Takin' Over the Asylum: Difference between revisions

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{{trope}}
{{work}}
[[File:103400-large_6548.jpg|frame|We are loonies and we are proud!]]
[[File:103400-large_6548.jpg|frame|We are loonies and we are proud!]]


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Eddie (Ken Stott of ''Rebus'' fame) is a double-glazing salesman in Glasgow, who lives with his Grandmother (she lives with him!), drinks too much and whose dreams of being a DJ are dwindling fast with every passing year. After being pushed out of his unpaid spot on a community radio station, he is put in charge of revamping St. Jude's hospital radio - not knowing that St. Jude's is a mental institution. Once there Eddie encounters a slew of inmates; Rosalie the [[Super OCD|Obsessive Compulsive]] [[Neat Freak]], Fergus the Schizophrenic electrical genius who puts [[The Great Escape|Steve McQueen]] to shame, Francine the self-harming depressant [[Broken Bird|with a tragic past]] and a soft spot for cats, and the enthusiastic manic-depressive Campbell, played by a young [[David Tennant]] who is determined that he and Eddie will break into the big-time.
Eddie (Ken Stott of ''Rebus'' fame) is a double-glazing salesman in Glasgow, who lives with his Grandmother (she lives with him!), drinks too much and whose dreams of being a DJ are dwindling fast with every passing year. After being pushed out of his unpaid spot on a community radio station, he is put in charge of revamping St. Jude's hospital radio - not knowing that St. Jude's is a mental institution. Once there Eddie encounters a slew of inmates; Rosalie the [[Super OCD|Obsessive Compulsive]] [[Neat Freak]], Fergus the Schizophrenic electrical genius who puts [[The Great Escape|Steve McQueen]] to shame, Francine the self-harming depressant [[Broken Bird|with a tragic past]] and a soft spot for cats, and the enthusiastic manic-depressive Campbell, played by a young [[David Tennant]] who is determined that he and Eddie will break into the big-time.


Throughout the series we learn more and more about how the characters ended up in St. Jude's, Eddie learns more about his own problems and starts asking questions about where the line is drawn between sanity and madness. It also has a bunch of your favourite tunes and won more BAFTAs than you could shake a stick at.
Throughout the series we learn more and more about how the characters ended up in St. Jude's, Eddie learns more about his own problems and starts asking questions about where the line is drawn between sanity and madness. It also has a bunch of your favourite tunes and won more BAFTAs than you could shake a stick at.
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{{tropelist}}
=== This series provides examples of: ===

* [[Abusive Parents]]
* [[Abusive Parents]]
* [[Angst Coma]]: {{spoiler|Francine}} in episode 6.
* [[Angst Coma]]: {{spoiler|Francine}} in episode 6.
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* [[Hollywood Psych]]: For the most part averted. These character's problems are shown as very complex and there are no easy fixes.
* [[Hollywood Psych]]: For the most part averted. These character's problems are shown as very complex and there are no easy fixes.
* [[Insane Equals Violent]]: Inverted as per [[Real Life]]. Most of the violence in this show is perpetrated by "normal people" against the "loonies" which is, of course, a statistical reality.
* [[Insane Equals Violent]]: Inverted as per [[Real Life]]. Most of the violence in this show is perpetrated by "normal people" against the "loonies" which is, of course, a statistical reality.
* [[Jerkass]]: Several. Stuart treats the patients like dirt even when he's not manhandling them, {{spoiler|Gordon}} Griffin is the boss from Hell, and MacAteer is a [[Added Alliterative Appeal|back-stabbing, butt-kissing ball]] of sleaze who sabotages and belittles Eddie at every turn . . . . all because Eddie earned the commission he so badly wanted for a new car.
* [[Jerkass]]: Several. Stuart treats the patients like dirt even when he's not manhandling them, {{spoiler|Gordon}} Griffin is the boss from Hell, and MacAteer is a [[Alliteration|back-stabbing, butt-kissing ball]] of sleaze who sabotages and belittles Eddie at every turn . . . . all because Eddie earned the commission he so badly wanted for a new car.
* [[Jumped At the Call]]: Campbell.
* [[Jumped At the Call]]: Campbell.
* [[Killed Off for Real]]
* [[Killed Off for Real]]
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** Possibly a subversion, as it's implied that his manic behaviour is actually conscious exploitation of others' expectations for his own amusement.
** Possibly a subversion, as it's implied that his manic behaviour is actually conscious exploitation of others' expectations for his own amusement.
* [[Meaningful Funeral]]
* [[Meaningful Funeral]]
* [[Misunderstood Loner With a Heart of Gold]]: Fergus, who spends much of the first episode lurking silently in the background, is about as sweet and harmless as people come.
* [[Misunderstood Loner with a Heart of Gold]]: Fergus, who spends much of the first episode lurking silently in the background, is about as sweet and harmless as people come.
* [[Nice Guy]]: Campbell.
* [[Nice Guy]]: Campbell.
* [[Nakama]]
* [[Nakama]]
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* [[There Are No Therapists]]: Averted, athough in some of the cases you think that the patients would be better off without them.
* [[There Are No Therapists]]: Averted, athough in some of the cases you think that the patients would be better off without them.
* [[Violent Glaswegian]]: Averted, except in the case of asylum "nurse" Stuart.
* [[Violent Glaswegian]]: Averted, except in the case of asylum "nurse" Stuart.
* [[Wide Eyed Idealist]]: Campbell.
* [[Wide-Eyed Idealist]]: Campbell.


{{reflist}}
{{reflist}}
[[Category:British Series]]
[[Category:British Series]]
[[Category:Takin Over The Asylum]]
[[Category:Takin' Over the Asylum]]
[[Category:TV Series]]

Latest revision as of 00:05, 5 October 2020

We are loonies and we are proud!


Takin' Over the Asylum is a six-part BBC drama which asks the fundamental question "What measure is a non-looney?"

Eddie (Ken Stott of Rebus fame) is a double-glazing salesman in Glasgow, who lives with his Grandmother (she lives with him!), drinks too much and whose dreams of being a DJ are dwindling fast with every passing year. After being pushed out of his unpaid spot on a community radio station, he is put in charge of revamping St. Jude's hospital radio - not knowing that St. Jude's is a mental institution. Once there Eddie encounters a slew of inmates; Rosalie the Obsessive Compulsive Neat Freak, Fergus the Schizophrenic electrical genius who puts Steve McQueen to shame, Francine the self-harming depressant with a tragic past and a soft spot for cats, and the enthusiastic manic-depressive Campbell, played by a young David Tennant who is determined that he and Eddie will break into the big-time.

Throughout the series we learn more and more about how the characters ended up in St. Jude's, Eddie learns more about his own problems and starts asking questions about where the line is drawn between sanity and madness. It also has a bunch of your favourite tunes and won more BAFTAs than you could shake a stick at.


Tropes used in Takin' Over the Asylum include: