The Flapper: Difference between revisions

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{{trope}}
{{trope}}
[[File:244235-149flapper11_7560.jpg|link=The Flapper|right|Two flappers dancing ''on the ledge of a roof. In heels.'']]
[[File:244235-149flapper11 7560.jpg|frame|Two flappers dancing ''on the edge of a roof. In heels.'']]


The quintessential [[The Roaring Twenties|Twenties]] (American, Western European or sophisticated) woman. A young lady ever more spirited than the [[Spirited Young Lady]], thanks to feminine liberty. She danced [[Dance Sensation|the Shimmy and the Charleston]], wore make-up for the first time since the 18th century, drank with the boys, and enjoyed various other delights [[The Roaring Twenties]] had to offer. [[Bob Haircut|Short hair]], [[She's Got Legs|short]] [[Dangerously-Short Skirt|skirts]], [[Pimped-Out Dress|short, loose & low-waisted evening gowns]], [[Zettai Ryouiki|high rolled stockings]], [[Pettanko|boyish figures]], and [[Nice Hat|swanky cloche hats]] were a must.


Their sexual liberty was a result of women's growing hatred of the classic [[Double Standard]]; that promiscuous men were "studs," while promiscuous women were "whores." In their eyes, men and women were equal, so they could be just as sexually free. Another factor was the then popular view of women as house wives and mothers who should be subordinate to their men and preferably not leave the house.
The quintessential [[The Roaring Twenties|Twenties]] (American, Western European or sophisticated) woman. A young lady ever more spirited than the [[Spirited Young Lady]], thanks to feminine liberty. She danced [[Dance Sensation|the Shimmy and the Charleston]], wore make-up for the first time since the 18th century, drank with the boys, and enjoyed various other delights [[The Roaring Twenties]] had to offer. [[Bob Haircut|Short hair]], [[She's Got Legs|short]] [[Dangerously Short Skirt|skirts]], [[Pimped-Out Dress|short, loose & low-waisted evening gowns]], [[Zettai Ryouiki|high rolled stockings]], [[Pettanko|boyish figures]], and [[Nice Hat|swanky cloche hats]] were a must.


Their sexual liberty was a result of women's growing hatred of the classic [[Double Standard]]; that promiscuous men were "studs," while promiscuous women were "whores." In their eyes, men and women were equal, so they could be just as sexually free. Another factor was the then popular view of women as house wives and mothers who should be subordinate to their men and preferably not leave the house.
{{examples}}
{{examples}}
== Anime and Manga ==

* Gina in ''[[Porco Rosso]]'', as befits the early depression setting. Especially apparent in comparison to the Edwardian dress she wears in her flashback.
== Anime ==
* In the "epilogue" episodes of ''[[Steel Angel Kurumi]]'', Saki embraces the flapper aesthetic - not the overtly sexual version popularized by [[Clara Bow]], but the earlier, more innocent type popularized by [[Colleen Moore]].
* Gina in ''[[Porco Rosso]]'', as befits the early depression setting. Especially apparent in comparison to the Edwardian dress she wears in her flashback.


== Film ==
== Film ==
* Evie in ''[[High Road To China]]''.
* Evie in ''[[High Road To China]]''.
* Almost all the women in ''[[The Cats Meow]]''. As a bonus all the costumes are [[Deliberately Monochrome|black, white, and gray]] so they look like [[Edward Gorey]] characters.
* Almost all the women in ''[[The Cat's Meow]]''. As a bonus all the costumes are [[Deliberately Monochrome|black, white, and gray]] so they look like [[Edward Gorey]] characters.
* Peppy Miller in ''[[The Artist]]''.
* Peppy Miller in ''[[The Artist]]''.
** Every woman in ''[[The Artist]]''.
** Every woman in ''[[The Artist]]''.
* Most of the women in ''[[Singin in The Rain]],'' with the notable exception of [[Bitch in Sheep's Clothing|Lina]].
* Most of the women in ''[[Singin' in the Rain]],'' with the notable exception of [[Bitch in Sheep's Clothing|Lina]].


