James Herbert

James Herbert, OBE (born 8 April 1943, died 20 March 2013) was one of Britain’s most bestselling and prolific horror novelists. His stories are notable for their highly descriptive narratives and graphic depictions of sex, carnage, and destruction. His first book, The Rats, was rejected by several publishers, but was finally published in 1974, and sold out within three weeks, despite (or because of) widespread criticism from reviewers for its graphic depictions of mutilation and death, some going as far to label its social commentary about the government’s neglect of the post-war London suburbs and the underclasses as too extreme. He had written 23 novels, several short stories, and even one graphic novel, The City. Some of his works have been adapted into other media, most notably The Rats, which was adapted into the film Deadly Eyes in 1982, and even into a 1985 computer game, titled… The Rats for the Commodore 64 and Sinclair Spectrum.

Bibliography:

Novels

The Rats (1974)
The Fog (1975)
The Survivor (1976)
Fluke (1977)
The Spear (1978)
Lair (1979)
The Dark (1980)
The Jonah (1981)
Shrine (1983)
Domain (1984)
Moon (1985)
The Magic Cottage (1986)
Sepulchre (1987)
Haunted (1988)
Creed (1990)
Portent (1992)
The Ghosts of Sleath (1994)
‍'‍48 (1996)
Others (1999)
Once (2001)
Nobody True (2003)
The Secret of Crickley Hall (2006)
Ash (TBA)

Graphic novel

The City (1993)

Non-fiction

By Horror Haunted (1992)
James Herbert's Dark Places (1993)

Short stories

Maurice and Mog (cut from some early editions of Domain)
Breakfast (cut from some early editions of Domain)
The Ghost Hunter (excerpt from Haunted)
Halloween's Child
They Don't Like Us
Extinct
Cora's Needs

James Herbert provides examples of the following tropes:

After the End: Played with in '48 and Domain.
An Astral Projection, Not a Ghost: The plot of Nobody True.
Anti-Hero: Herbert protagonists usually fall between Type II and III. A notable exception is Joe Creed, who comes off as a mix of I and IV, and given the tongue-in-cheek tone of Creed, these traits make him seem like a borderline Unsympathetic Comedy Protagonist.
Asshole Victim: This comes up quite a lot. Many minor characters are fleshed out and some of them are revealed to be rather unlikable and unpleasant, even depraved at worst. They often die horribly. This isn't a strict rule, however, as some other minor characters are more sympathetic, and some actually live.
Badass Normal: Most of Herbert's heroes are these.
- Badass Abnormal
- Badass Teacher: Harris, the protagonist of The Rats, and Childs of Moon.
Bitch in Sheep's Clothing
Body Horror: Others is quite notable for this, as the hero was himself born hideously deformed and later discovers a large group of unfortunates with defects even more repulsive and horrifying than his who are kept as lab rats.
Celebrity Resemblance: Joe Creed from Creed is described as looking a little like a sleazy Mickey Rourke. This, however, was written before Rourke went back to boxing, and subsequently had reconstructive surgery...
Crapsack World
Daylight Horror
Dead Little Sister: Herbert's protagonists sometimes have a deceased child or sibling.
Demonic Possession: Shrine is centred around a little girl who is an apparent "faith healer", but who turns out to be possessed by the vengeful spirit of a wicked nun.
Determinator: The traveler in "The City." Not even killing his wife causes him to halt in his quest.
Family-Unfriendly Death: By the truckload.
Full-Frontal Assault: Whenever this happens, it's usually Fan Disservice.
Good People Have Good Sex: Frequently.
Half-Human Hybrid: Thom Kindred from Once... is the son of a human male and a faerie woman.
- A more horrifying example occurs in Domain, where the protagonist discovers that a giant mutant rat, the hideous "Mother Creature", has given birth to what appear to be rat/human hybrids. A group of these, fully grown and capable of speech and tool use, appear in the semi-canonical sequel, The City.
Humans Are the Real Monsters
Infant Immortality: Often horrifically inverted.
It Got Worse: Oh, yes.
Knight in Sour Armour: This is almost a requirement for a Herbert protagonist.
Rodents of Unusual Size: The mutant rats in his Rats trilogy.
Obstructive Bureaucrat
Papa Wolf: Some of Herbert's protagonists go into this mode when defending children. Even Joe Creed, who is a Deadbeat Dad, and a coward besides, who finds his son "obnoxious"(with some justification), goes into this mode when the boy is kidnapped.
Posthumous Character / Posthumous Narration: Nobody True.
Sliding Scale of Cynicism Versus Idealism
Some Anvils Need to Be Dropped
Those Wacky Nazis: A huge conspiracy of these appear in The Spear as the main antagonists.
Trauma Conga Line: Domain. It starts off with five nukes being dropped on London, then survivors being attacked and devoured alive in an underground rail tunnel by outsized, carnivorous mutant rats, and that's just the first act. Not once do the characters get any genuine respite from all the horror.