'' look on Jeff Morrow's face when huge chunks of flaming debris land inches from his head.
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* [[Phrase Catcher]]: The monster is compared to a battleship.
* [[Phrase Catcher]]: The monster is compared to a battleship.
* [[Reverse Polarity]]
* [[Reverse Polarity]]
* [[Sci Fi Writers Have No Sense of Scale]]: Nor do they have any other measurement than "as big as a battleship", apparently.
* [[Sci-Fi Writers Have No Sense of Scale]]: Nor do they have any other measurement than "as big as a battleship", apparently.
* [[Somewhere an Ornithologist Is Crying]]
* [[Somewhere an Ornithologist Is Crying]]
** [[Toothy Bird]]
** [[Toothy Bird]]
* [[Stock Footage]]: One shot of a building losing its top in New York has been recycled from a building in Los Angeles being shot by a [[The War of the Worlds|Martian War Machine]].
* [[Stock Footage]]: One shot of a building losing its top in New York has been recycled from a building in Los Angeles being shot by a [[The War of the Worlds (novel)||Martian War Machine]].
** Several shots of collapsing buildings crushing hapless civilians beneath them were taken from two other 50's atomic horror movies, [[The Beast From 20000 Fathoms|The Beast from 20,000 Fathoms]] and [[Earth vs. the Flying Saucers]].
** Several shots of collapsing buildings crushing hapless civilians beneath them were taken from two other 50's atomic horror movies, [[The Beast from 20,000 Fathoms]] and [[Earth vs. the Flying Saucers]].
* [[Techno Babble]]
* [[Techno Babble]]
* [[Writers Cannot Do Math]]: Mitch discovers that the bird's attacks can be connected by a spiral pattern. No one mentions that ''any'' series of points can be connected by a spiral.
* [[Writers Cannot Do Math]]: Mitch discovers that the bird's attacks can be connected by a spiral pattern. No one mentions that ''any'' series of points can be connected by a spiral.
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[[Category:Horror Films]]
[[Category:Horror Films]]
[[Category:Films of the 1950s]]
[[Category:Films of the 1950s]]
[[Category:The Giant Claw]]
[[Category:Film]]
[[Category:Film]]
{{DEFAULTSORT:Giant Claw, The}}
[[Category:{{PAGENAME}}]]
[[Category:Cult Classic]]

Latest revision as of 13:51, 30 March 2022

What monster, out of the innumerable B science-fiction/horror films from the 50s and 60s, can possibly hope to compete with Ro-Man -- the man in a gorilla suit wearing a toy plastic space helmet -- from Robot Monster?

Four words: Giant. Antimatter. Space. Buzzard.[1]

Test-pilot/electronics engineer/physicist Mitchell "Mitch" Macafee (Jeff Morrow) is piloting a jet over Canada when he spots a UFO ("As big as a battleship!!"). His girlfriend on the ground Sally Caldwell (Mara Corday), however, sees nothing on the radar. Jets are scrambled to investigate his claim, but one goes missing. Mitch's commanding officer isn't pleased with him -- and is even less so when another plane disappears in the same area.

Can you spot the difference? (Hint: The poster doesn't show the monster's head...)


En route back to the United States, Mitch and Sally's plane is attacked. Screeching is heard. They crash-land on a farm but survive unscathed and are taken in by a redneck named Pierre. More screeching is heard. Mitch and Sal go outside and find Pierre lying on the ground in terror near his spooked livestock. He claims to have seen the mythical witch La Cargagne, an omen of his impending death.

Finally arriving back in General Buskirk's office, Mitch is surprised to discover that his story about a battleship-sized UFO is no longer dismissed as pure fallacy. Another aircraft, this time carrying a bunch of investigators, was lost shortly after the pilot radioed a distress call that a bird the size of... wait for it... a battleship, was attacking the plane. Not to mention some googly-eyed pictures snapped by a high-altitude balloon's camera.

Thus we finally get our first glimpses of the beast that would put the combined worst of the bestiaries from every Dungeons & Dragons Monster Manual to shame: a mighty battleship-sized phoenix from outer space, that flies faster than the speed of sound, that emanates a force-field of antimatter protecting it from all that the military can throw at it... as embodied by a puppet that looks like Big Bird's evil twin.

It's time for women to gaze at the sky and pretend to scream in terror, for model cars and trains to be awkwardly plucked off papier-mâché sets, and for a scheme "so crazy, it just might work!" to be contrived to defeat the bird.

This movie is simply priceless. It's got everything that a B science-fiction/horror movie from the 50s should have; a completely ridiculous monster, laughable dialogue delivered with total sincerity, copious use of mismatched stock footage, gobs and gobs of pseudo-scientific Techno Babble... you name it. All that's missing is the Fauxlosophic Narration. Although the actors' ruminations on their careers upon seeing the monster for the first time might've been entertaining.

Because... perhaps most priceless of all is the fact that all scenes with the actors were filmed first -- and then the scenes with the puppet were spliced in. None of the cast actually saw what they were supposed to be terrified of until they attended the film's premiere. Reportedly, Morrow, upon hearing the audience's reaction, left the theater with a red face hidden beneath a turned-up collar.

By the way, it was released by Columbia Pictures -- also responsible for Lawrence of Arabia and Jason and the Argonauts. This is the one that tends not to be mentioned in the studio-anniversary clip shows.

It never got an episode on Mystery Science Theater 3000, which, quite frankly, is a crime. James Rolfe, however, gives a fine insight on it.

Tropes used in The Giant Claw include:


  1. Attorneys representing the Giant Killer Bunny Rabbit union are currently appealing this decision and could not be reached for comment.