== [[Literature]] ==
== [[Literature]] ==
* ''[[The Great Gatsby]]'': Most of the females in the novel.
* ''[[The Great Gatsby]]'': Most of the females in the novel.
* ''[[The Sun Also Rises (Literature)|The Sun Also Rises]]'': Brett.
* ''[[The Sun Also Rises]]'': Brett.
* In another F. Scott Fitzgerald novel, Gloria in ''[[Literature/The Beautiful And Damned|The Beautiful And Damned]]''. Since the novel is set in the 1910s, she is explicitly said to be an early proponent of the fashion.
* In another F. Scott Fitzgerald novel, Gloria in ''[[Literature/The Beautiful And Damned|The Beautiful And Damned]]''. Since the novel is set in the 1910s, she is explicitly said to be an early proponent of the fashion.


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** [[Anything Goes]]
** [[Anything Goes]]
** [[Thoroughly Modern Millie]]
** [[Thoroughly Modern Millie]]
** [[Singin in The Rain]]
** [[Singin' in the Rain]]
** [[The Drowsy Chaperone]] does a nice job of satirizing this trope.
** [[The Drowsy Chaperone]] does a nice job of satirizing this trope.


== Webcomics ==
== [[Web Comics]] ==
* ''[[Dinosaur Comics]]'': T-Rex is [http://www.qwantz.com/index.php?comic=645 very interested] in flappers.
* ''[[Dinosaur Comics]]'': T-Rex is [http://www.qwantz.com/index.php?comic=645 very interested] in flappers.
* Ivy in ''[[Lackadaisy]]'', to the point where Rocky warns her not to come and see his conservative Catholic aunt.
* Ivy in ''[[Lackadaisy]]'', to the point where Rocky warns her not to come and see his conservative Catholic aunt.
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{{reflist}}
{{reflist}}
[[Category:Films of the 1920s]]
[[Category:Stock Characters]]
[[Category:Stock Characters]]
[[Category:Always Female]]
[[Category:Always Female]]
[[Category:Stock Costume Traits]]
[[Category:Stock Costume Traits]]
[[Category:The Flapper]]
[[Category:The Flapper]]
[[Category:Trope]]
[[Category:Slim Tropes]]
{{DEFAULTSORT:Flapper, The}}

Latest revision as of 18:23, 11 August 2020

Two flappers dancing on the edge of a roof. In heels.

The quintessential Twenties (American, Western European or sophisticated) woman. A young lady ever more spirited than the Spirited Young Lady, thanks to feminine liberty. She danced the Shimmy and the Charleston, wore make-up for the first time since the 18th century, drank with the boys, and enjoyed various other delights The Roaring Twenties had to offer. Short hair, short skirts, short, loose & low-waisted evening gowns, high rolled stockings, boyish figures, and swanky cloche hats were a must.

Their sexual liberty was a result of women's growing hatred of the classic Double Standard; that promiscuous men were "studs," while promiscuous women were "whores." In their eyes, men and women were equal, so they could be just as sexually free. Another factor was the then popular view of women as house wives and mothers who should be subordinate to their men and preferably not leave the house.

Examples of The Flapper include:

Anime and Manga

  • Gina in Porco Rosso, as befits the early depression setting. Especially apparent in comparison to the Edwardian dress she wears in her flashback.
  • In the "epilogue" episodes of Steel Angel Kurumi, Saki embraces the flapper aesthetic - not the overtly sexual version popularized by Clara Bow, but the earlier, more innocent type popularized by Colleen Moore.

Film

Literature

Theater

Web Comics

Web Original

Western Animation

  • Betty Boop: None other than the Boop herself.
  • In The Simpsons, we once see a photo of Marge's mother in her flapper days.
  • This was the original characterization for Minnie Mouse, however times faded and she lost her flapper look.

Real Life

  • When Joan Crawford came to Hollywood in 1925 she promoted herself by entering and winning dance contests doing the Charleston and other routines of that era. Her early roles often featured her dancing skills.
  • Clara Bow, the original IT girl, was Hollywood's foremost flapper in the 20's.
  • Louise Brookes and her iconic bobbed hair.