Cold Chisel: Difference between revisions

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Ask someone from outside Australia to name an Australian rock band, and the most likely answer would be "[[ACDC (Music)|ACDC]]". However, within Australia, there is one band that is at least as revered as "Akka-Dakka". That band is Cold Chisel.
Ask someone from outside Australia to name an Australian rock band, and the most likely answer would be "[[ACDC]]". However, within Australia, there is one band that is at least as revered as "Akka-Dakka". That band is [[Cold Chisel]].


Cold Chisel were formed in the 70s, during Australia's pub rock boom, which also produced the aforementioned AC/DC, among others. They were fronted by a young man called Jimmy Barnes, with Don Walker writing the bulk of their songs. Even without huge amounts of support from radio or TV in their early days, the band garnered a large following via the pub circuit. In fact, it would be fair to describe them as the definitive Aussie pub rock band. However, despite their popularity in Australia, international success eluded them.
Cold Chisel were formed in the 70s, during Australia's pub rock boom, which also produced the aforementioned AC/DC, among others. They were fronted by a young man called Jimmy Barnes, with Don Walker writing the bulk of their songs. Even without huge amounts of support from radio or TV in their early days, the band garnered a large following via the pub circuit. In fact, it would be fair to describe them as the definitive Aussie pub rock band. However, despite their popularity in Australia, international success eluded them.
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Cold Chisel broke up in 1983, but frontman Jimmy Barnes went on to a solo career, becoming even bigger than he was as a member of Cold Chisel. The band regrouped in 1998 for the album ''The Last Wave of Summer'' and a national tour, and still occasionally comes together again.
Cold Chisel broke up in 1983, but frontman Jimmy Barnes went on to a solo career, becoming even bigger than he was as a member of Cold Chisel. The band regrouped in 1998 for the album ''The Last Wave of Summer'' and a national tour, and still occasionally comes together again.


{{creatortropes}}
=== Cold Chisel contains examples of the following tropes: ===

* [[Album Title Drop]]: "Houndog" for ''Circus Animals''.
* [[Album Title Drop]]: "Houndog" for ''Circus Animals''.
* [[Banned in China|Banned in Every State Except South Australia]]: "Khe Sanh" was banned from airplay when it was first released.
* [[Banned in China|Banned in Every State Except South Australia]]: "Khe Sanh" was banned from airplay when it was first released.
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* [[Epic Rocking]]: most live performances of ''Bow River''.
* [[Epic Rocking]]: most live performances of ''Bow River''.
* [[Genre Roulette]]: a limited example on ''Twentieth Century'' which featured twelve songs that were in the classic Chisel sound - and a reggae number penned by Barnes ("No Sense").
* [[Genre Roulette]]: a limited example on ''Twentieth Century'' which featured twelve songs that were in the classic Chisel sound - and a reggae number penned by Barnes ("No Sense").
* [[Hot Blooded]]: Jimmy Barnes
* [[Hot-Blooded]]: Jimmy Barnes
* [[Intercourse With You]]: "Hold Me Tight"
* [[Intercourse with You]]: "Hold Me Tight"
* [[Lyrical Cold Open]]: "Letter to Alan"
* [[Lyrical Cold Open]]: "Letter to Alan"
* [[Mondegreen]]: The line in ''Khe Sanh'' is "The last plane out of Sydney's almost gone", not "The last train".
* [[Mondegreen]]: The line in ''Khe Sanh'' is "The last plane out of Sydney's almost gone", not "The last train".
** "Cheap Wine and a three-legged goat"
** "Cheap Wine and a three-legged goat"
* [[Non-Appearing Title]]: "Letter to Alan"
* [[Non-Appearing Title]]: "Letter to Alan"
* [[Shout Out]]: the cover of ''East'' was a recreation of Jacques-Louis David's 1793 painting ''The Death of Marat''.
* [[Shout-Out]]: the cover of ''East'' was a recreation of Jacques-Louis David's 1793 painting ''The Death of Marat''.
* [[Signature Song]]: "Khe Sanh".
* [[Signature Song]]: "Khe Sanh".
* [[Step Up to The Microphone]]: Guitarist Ian Moss does lead vocals on a few songs, usually one or two each album, and sometimes split vocal duties with Barnes, as on "Saturday Night". He also filled in whenever Jimmy Barnes quit the band. His "Bow River" was a staple of the band's live set. They sound pretty similar, with Moss having a slightly lower register and a more narrow range.
* [[Step Up to the Microphone]]: Guitarist Ian Moss does lead vocals on a few songs, usually one or two each album, and sometimes split vocal duties with Barnes, as on "Saturday Night". He also filled in whenever Jimmy Barnes quit the band. His "Bow River" was a staple of the band's live set. They sound pretty similar, with Moss having a slightly lower register and a more narrow range.
* [[Take That]]: "You Got Nothing I Want" is an angry rejection of American music labels that wouldn't accept the band as they were.
* [[Take That]]: "You Got Nothing I Want" is an angry rejection of American music labels that wouldn't accept the band as they were.


