Sweet Home (film): Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
(Import from TV Tropes TVT:Film.SweetHome 2012-07-01, editor history TVTH:Film.SweetHome, CC-BY-SA 3.0 Unported license)
 
(added image, removed trope entry)
 
(5 intermediate revisions by 2 users not shown)
Line 1:
{{work}}
[[File:Sweet-Home-film-poster.jpg|frame]]
''Sweet Home'' is a 1989 Japanese haunted house horror movie that would be another obscure piece of cinema sought by horror enthusiasts...if it weren't for the [[Sweet Home (Video Game)|NES game of the same name]]. Experiencing both, in either order, is necessary to fully appreciate the story. Since the trailer advertised both the movie and the game simultaneously, it's safe to say that this was designed as a cross-medium work, despite production on the game starting after production on the film did. Several events occur in a different order.
 
'''''Sweet Home''''' is a 1989 Japanese haunted house horror movie that would be another obscure piece of cinema sought by horror enthusiasts... if it weren't for the [[Sweet Home (Videovideo Gamegame)|NES game of the same name]]. Experiencing both, in either order, is necessary to fully appreciate the story. Since the trailer advertised both the movie and the game simultaneously, it's safe to say that this was designed as a cross-medium work, despite production on the game starting after production on the film did. Several events occur in a different order.
The story of both the film and the game centers around [[Five Man Band|a five-person crew]] that ventures into the long-abandoned mansion of famed artist Mamiya Ichirou with the intent of filming a documentary while attempting to restore Mamiya's works. Upon entering the mansion, the group discovers that the ghost of Lady Mamiya (Ichirou's wife) haunts the place -- and they're trapped inside. The group must now attempt to find a way out alive...and possibly lay Lady Mamiya to rest once and for all along the way.
 
The story of both the film and the game centers around [[Five -Man Band|a five-person crew]] that ventures into the long-abandoned mansion of famed artist Mamiya Ichirou with the intent of filming a documentary while attempting to restore Mamiya's works. Upon entering the mansion, the group discovers that the ghost of Lady Mamiya (Ichirou's wife) haunts the place -- and they're trapped inside. The group must now attempt to find a way out alive...and possibly lay Lady Mamiya to rest once and for all along the way.
 
The film, like the game, has never been released in the States, though it is also similarly easy to track down.
 
Not to be confused with ''[[Chi's Sweet Home]]'' (couldn't be farther from it, really).
----
=== This film contains examples of: ===
 
