Twisted Echo Cut
When a subject is being discussed by one group and the 'camera' cuts to another where the dialogue seemingly continues, is in answer to, or is vaguely linked to the first scene...but isn't really linked except on a stylistic level.
Bob: I'm sorry Samantha, I don't think I can see you anymore. We just aren't right for each other.
The context and subject have been changed, but an element of the last conversation has been carried over, creating the impression of a clever link when none actually exists. Often takes the form of a question.
See also: Switching POV. Contrast Answer Cut, Ironic Echo Cut and Two Scenes, One Dialogue, where the dialogue is intrinsically linked. Compare Match Cut, when it's done with an object, and Movie Match Up, which is what you get when you combine this and a Show Within a Show.
Anime and Manga
- In the second to last chapter of Fruits Basket, Tohru and Kyo affirm their love in front of her mother's grave and walk off hand-in-hand, followed by a "NO!" from the direction of the grave, and two pages of disembodied dialogue lamenting Tohru's fate... which is revealed to be a flashback to Kyoko's dying thoughts as she panicked that her daughter would be left alone, and reveals she actually wanted Kyo to watch over her.
Comics and Graphic Novels
- Watchmen uses this repeatedly, especially at scene changes from the comic-within-a-comic Tales of the Black Freighter to the main plot—for example, from the newsstand owner talking about how newsvendors are tough survivors, to a shipwreck survivor standing on a beach crying. Or from Nite Owl saying "It'll be like coming home," to the shipwrecked man finally arriving on the mainland. "I could be no more than twenty miles from Davidstown. I was home."
- Aquilla was very fond of this.
- Terry Pratchett's Mort has a cut from Keli telling Cutwell, "I think there's something I ought to tell you" to Death saying THERE IS? because Mort has just said the same to him—then lampshades it with a passage about the technique.
- Common in the novel Catch-22. Often, it's done so subtly that you don't even realize you've changed scenes until a few sentences in.
- Scrubs uses this sometimes. A character will be walking through the hospital and pondering their predicament, and their thoughts fluidly pass into another character's thoughts by sharing the same dialogue. This happens a few times in a row and the characters' problems are pretty much entirely unrelated. Here's one bit of one of the better examples:
Carla's Narration: ...In a lot of ways, I guess I'm as stubborn as he is. I wish I could make some sense out of...
- Frequently used on Archer.
- One Tree Hill: Many episodes use this with a single word, as well as with questions.
- The Miss Susie song could be considered this. Each verse has a Last-Second Word Swap which leads into the next, unrelated verse. Such as:
Miss Susie had a steamboat
- There's an Improv Theater Game called "Freeze" that has this as its base. It uses two pairs of people: one pair starts a scene and at some point "freeze" or another stop word is called, the other pair go up and start their own completely unrelated scene using the last line from the first scene as their first line. Then back again, with both scenes continuing.