Zelig: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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[[Category:Zelig]]
[[Category:Zelig]]
[[Category:Woody Allen]]
[[Category:Woody Allen]]
[[Category:Mockumentary]]

Revision as of 01:51, 20 May 2020

A 1983 Woody Allen film, Zelig is a Mockumentary set during The Roaring Twenties and into The Great Depression period, concerning the title character, a "human chameleon" -- a man who shapeshifts to fit in with those around him -- and his encounters with the celebrities of the day. Zelig ultimately comes into contact with Dr. Eudora Nesbitt Fletcher (played by Mia Farrow) who tries to cure him of his uncontrollable shapeshifting. Throughout, commentary on Zelig's life is provided by well-known public intellectuals.

See also The Gump, for which The Zelig is the alternate trope namer (and ur-example).

Not to be confused with the Italian comedy show, which has the same title.


Tropes used in Zelig include:
  • All Psychology Is Freudian: Kind of mocked in that when first receiving treatment, Zelig takes on the persona of a psychiatrist and makes comments that echo a Theme Park Version of Freud.
  • Amnesiac Dissonance: Zelig is ultimately confronted with various victims of his shapeshifting- women he impregnated, a guy he performed surgery on, etc., none of which he remembers doing.
  • Black Like Me: Zelig can alter his race.
  • Blank Slate: Zelig starts out as this, having no real personality of his own outside of the various identities he uncontrollably adopts (and has no memory of afterward)
  • Celebrity Paradox: The movie does a good job of justifying why its audience would never have heard of Zelig by treating him as one of many fads of the 1920s and 1930s, forgotten when the public discovered something new of interest.
  • Crowning Moment of Funny: After Zelig returns to America after falling in with Those Wacky Nazis, by becoming the first man to fly over the Atlantic Ocean entirely upside-down:

Zelig: It shows exactly what you can do, if you're a total psychotic!