{{tropelist}}
* [[Accidental Murder]]: Lady Mamiya accidentally {{spoiler|killed her baby by [[Murder Byby Cremation|turning on the furnace]] when he was playing inside it}}.
* [[And Then John Was a Zombie]]: This literally happens to {{spoiler|Taguchi.}}
* [[Anyone Can Die]]
Line 21 ⟶ 22:
* [[Driven to Suicide]]: {{spoiler|After Lady Mamiya was cornered by the townspeople when she was alive, she threw herself in the furnace that killed their children. Ichirou thought that that would stop the horror. [[It Got Worse|He was wrong.]]}}
* [[Falling Chandelier of Doom]]: Akiko is almost crushed by one when she sets out to rescue Emi.
* [[Family -Unfriendly Death]]:
** In perhaps the most infamous scene in the game ''and'' the movie, {{spoiler|Yamamura's skin melts off, leaving only his skeleton behind. In the movie, even ''that'' collapses.}}
** Even though it happened before the events of the game/movie even take place, {{spoiler|innocent children being burned alive is hardly family-friendly.}}
* [[Five -Man Band]]
** [[The Hero]]: '''''Kazuo''''' - The leader of the crew of five who are creating his documentary.
** [[The Lancer]]: '''''Asuka''''' - An art restorer/reporter. Has low stats in battle and uses the Vacuum, which cleans dirty frescos and removes glass-shards on the floor while exploring. Serves [[The Lancer]] role more obviously in the movie, being uncooperative with the group at first.
Line 31 ⟶ 32:
** [[The Chick]]: '''''Emi''''' - Kazuo's daughter. Is the fastest character in battle, uses the Key to open locked doors while exploring. However, she is a bit of a [[Tomboy]] which shows when she is the only female character able to equip axes.
** [[Sixth Ranger]]: {{spoiler|'''''Yamamura''''' - Introduced later in the game/movie and isn't trusted by Kazuo at first.}}
* [[Face Revealing Turn]]: Done by certain enemies who turn out to be [[Two -Faced]] monsters. {{spoiler|Also happens in the ending where [[Everybody Lives]].}}
* [[Forgotten Fallen Friend]]: Definitely a major flaw in the movie, especially since -- unlike the game -- it actually gives [[Character Development]] and [[All There in the Manual|character background]] to the [[Department of Redundancy Department|characters]].
* [[For Massive Damage]]: Many enemies take more damage if attacked with specific weapons or objects. While some combinations have a logic (like a camera flash on bats or ghosts and a mallet that shatters evil mirrors) some others are pretty obscure, like using a small lighter on hordes of bloodthirsty worms.
* [[Ghost Butler]]: Happens few times.
* [[Gory Discretion Shot]]: Despite not taking discretion in some parts, this happens during {{spoiler|Asuka's [[Shoot the Dog]] moment}}.
Line 51:
* [[Mr. Exposition]]: {{spoiler|Yamamura}}.
* [[MST]]: A hilarious one of the movie [http://www.codiekitty.com/File/SuitoHomu/index.htm here.] Warning: You may never be able to take the movie seriously again.
* [[One -Winged Angel]]: Lady Mamiya. [[Body Horror|And it's a rather horrific one too]].
* [[Posthumous Character]]: Kenji, Etsuko, Shogo, Takashi, and all of the undead monsters.
* [[Quicksand Sucks]]: Several sand traps are found in {{spoiler|the dungeons}}. Anyone who falls in can be rescued with rope, but pulling off a successful rescue takes timing.
* [[Say My Name]]
* [[Sealed Evil in Aa Can]]: {{spoiler|The Memorial Tower where Lady Mamiya's baby is entombed is the only thing stopping Mamiya from haunting the house and continuing to kidnap babies.}}
* [[Shoot the Dog]]: {{spoiler|Asuka has to do this to the zombified Taguchi -- with [[Wrench Whack|a wrench]].}}
* [[Sleep Mask]]: Asuka is wearing one when she is sleeping in the car.
Line 62:
* [[Toplessness From the Back]]: We get a glimpse of Akiko doing this.
* [[Tragic Monster]]: {{spoiler|Taguchi.}}
* [[Two -Faced]]: Ghost of Lady Mamiya appears like this.
* [[Was Once a Man]]: All of the undead enemies are the remains of people who didn't survive their trip to the mansion.
* [[Wrench Whack]]

Latest revision as of 00:42, 15 August 2017

Sweet Home is a 1989 Japanese haunted house horror movie that would be another obscure piece of cinema sought by horror enthusiasts... if it weren't for the NES game of the same name. Experiencing both, in either order, is necessary to fully appreciate the story. Since the trailer advertised both the movie and the game simultaneously, it's safe to say that this was designed as a cross-medium work, despite production on the game starting after production on the film did. Several events occur in a different order.

The story of both the film and the game centers around a five-person crew that ventures into the long-abandoned mansion of famed artist Mamiya Ichirou with the intent of filming a documentary while attempting to restore Mamiya's works. Upon entering the mansion, the group discovers that the ghost of Lady Mamiya (Ichirou's wife) haunts the place -- and they're trapped inside. The group must now attempt to find a way out alive...and possibly lay Lady Mamiya to rest once and for all along the way.

The film, like the game, has never been released in the States, though it is also similarly easy to track down.

Not to be confused with Chi's Sweet Home (couldn't be farther from it, really).

Tropes used in Sweet Home (film) include: