X-Factor (comics)/YMMV: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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=== The first series contains examples of: ===
=== The first series contains examples of: ===


* [[Mis Blamed]] - There was no [[Pandering to the Base]] to bring Jean back. Nor was it [[Executive Meddling]]. It was simply that they finally figured out a way she could return ''without having killed five billion people''.
* [[Mis Blamed]]: There was no [[Pandering to the Base]] to bring Jean back. Nor was it [[Executive Meddling]]. It was simply that they finally figured out a way she could return ''without having killed five billion people''.
** In fact it was executive meddling that kept her from returning until they found a way (Madelyne Pryor was even supposed to be Jean reincarnated until that was nixed).
** In fact it was executive meddling that kept her from returning until they found a way (Madelyne Pryor was even supposed to be Jean reincarnated until that was nixed).
* [[The Woobie]]: Rusty/Firefist


=== The second series contains examples of: ===
=== The second series contains examples of: ===

Revision as of 01:31, 11 April 2015


The first series contains examples of:

  • Mis Blamed: There was no Pandering to the Base to bring Jean back. Nor was it Executive Meddling. It was simply that they finally figured out a way she could return without having killed five billion people.
    • In fact it was executive meddling that kept her from returning until they found a way (Madelyne Pryor was even supposed to be Jean reincarnated until that was nixed).
  • The Woobie: Rusty/Firefist

The second series contains examples of:

  • My Real Daddy: Peter David is the man behind both the second and third series, and the title's name is now always linked to him.
  • Rescued From the Scrappy Heap - Madrox, who annoyed writers and artists alike for starting life as a visually boring and bland character whose superpower was to create visually boring copies of himself. It took Peter David's addition of creatively using his powers, a sense of humor and a philosophical side for the character to take off, and even after that, most writers still don't know what to do with him.

The third series contains examples of: