Fansadox

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[cquoteHowAboutFansadoxBDSMStories,JustTheDescriptionsWillMakeMeLooseSleepForAMonth!-NC17ToAllYouWanks(possibleGorn)Author=[1][[Related To The]{{["High Octane Nightmare Fuel]]}}Page On{{TV Tropes}}\"]

Fansadox is a BDSM pornographic comic franchise centered around rough BDSM play, the beating and rape of women. As it's expected, being made for a specific niche, readers will have reactions ranging from Template:Squick to Template:High Octane Nightmare Fuel to Template:Beyond The Impossible. In rare cases, it can even turn to snuff.

It consists of contributions from Template:Depending On The Artist. This obviously results in different numbers with different stories.

In more recent issues, the company has made several disclaimer pages, almost mocking the porn industry, in which the fictional cartoon characters swear they're over 18 and that they are actually BDSM (sometimes payed) actors who enjoyed every moment of it. Template:Hilarity Ensues, but it also becomes a Template:Narm moment as you realise they appear in just about any issue, from when they started using it Template:Our Lawyers Advised This Trope, fact confirmed by Template:Word Of God ([http://atheistnexus.org/forum/topics/bdsm-and-the-decline-of?groupUrl=cynics&x=1&groupId=2182797

Warning: Vulgar language ahead and if you don't like how it starts, leave now before needing to use some Template:Brain Bleach.


On the Sliding Scales, it ranges


Issues with continuity include


 
Basically... Template:So Yeah

Novels include


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The works contain examples of these tropes

 
 
"I will jump in and take out Loki and his subordinates. Then, I will go home and prepare dinner."
 

The Action Girl is a female Badass who can go toe to toe with her male counterparts without breaking a sweat. Damsel in Distress? Not for this babe. She doesn't sit around waiting to be rescued. She's headbutting her jailer and breaking herself out. She proves, with her very being, that girls aren't only not helpless, they kick ass. But not just "any girl with a fight scene" can be considered an Action Girl. An Action Girl is accompanied by Rule of Cool, and routinely and reliably gets in on the combat. And what's more, she wins.

Because of Double Standards, true Action Girls are less common than male Badasses. If you want to get more into the why of that, check out the Gender Dynamics Index or our very own Action Girl Analysis page. The short version however, is the concept that Men Are Strong, Women Are Pretty and females should Stay in the Kitchen. For a very long time, females who did much but wait around for their hero to come rescue them were unusual and rare. Even now, women aren't automatically assumed to be able to fight and protect themselves the way men are. Society has progressed since then and Action Girls are popular and more common than ever, but girls still haven't completely caught up with boys when it comes to expectations in media, hence the continued existence of this trope.

Read more....

 
 
I've learned that, in every story, there is a big, bad something. An evil force that, no matter the size, corrupts the world of the story, and tries its best to destroy the hero. A wolf, a witch, a giant, a dragon, a knight... or an idea, a desire, a temptation... or even a book.
 

A Big Bad could be a character with Evil Plans or it could be a situation, such as a comet heading towards the Earth. It is behind all of the other bad happenings. The Big Bad can (and often does) exert effect across a number of episodes, and even an entire season.

Note that Big Bad is not a catch-all trope for the biggest and ugliest villain of any given story. The Badass leader of the outlaw gang that the heroes face once or twice is not the Big Bad. The railroad tycoon who turns out to be using the gang as muscle is the Big Bad. In general, if there is a constant Man Behind the Man story going on in order to reveal the big bad, then whoever is behind it all is the Big Bad, not every major villain in the lead-up. At other times, if a new enemy shows up to replace the previous Big Bad, then they are the Big Bads of their individual storylines.

Read more... .

 
 
I've learned that, in every story, there is a big, bad something. An evil force that, no matter the size, corrupts the world of the story, and tries its best to destroy the hero. A wolf, a witch, a giant, a dragon, a knight... or an idea, a desire, a temptation... or even a book.
 

A Big Bad could be a character with Evil Plans or it could be a situation, such as a comet heading towards the Earth. It is behind all of the other bad happenings. The Big Bad can (and often does) exert effect across a number of episodes, and even an entire season.

Note that Big Bad is not a catch-all trope for the biggest and ugliest villain of any given story. The Badass leader of the outlaw gang that the heroes face once or twice is not the Big Bad. The railroad tycoon who turns out to be using the gang as muscle is the Big Bad. In general, if there is a constant Man Behind the Man story going on in order to reveal the big bad, then whoever is behind it all is the Big Bad, not every major villain in the lead-up. At other times, if a new enemy shows up to replace the previous Big Bad, then they are the Big Bads of their individual storylines.

Read more... s have these, some even *gasp* not sexual partners.

 
This trope is brought to you by Death playing an electric guitar.
 

The limit of the Willing Suspension of Disbelief for a given element is directly proportional to the element's awesomeness.

 

Stated another way, all but the most pedantic of viewers will forgive liberties with reality as long as the result is wicked sweet or awesome. This applies to the audience in general; there will naturally be a different threshold for each individual.

The Rule of Cool is another principle that seeks to dispel arguments among fans over implausibility in fiction. It has been cited by animation director Steve Loter (of Kim Possible, Clerks the Animated Series, Tarzan, and American Dragon: Jake Long) in response to questions from fans attempting to justify temporary breaches in logical consistency. It is a complement to Bellisario's Maxim and the MST3K Mantra.

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sceneries has become an easy thing (depending on the artist's talent, too). Since about the 200th issue and the introduction of new artists, many pages are concentrated on the awesome background of the place it's talking about than about the female body. That's all nice and well, but being a porn magazine, the Template:Plot with Porn without naked, tortured women is getting too much advanced on the latter.
 
 
"Tragedy! When the feeling's gone and you can't go on, it's tragedy!"
 

In a sentence, you could say that Tragedy concerns itself with the fall of a great man due to his own mistakes and/or flaws.

As a genre, tragedy is Older Than Feudalism. It has changed quite a bit since its conception in ancient Greece, and nowadays is a dying genre... how tragic! Soon it will be just as dead as Irony.

As you can guess from the above facetiousness, Tragedy is also as clingy as Irony and as difficult to define and apply. It's not enough to be on the deep cynical end and have a Twist or Downer Ending with plenty of artsy angst along the way, or have the hero's happy home life destroyed with a girlfriend raped and Dead Little Sister; it has to be of an epic scope with inexorable and self-inflicted pain brought about for past sins. And despite all that, it also has to give the viewer closure.

Read more...: Implicit for the women.

These are the tropes that are one step beyond Dead Horse Tropes; not only are they not used straight, they're not used at all. You won't find this in any current series; they have disappeared from the writer's toolbox.

Note that these aren't actually forgotten, Future Imperfect-style, otherwise would we even be talking about them here? Academics will know all about them, and a few minutes with a web search engine will turn up plenty, if you know what to look for. They may, on very, very rare occasions, show up in a modern series, but generally only those that are emulating a series that did have these.

The best place to find Forgotten Tropes is in "classic" works; there you will see them, frozen like insects in amber. For example, in Alice in Wonderland, Carroll's poem about the "little crocodile" parodies Isaac Watts's saccharine original about the "little busy bee" -- an example of a whole class of Victorian poems that children were taught in order to instill virtue. (See Weird Al Effect.)

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/ Template:Dude Not Funny / Template:Unfortunate Implications / Template:Did Not Do The Research: Nothing's too old, too worn out, too unfunny or too vile to use. Except Template:Pandering To The Base.

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