Time After Time: Difference between revisions
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1979 novel by Karl Alexander and movie directed by Nicholas Meyer (which, while based on the book, was made before it was published) starring [[Malcolm McDowell]], [[David Warner]] and Mary Steenburgen. |
1979 novel by Karl Alexander and movie directed by Nicholas Meyer (which, while based on the book, was made before it was published) starring [[Malcolm McDowell]], [[David Warner]] and Mary Steenburgen. |
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In 1893, aspiring writer and inventor [[ |
In 1893, aspiring writer and inventor [[H. G. Wells]] (McDowell) invites some friends over to dinner, where he shows them one of his latest inventions -- [[The Time Machine|a device he claims can travel through time]]. Despite the general mockery he receives, one of them -- a surgeon called John Leslie Stevenson (Warner) -- takes particular interest in his claims, and not for no reason; moments after, the police intrude into Wells' home, claiming to have traced none other than [[Jack the Ripper]] to the premises. When a search reveals that Stevenson has disappeared, Wells realises that not only is Stevenson the Ripper, but that he has used Wells' time machine to escape into the future and evade justice. |
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Appalled at the thought of having unleashed a monster onto the social utopia he believes the future will be, he decides to follow Stevenson into the future and bring him back to face justice. Arriving in San Francisco in 1979, Wells finds that the future is not everything he thought or hoped, befriends an attractive, feminist bank clerk called Amy (Steenburgen) and discovers that Stevenson is up to his old tricks -- and that Amy may be his next victim... |
Appalled at the thought of having unleashed a monster onto the social utopia he believes the future will be, he decides to follow Stevenson into the future and bring him back to face justice. Arriving in San Francisco in 1979, Wells finds that the future is not everything he thought or hoped, befriends an attractive, feminist bank clerk called Amy (Steenburgen) and discovers that Stevenson is up to his old tricks -- and that Amy may be his next victim... |
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=== Provides examples of: === |
=== Provides examples of: === |
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* [[Beethoven Was an Alien Spy]]: If not actually the first story to be built on the idea of 'hey, what if [[ |
* [[Beethoven Was an Alien Spy]]: If not actually the first story to be built on the idea of 'hey, what if [[H. G. Wells]] really ''did'' have a time machine?', then certainly one of the [[Trope Codifier|Trope Codifiers]] |
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* [[Born in |
* [[Born in the Wrong Century]]: Stevenson. He finds out that being Jack the Ripper in the Twentieth Century makes him an ''amateur'' when it comes to killing, and feels right at home starting up his killing spree again. |
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* [[Chekhov's Gun]]: {{spoiler|The "send the passenger to infinity" key}} |
* [[Chekhov's Gun]]: {{spoiler|The "send the passenger to infinity" key}} |
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* [[Fish Out of Temporal Water]]: Wells finds that the future isn't the utopia he'd thought. |
* [[Fish Out of Temporal Water]]: Wells finds that the future isn't the utopia he'd thought. |
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* [[Jack the Ripper]]: Well, yeah. |
* [[Jack the Ripper]]: Well, yeah. |
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* [[Oh Crap]]: {{spoiler|Stevenson}} during the climax when he realizes {{spoiler|Wells is about to pull the [[Chekhov's Gun|"send the passenger to infinity" key]] out of the time machine}}. |
* [[Oh Crap]]: {{spoiler|Stevenson}} during the climax when he realizes {{spoiler|Wells is about to pull the [[Chekhov's Gun|"send the passenger to infinity" key]] out of the time machine}}. |
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* [[Playing Against Type]]: Malcolm McDowell, who [[A Clockwork Orange ( |
* [[Playing Against Type]]: Malcolm McDowell, who [[A Clockwork Orange (film)|thanks to various]] [[Caligula|prior roles]] generally gets cast as a bit of a psycho nutcase or otherwise amoral type, plays the rather sweet, slightly naive Wells -- in a movie with Jack the Ripper. |
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* [[Taking the Heat]]: When the cops [[Police Are Useless|refuse to listen]] to Wells's Jack-the-Ripper story, he gets so desperate that he confesses to the killings in an attempt to get them to check Amy's apartment and make sure she's safe. |
* [[Taking the Heat]]: When the cops [[Police Are Useless|refuse to listen]] to Wells's Jack-the-Ripper story, he gets so desperate that he confesses to the killings in an attempt to get them to check Amy's apartment and make sure she's safe. |
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* [[Terminator Twosome]] |
* [[Terminator Twosome]] |
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* [[Villains Blend in Better]]: Provides the above quote -- [[ |
* [[Villains Blend in Better]]: Provides the above quote -- [[H. G. Wells]] struggles to fit in (although to be fair to him, in practical terms he adapts a lot better than most; it's mainly culture shock over the idea that the future isn't everything he'd built it up to be), while ''[[Jack the Ripper]]'' of all people acclimatises comfortably. |
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{{reflist}} |
{{reflist}} |
Revision as of 07:42, 8 April 2014
Ninety years ago I was a freak. Today I'm an amateur.
|
1979 novel by Karl Alexander and movie directed by Nicholas Meyer (which, while based on the book, was made before it was published) starring Malcolm McDowell, David Warner and Mary Steenburgen.
In 1893, aspiring writer and inventor H. G. Wells (McDowell) invites some friends over to dinner, where he shows them one of his latest inventions -- a device he claims can travel through time. Despite the general mockery he receives, one of them -- a surgeon called John Leslie Stevenson (Warner) -- takes particular interest in his claims, and not for no reason; moments after, the police intrude into Wells' home, claiming to have traced none other than Jack the Ripper to the premises. When a search reveals that Stevenson has disappeared, Wells realises that not only is Stevenson the Ripper, but that he has used Wells' time machine to escape into the future and evade justice.
Appalled at the thought of having unleashed a monster onto the social utopia he believes the future will be, he decides to follow Stevenson into the future and bring him back to face justice. Arriving in San Francisco in 1979, Wells finds that the future is not everything he thought or hoped, befriends an attractive, feminist bank clerk called Amy (Steenburgen) and discovers that Stevenson is up to his old tricks -- and that Amy may be his next victim...
Provides examples of:
- Beethoven Was an Alien Spy: If not actually the first story to be built on the idea of 'hey, what if H. G. Wells really did have a time machine?', then certainly one of the Trope Codifiers
- Born in the Wrong Century: Stevenson. He finds out that being Jack the Ripper in the Twentieth Century makes him an amateur when it comes to killing, and feels right at home starting up his killing spree again.
- Chekhov's Gun: The "send the passenger to infinity" key
- Fish Out of Temporal Water: Wells finds that the future isn't the utopia he'd thought.
- Also, he has this exchange with Amy:
Wells: Much superior to that scottish place where I breakfasted. |
- Good Is Dumb: Wells, during the Hostage for Macguffin scene.
- Good Is Old-Fashioned: Stevenson considers Wells to be this.
- Hey, It's That Guy!: A very young Corey Feldman as a kid in the museum where the time machine ends up.
- Sark/Dillinger is Jack the Ripper!
- Hostage for Macguffin: Giving his word as a gentleman, Stevenson offers to trade Amy for the anti-return key Wells holds. He naturally fails to deliver the hostage, and chides Wells for not realizing that he is no gentleman.
- ~I'm Mr. Future Pop Culture Reference~: Inverted and subverted; to blend in, Wells, adopts the name of a period fictional character he's sure will be forgotten ninety years later. Unfortunately, this fictional character happens to be Sherlock Holmes.
- Also, despite still being famous in the future, being known by his initials allows him to blend in quite nicely with his real name Herbert Wells.
- Jack the Ripper: Well, yeah.
- Oh Crap: Stevenson during the climax when he realizes Wells is about to pull the "send the passenger to infinity" key out of the time machine.
- Playing Against Type: Malcolm McDowell, who thanks to various prior roles generally gets cast as a bit of a psycho nutcase or otherwise amoral type, plays the rather sweet, slightly naive Wells -- in a movie with Jack the Ripper.
- Taking the Heat: When the cops refuse to listen to Wells's Jack-the-Ripper story, he gets so desperate that he confesses to the killings in an attempt to get them to check Amy's apartment and make sure she's safe.
- Terminator Twosome
- Villains Blend in Better: Provides the above quote -- H. G. Wells struggles to fit in (although to be fair to him, in practical terms he adapts a lot better than most; it's mainly culture shock over the idea that the future isn't everything he'd built it up to be), while Jack the Ripper of all people acclimatises comfortably.