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[[Category:Cold Chisel]]
[[Category:Cold Chisel]]
[[Category:Music]]
[[Category:Music]]
[[Category:Australian Music]]

Latest revision as of 02:42, 20 February 2016

/wiki/Cold Chiselcreator

Ask someone from outside Australia to name an Australian rock band, and the most likely answer would be "ACDC". However, within Australia, there is one band that is at least as revered as "Akka-Dakka". That band is Cold Chisel.

Cold Chisel were formed in the 70s, during Australia's pub rock boom, which also produced the aforementioned AC/DC, among others. They were fronted by a young man called Jimmy Barnes, with Don Walker writing the bulk of their songs. Even without huge amounts of support from radio or TV in their early days, the band garnered a large following via the pub circuit. In fact, it would be fair to describe them as the definitive Aussie pub rock band. However, despite their popularity in Australia, international success eluded them.

Cold Chisel broke up in 1983, but frontman Jimmy Barnes went on to a solo career, becoming even bigger than he was as a member of Cold Chisel. The band regrouped in 1998 for the album The Last Wave of Summer and a national tour, and still occasionally comes together again.

Cold Chisel provides examples of the following tropes:
  • Album Title Drop: "Houndog" for Circus Animals.
  • Banned in Every State Except South Australia: "Khe Sanh" was banned from airplay when it was first released.
  • Breakup Breakout: As big as Cold Chisel were, Jimmy Barnes was bigger when he went solo.
  • Fan Nickname: "Chisel" (Note for non-Aussies: it is pronounced "Chizz-UL".)
  • Five-Man Band
    • The Hero: Jim(my) Barnes (lead vocals)
    • The Lancer: Ian Moss (guitar and backing vocals)
    • The Smart Guy: Don Walker (pianist and primary song writer)
    • The Big Guy: Phil Small and Steve Prestwitch (bassist and drummer, respectively)
  • Cover Version: The band frequently performed Knockin' On Heaven's Door as part of their live set.
  • Epic Rocking: most live performances of Bow River.
  • Genre Roulette: a limited example on Twentieth Century which featured twelve songs that were in the classic Chisel sound - and a reggae number penned by Barnes ("No Sense").
  • Hot-Blooded: Jimmy Barnes
  • Intercourse with You: "Hold Me Tight"
  • Lyrical Cold Open: "Letter to Alan"
  • Mondegreen: The line in Khe Sanh is "The last plane out of Sydney's almost gone", not "The last train".
    • "Cheap Wine and a three-legged goat"
  • Non-Appearing Title: "Letter to Alan"
  • Shout-Out: the cover of East was a recreation of Jacques-Louis David's 1793 painting The Death of Marat.
  • Signature Song: "Khe Sanh".
  • Step Up to the Microphone: Guitarist Ian Moss does lead vocals on a few songs, usually one or two each album, and sometimes split vocal duties with Barnes, as on "Saturday Night". He also filled in whenever Jimmy Barnes quit the band. His "Bow River" was a staple of the band's live set. They sound pretty similar, with Moss having a slightly lower register and a more narrow range.
  • Take That: "You Got Nothing I Want" is an angry rejection of American music labels that wouldn't accept the band as they were.