Targets: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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''[[Targets]]'' is a 1968 horror thriller (produced by [[Roger Corman]], directed by Peter Bogdanovich) that focuses on two men in [[Los Angeles]]. One is Byron Orlock ([[Boris Karloff]]), an aging and beloved horror film actor who has announced his decision to retire from film-making, feeling that [[Real Life]] is churning out more and far worse horrors than anything he can hope to put on screen. The other is young Vietnam vet [[wikipedia:Charles Whitman|Bobby Thompson]] (Tim O'Kelly) who unknowingly sets out to prove Orlock's point when he finally snaps under the [[Stepford Suburbia|soulless banality]] of his existence, gathers up [[More Dakka|an arsenal]], and goes on a [[Ax Crazy|shooting spree]]. Inevitably, the paths of the two men cross...
'''''Targets''''' is a 1968 horror thriller (produced by [[Roger Corman]], directed by Peter Bogdanovich) that focuses on two men in [[Los Angeles]]. One is Byron Orlock ([[Boris Karloff]]), an aging and beloved horror film actor who has announced his decision to retire from film-making, feeling that [[Real Life]] is churning out more and far worse horrors than anything he can hope to put on screen. The other is young Vietnam vet [[wikipedia:Charles Whitman|Bobby Thompson]] (Tim O'Kelly) who unknowingly sets out to prove Orlock's point when he finally snaps under the [[Stepford Suburbia|soulless banality]] of his existence, gathers up [[More Dakka|an arsenal]], and goes on a [[Ax Crazy|shooting spree]]. Inevitably, the paths of the two men cross...


A worthy coda for Karloff's career, and a symbolic passing of the torch from one generation of filmmakers to the next.
A worthy coda for Karloff's career, and a symbolic passing of the torch from one generation of filmmakers to the next.


----
=== ''[[Targets]]'' contains examples of: ===
{{tropelist}}

* [[Affably Evil]]: After killing his wife and mother, Thompson, while buying numerous rounds (that wouldn't be a big deal back in the 1960s, or in Texas today), casually carries on a conversation with the gun store owner.
* [[Affably Evil]]: After killing his wife and mother, Thompson, while buying numerous rounds (that wouldn't be a big deal back in the 1960s, or in Texas today), casually carries on a conversation with the gun store owner.
* [[Bedmate Reveal]]: Orlock and Sammy get drunk and end up falling asleep in Sammy's bedroom. Sammy has a bad dream and startles himself awake:
* [[Bedmate Reveal]]: Orlock and Sammy get drunk and end up falling asleep in Sammy's bedroom. Sammy has a bad dream and startles himself awake:
{{quote| '''Orlock:''' ''(suffering from [[Hangover Sensitivity]])'' Why did you yell?!<br />
{{quote|'''Orlock:''' ''(suffering from [[Hangover Sensitivity]])'' Why did you yell?!
'''Sammy:''' I was having a nightmare and I woke up next to Byron Orlock!<br />
'''Sammy:''' I was having a nightmare and I woke up next to Byron Orlock!
'''Orlock:''' ''(sourly)'' Very funny. }}
'''Orlock:''' ''(sourly)'' Very funny.}}
* [[Cool Old Guy]]: Both [[Boris Karloff]] and the character he's playing, Byron Orlock. Karloff was a nice guy in [[Real Life]] (and he even worked on this film for free when it ran over the two days he owed Corman), and Orlock is pretty much the same.
* [[Cool Old Guy]]: Both [[Boris Karloff]] and the character he's playing, Byron Orlock. Karloff was a nice guy in [[Real Life]] (and he even worked on this film for free when it ran over the two days he owed Corman), and Orlock is pretty much the same.
** {{spoiler|He also proves to be a [[Badass Grandpa]] at the end, when he finally comes face-to-face with the sniper: he walks straight into the line of fire, uses '''''his cane''''' [[Cane Fu|to knock the gun away]] and brings the young whipper-snapper [[Villainous BSOD|to his knees]] with a few well-placed slaps.}}
** {{spoiler|He also proves to be a [[Badass Grandpa]] at the end, when he finally comes face-to-face with the sniper: he walks straight into the line of fire, uses '''''his cane''''' [[Cane Fu|to knock the gun away]] and brings the young whipper-snapper [[Villainous BSOD|to his knees]] with a few well-placed slaps.}}
* [[Crapsack World]]: One of Orlock's reasons for retiring is that the ''real world'' is becoming more horrifying than the scary movies he made. Considering how Thompson's shooting spree ''was'' based on the real-life Whitman shootings, he's depressingly correct.
* [[Crapsack World]]: One of Orlock's reasons for retiring is that the ''real world'' is becoming more horrifying than the scary movies he made. Considering how Thompson's shooting spree ''was'' based on the real-life Whitman shootings, he's depressingly correct.
* [[Drive-In Theater]]: Where the climax of the film takes place.
* [[Drive-In Theater]]: Where the climax of the film takes place.
* [[End of an Age]]: Orlock's retirement signals an end to the Monster and [[Mad Scientist]] era of horror films... with Thompson's shooting spree [[Dawn of an Era|signaling the beginning]] of the next wave of horror based on [[Humans Are Bastards|human evils]] like [[Serial Killer|serial killers]].
* [[End of an Age]]: Orlock's retirement signals an end to the Monster and [[Mad Scientist]] era of horror films... with Thompson's shooting spree [[Dawn of an Era|signaling the beginning]] of the next wave of horror based on [[Humans Are the Real Monsters|human evils]] like [[Serial Killer|serial killers]].
* [[Executive Meddling]]: A positive example, in that the film wouldn't have been made in the first place, except Karloff owed the ever-frugal Corman two days of filming; as already noted, Karloff was so impressed with the resulting script, he [[Doing It for the Art|volunteered]] the needed extra shooting time for free.
* [[Good Colors, Evil Colors]]: All of Orlock's scenes are shot in mellow autumnal shades, while Thompson's are cold sterile blues.
* [[Good Colors, Evil Colors]]: All of Orlock's scenes are shot in mellow autumnal shades, while Thompson's are cold sterile blues.
* [[Let Me Tell You a Story]]: Orlock gives a lovely recitation of the story [http://www.k-state.edu/english/baker/english320/Maugham-AS.htm "An Appointment in Samarra".]
* [[Let Me Tell You a Story]]: Orlock gives a lovely recitation of the story [http://www.k-state.edu/english/baker/english320/Maugham-AS.htm "An Appointment in Samarra".]
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* [[The Sixties]]
* [[The Sixties]]
* [[Stealth Insult]]:
* [[Stealth Insult]]:
{{quote| '''[[Dumbass DJ|Kip Larkin]]:''' Mr. O, I must have dug your flicks like four zillion times! You ''blew my mind!''<br />
{{quote|'''[[Dumbass DJ|Kip Larkin]]:''' Mr. O, I must have dug your flicks like four zillion times! You ''blew my mind!''
'''[[Deadpan Snarker|Orlock]]:''' Obviously. }}
'''[[Deadpan Snarker|Orlock]]:''' Obviously.}}
* [[Vietnam War]]: Thompson is an early veteran of the war.
* [[Vietnam War]]: Thompson is an early veteran of the war.



Latest revision as of 18:50, 17 October 2016

Targets is a 1968 horror thriller (produced by Roger Corman, directed by Peter Bogdanovich) that focuses on two men in Los Angeles. One is Byron Orlock (Boris Karloff), an aging and beloved horror film actor who has announced his decision to retire from film-making, feeling that Real Life is churning out more and far worse horrors than anything he can hope to put on screen. The other is young Vietnam vet Bobby Thompson (Tim O'Kelly) who unknowingly sets out to prove Orlock's point when he finally snaps under the soulless banality of his existence, gathers up an arsenal, and goes on a shooting spree. Inevitably, the paths of the two men cross...

A worthy coda for Karloff's career, and a symbolic passing of the torch from one generation of filmmakers to the next.


Tropes used in Targets include:
  • Affably Evil: After killing his wife and mother, Thompson, while buying numerous rounds (that wouldn't be a big deal back in the 1960s, or in Texas today), casually carries on a conversation with the gun store owner.
  • Bedmate Reveal: Orlock and Sammy get drunk and end up falling asleep in Sammy's bedroom. Sammy has a bad dream and startles himself awake:

Orlock: (suffering from Hangover Sensitivity) Why did you yell?!
Sammy: I was having a nightmare and I woke up next to Byron Orlock!
Orlock: (sourly) Very funny.

Kip Larkin: Mr. O, I must have dug your flicks like four zillion times! You blew my mind!
Orlock: Obviously.