Notes From Underground: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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{{work}}
{{work}}
{{Infobox book
| title = Notes from Underground
| original title = Записки изъ подполья
| image =
| caption =
| author = Fyodor Dostoevsky
| central theme =
| elevator pitch =
| genre =
| publication date = 1864
| source page exists = yes
| wiki URL =
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{{quote|"...what is man without desire, without will, and without wishes if not a stop in an organ pipe?"}}
{{quote|"...what is man without desire, without will, and without wishes if not a stop in an organ pipe?"}}


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{{tropelist}}
{{tropelist}}
* [[Author Tract]] Noticeably averted -- the author's opinions fell just about opposite of the Underground Man's. Dostoevsky was actually using the character as an example of what he saw as the degradation of the human condition.
* [[Author Tract]] Noticeably averted -- the author's opinions fell just about opposite of the Underground Man's. Dostoevsky was actually using the character as an example of what he saw as the degradation of the human condition.
* [[Big Ham]]: The thing with a lot of Dostoevsky's characters is that they work on extremes. They not always be in your face bombastic and they may not be loud, but they take whatever trait they have to (or past)its logical extreme to the point of ridiculous, [[Rule of Symbolism|but it serves a purpose]].
* [[Downer Ending]]
* [[Downer Ending]]
* [[Foregone Conclusion]] A minor case, since the second half of the book is a flashback.
* [[Foregone Conclusion]] A minor case, since the second half of the book is a flashback.
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* [[Hooker with a Heart of Gold]] Liza.
* [[Hooker with a Heart of Gold]] Liza.
* [[Jerk with a Heart of Gold]] Debatable on the "heart of gold" part, but he does seem to regret everything he's done.
* [[Jerk with a Heart of Gold]] Debatable on the "heart of gold" part, but he does seem to regret everything he's done.
* [[Large Ham]]: The thing with a lot of Dostoevsky's characters is that they work on extremes. They not always be in your face bombastic and they may not be loud, but they take whatever trait they have to (or past)its logical extreme to the point of ridiculous, [[Rule of Symbolism|but it serves a purpose]].
* [[Loners Are Freaks]] The narrator is really terrible at making friends, partly because he's abrasive and rude, and partly because he has major social anxiety.
* [[Loners Are Freaks]] The narrator is really terrible at making friends, partly because he's abrasive and rude, and partly because he has major social anxiety.
* [[Mind Screw]]
* [[Mind Screw]]
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{{reflist}}
{{reflist}}
[[Category:Nineteenth Century Literature]]
[[Category:Literature of the 19th century]]
[[Category:Notes From Underground]]
[[Category:Notes From Underground]]
[[Category:Fyodor Dostoevsky]]
[[Category:Fyodor Dostoevsky]]
[[Category:Existentialism]]
[[Category:Existentialism]]
[[Category:Russian Literature]]
[[Category:Russian Literature]]
[[Category:Literature]]

Latest revision as of 12:56, 3 May 2021

Notes from Underground
Original Title: Записки изъ подполья
Written by: Fyodor Dostoevsky
Central Theme:
Synopsis:
First published: 1864
More Information
Source: Read Notes From Underground here
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"...what is man without desire, without will, and without wishes if not a stop in an organ pipe?"

An 1863 novel by Fyodor Dostoevsky about an unnamed social outcast living in St. Petersburg. Depressed by the city and his own inadequacy, this mysterious Underground Man begins to write a rambling, philosophical journal -- the Notes From Underground.

The novel's divided into two parts: first, the notes ("Underground"), and second, an account of the humiliating events which led to his self-imposed seclusion ("Apropos to Wet Snow").

Deals with themes of existentialism (though it predates the actual movement), free will, and the modern disconnect from others.

Tropes used in Notes From Underground include: