Mr. Puntila and His Man Matti

"I’ve got a good heart, and I am glad for it. I once saved a stag beetle from getting run over, it’s almost excessive. I let it crawl up on a stick."

—Mr Puntila, Act I

Mr Puntila and His Man Matti (Herr Puntila und sein Knecht Matti) is a 1940 play by Bertolt Brecht, based on The Sawdust Princess by Hella Wuolijoki.

Estate owner Johannes of Puntila lives his life in a permanent drunken stupor, picking fights and asking women on the street to marry him. His daughter, Eva, is engaged to a very proper and exceedingly dull young attaché. One day, Puntila finds himself at a bar where he meets Matti Altonen, a Servile Snarker driver whom he hired a few days before -- though he doesn't remember doing so.

As they travel through Finland together and prepare for Eva's wedding day, Puntila increasingly confides in Matti and tells him his secret: three or four times a year, he sobers up by accident and becomes afflicted by responsibility, which scares him straight back into alcoholism.

Matti, ever stoic, spends his days throughout the play ignoring Puntila and playing seduction games with the young Eva. Bored, decadent and hungry for scandal, the Puntila family rapidly collapses in on itself, until Matti finally decides to simply get out... without a letter of reference, stating he'll just take his chance with the world.

Using the stock characters of the Commedia Dell'Arte, Brecht hoped to showcase the self-sufficient and positive "modern man" in Matti, and to parody the decadence of capitalism and faschism with the character of Puntila. The play was first performed in 1948 and has become one of Bertolt Brecht's most succesful works. Modern performances tend to include some amount of nudity and sexual action -- depending on the production, either between Matti and Eva or between a long-suffering Matti and a very drunk Puntila. (Or both.)

Tropes used in Mr. Puntila and His Man Matti include:

The Alcoholic: Puntila.
Arranged Marriage: In his sober state, Puntila plans to marry his daughter Eva off to the utterly idiotic, but socially well-connected attaché.
Bad Boss: Puntila when sober.
Black Comedy: Despite being played out as a comedy, much of the drama's themes and outcomes are, at close watch, quite serious and bleak: Eva is being forced into a loveless marriage with the insufferable attaché, the worker Surkkala, together with his wife and children, is dismissed and ostracized as a communist, Matti leaves Puntila without a job reference, and Puntila himself remains an alcoholic and a tyrant, and essentially a deeply unhappy man.
The Ditz: The attaché.
Going Cold Turkey: Puntila tries this in Act V. He's Off the Wagon about five minutes later.
Gold Digger: The attaché counts on Puntila paying his debts when he marries Eva.
In Vino Veritas: Sober, Puntila is a penny-pinching Bad Boss and a hard-boiled capitalist; when drunk, he is kind, sentimental and, in his words, "almost a communist".
Jekyll and Hyde: Invoked by Puntila himself, who claims -- in his drunken state -- that his sober self is a villain and his own greatest enemy.
Servile Snarker: Matti.
Unsympathetic Comedy Protagonist: Puntila.
Wildlife Commentary Spoof: Invoked in the Prologue, which announces the imminent exhibition of a certain "primeval animal", "known for its gluttony and uselessness", its name being estatium possessor (estate owner).