Bambi Meets Godzilla: Difference between revisions

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An extremely short cartoon made in 1969, less than two minutes in length, written, animated, and directed by Marv Newland, with costumes and set-dressing by Marv Newland. Marv Newland was produced by Mr. and Mrs. Newland, and they are all credited accordingly. All told, the credits themselves take up approximately half of the animation's running time, which is ironic given that the only person that ever worked on the short ''was'' Marv Newland.
An extremely short cartoon made in 1969, less than two minutes in length, written, animated, and directed by Marv Newland, with costumes and set-dressing by Marv Newland. Marv Newland was produced by Mr. and Mrs. Newland, and they are all credited accordingly. All told, the credits themselves take up approximately half of the animation's running time, which is ironic given that the only person that ever worked on the short ''was'' Marv Newland.


So, what does the animation depict (besides credits)?
So, what does '''''Bambi Meets Godzilla''''' depict (besides credits)?


Well, it starts with [[Bambi]] (a deer) foraging peacefully as the opening credits roll and classical [[Standard Snippet|music]] (specifically, "Ranz Des Vaches", from Gioacchino Rossini's ''William Tell'') plays in the background.
Well, it starts with [[Bambi]] (a deer) foraging peacefully as the opening credits roll and classical [[Standard Snippet|music]] (specifically, "Ranz Des Vaches", from Gioacchino Rossini's ''William Tell'') plays in the background.
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Several sequels (not by Newland) were produced, but failed to live up to the quality of the original.
Several sequels (not by Newland) were produced, but failed to live up to the quality of the original.


Not to be confused with [[David Mamet]]'s book ''Bambi vs. Godzilla'' (more properly known as ''Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business''<ref>And no, [http://www.nytimes.com/2007/01/29/books/29masl.html?_r=0 we ain't kidding].</ref>) which took its name from this short.
Not to be confused with [[David Mamet]]'s book ''Bambi vs. Godzilla'' (more properly known as ''Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business''<ref>And no, [https://web.archive.org/web/20190710194840/http://www.nytimes.com/2007/01/29/books/29masl.html?_r=0 we ain't kidding].</ref>) which took its name from this short.


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{{tropelist}}
{{tropelist}}
* [[Credits Gag]]: Nearly all the credits are to "Marv Newland".
* [[Credits Gag]]: Nearly all the credits are to "Marv Newland".
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* [[Kill'Em All]]: Hey, fifty percent of the cast perished.
* [[Kill'Em All]]: Hey, fifty percent of the cast perished.
* [[R-Rated Opening]]: If you saw this at the start of the old Godzilla 1985 tape it certainly helped set the tone for the [[Darker and Edgier]] G-film that no longer had monster wrestling.
* [[R-Rated Opening]]: If you saw this at the start of the old Godzilla 1985 tape it certainly helped set the tone for the [[Darker and Edgier]] G-film that no longer had monster wrestling.
* [[Ultimate Showdown of Ultimate Destiny]]
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<nowiki>*</nowiki>SQUISH<nowiki>*</nowiki>
<nowiki>*</nowiki>SQUISH<nowiki>*</nowiki>


{{reflist}}
{{reflist}}
{{50 Greatest Cartoons}}
[[Category:{{PAGENAME}}]]
[[Category:Animated Films]]
[[Category:Animated Films]]
[[Category:Films of the 1960s]]
[[Category:Films of the 1960s]]
[[Category:The 50 Greatest Cartoons]]
[[Category:The 50 Greatest Cartoons]]
[[Category:{{PAGENAME}}]]
[[Category:Short Film]]
[[Category:Short Film]]
[[Category:Western Animation of the 1960s]]
[[Category:Film]]
[[Category:Western Animation]]
[[Category:Fan Works of the 1960s]]
[[Category:Fan Film]]
[[Category:Fan Works]]
[[Category:Crossover]]
[[Category:Black-and-white films]]

Latest revision as of 15:31, 18 October 2023

An extremely short cartoon made in 1969, less than two minutes in length, written, animated, and directed by Marv Newland, with costumes and set-dressing by Marv Newland. Marv Newland was produced by Mr. and Mrs. Newland, and they are all credited accordingly. All told, the credits themselves take up approximately half of the animation's running time, which is ironic given that the only person that ever worked on the short was Marv Newland.

So, what does Bambi Meets Godzilla depict (besides credits)?

Well, it starts with Bambi (a deer) foraging peacefully as the opening credits roll and classical music (specifically, "Ranz Des Vaches", from Gioacchino Rossini's William Tell) plays in the background.

And then Godzilla steps on him.

And the music turns into the Last-Note Nightmare from The Beatles' "A Day in the Life" just as abruptly.

That's it, really.

Notable for being the most inventive Credits Gag ever depicted (as mentioned above, every position is credited to Marv Newland), and for its brevity (total running time is 1:30, making it one of the shortest works to have its own All The Tropes page), Newland had intended to make a live-action film, but he lost the chance for an essential shot, and retreated to his room (interestingly enough, the room was rented from the same woman that provided Snow White's voice in Disney's iconic film) to create Bambi Meets Godzilla. It was voted #38 on the list of The 50 Greatest Cartoons.

Several sequels (not by Newland) were produced, but failed to live up to the quality of the original.

Not to be confused with David Mamet's book Bambi vs. Godzilla (more properly known as Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business[1]) which took its name from this short.

Tropes used in Bambi Meets Godzilla include:

*SQUISH*