The Thief of Bagdad: Difference between revisions

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'''''The Thief of Bagdad''''' is a 1940 movie, starring Sabu, John Justin, Conrad Veidt, and June Duprez. It borrows heavily from stories of the ''[[Arabian Nights]]''. (There have been several movies using the name, including a [[The Thief of Bagdad (1924 film)|1924 silent film]] starring Douglas Fairbanks, Sr., but this article is about the first remake.)
'''''The Thief of Bagdad''''' is a 1940 movie, starring Sabu, John Justin, Conrad Veidt, and June Duprez. It borrows heavily from stories of the ''[[Arabian Nights]]''. (There have been several movies using the name, including a [[The Thief of Bagdad (1924 film)|1924 silent film]] starring Douglas Fairbanks, Sr., but this article is about the first remake.)


Ahmad is the king of Bagdad. His vizier, the wily Jaffar, has kept him isolated in his castle his whole life. One day, Ahmad decides to go out into the city disguised as a peasant, so he can learn more about his people. Jaffar, sensing a chance to seize power, sends guards after the king; Ahmad has just enough time to hear a prophecy about a boy saving his city before Jaffar's guards capture him and throw him into the dungeons. He is sentenced to death in the morning, but luckily for Ahmad, he's trapped in jail with Abu, a young thief who has Bagdad -- and the dungeon keys -- in his pocket.
Ahmad is the king of Bagdad. His vizier, the wily Jaffar, has kept him isolated in his castle his whole life. One day, Ahmad decides to go out into the city disguised as a peasant, so he can learn more about his people. Jaffar, sensing a chance to seize power, sends guards after the king; Ahmad has just enough time to hear a prophecy about a boy saving his city before Jaffar's guards capture him and throw him into the dungeons. He is sentenced to death in the morning, but luckily for Ahmad, he's trapped in jail with Abu, a young thief who has Bagdad—and the dungeon keys—in his pocket.


Abu and Ahmad embark on an amazing journey involving ancient prophecies, captured princesses, mechanical horses, magic spells that turn seeing men blind and thieves into dogs, assassinations, giant spiders, ship wrecks, flying carpets, and an absolutely ''enormous'' genie who will grant three wishes to anyone clever enough to survive him.
Abu and Ahmad embark on an amazing journey involving ancient prophecies, captured princesses, mechanical horses, magic spells that turn seeing men blind and thieves into dogs, assassinations, giant spiders, ship wrecks, flying carpets, and an absolutely ''enormous'' genie who will grant three wishes to anyone clever enough to survive him.
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''The Thief of Bagdad'' was very popular in its day, partly due the charm of child actor Sabu. It had a lasting influence on Hollywood; many of the [[Arabian Nights Days|tropes]] the ''Arabian Nights'' [[Trope Maker|made]] were actually [[Trope Codifier|codified]] by this movie. It's also the first film to use [[Chroma Key]].
''The Thief of Bagdad'' was very popular in its day, partly due the charm of child actor Sabu. It had a lasting influence on Hollywood; many of the [[Arabian Nights Days|tropes]] the ''Arabian Nights'' [[Trope Maker|made]] were actually [[Trope Codifier|codified]] by this movie. It's also the first film to use [[Chroma Key]].


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{{tropelist}}
{{tropelist}}

* [[Always Accurate Attack]]
* [[Always Accurate Attack]]
* [[Animorphism]]: Abu is transformed into a dog.
* [[Animorphism]]: Abu is transformed into a dog.
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{{quote|'''Abu:''' "I'm Abu the Thief. Son of Abu the Thief. Grandson of Abu the Thief."}}
{{quote|'''Abu:''' "I'm Abu the Thief. Son of Abu the Thief. Grandson of Abu the Thief."}}
* [[How We Got Here]]: the first act is told in flashback.
* [[How We Got Here]]: the first act is told in flashback.
* [[Humans Are Bastards]]: Jaffar tries to convince Prince Ahmed that humans are evil, and makes a good case for it himself:
* [[Humans Are the Real Monsters]]: Jaffar tries to convince Prince Ahmed that humans are evil, and makes a good case for it himself:
{{quote|"Men are evil, hatred in their eyes, lies on their lips, betrayal in their hearts. You will learn one day, great king, that there are three things that men respect; the lash that descends, the yoke that breaks and the sword that slays. By the power and terror of these you may conquer the Earth."}}
{{quote|"Men are evil, hatred in their eyes, lies on their lips, betrayal in their hearts. You will learn one day, great king, that there are three things that men respect; the lash that descends, the yoke that breaks and the sword that slays. By the power and terror of these you may conquer the Earth."}}
** Later, the Genie has his say on the subject, after Abu's third wish goes awry (though this is more [[Humans Are Flawed]]):
** Later, the Genie has his say on the subject, after Abu's third wish goes awry (though this is more [[Humans Are Flawed]]):
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{{reflist}}
{{reflist}}
{{DEFAULTSORT:Thief Of Bagdad, The}}
[[Category:The Criterion Collection]]
[[Category:The Criterion Collection]]
[[Category:Roger Ebert Great Movies List]]
[[Category:Roger Ebert Great Movies List]]
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[[Category:The Thief of Bagdad]]
[[Category:The Thief of Bagdad]]
[[Category:Film]]
[[Category:Film]]
[[Category:Arabian Nights Days]]

Latest revision as of 17:49, 4 March 2020

The Thief of Bagdad is a 1940 movie, starring Sabu, John Justin, Conrad Veidt, and June Duprez. It borrows heavily from stories of the Arabian Nights. (There have been several movies using the name, including a 1924 silent film starring Douglas Fairbanks, Sr., but this article is about the first remake.)

Ahmad is the king of Bagdad. His vizier, the wily Jaffar, has kept him isolated in his castle his whole life. One day, Ahmad decides to go out into the city disguised as a peasant, so he can learn more about his people. Jaffar, sensing a chance to seize power, sends guards after the king; Ahmad has just enough time to hear a prophecy about a boy saving his city before Jaffar's guards capture him and throw him into the dungeons. He is sentenced to death in the morning, but luckily for Ahmad, he's trapped in jail with Abu, a young thief who has Bagdad—and the dungeon keys—in his pocket.

Abu and Ahmad embark on an amazing journey involving ancient prophecies, captured princesses, mechanical horses, magic spells that turn seeing men blind and thieves into dogs, assassinations, giant spiders, ship wrecks, flying carpets, and an absolutely enormous genie who will grant three wishes to anyone clever enough to survive him.

The Thief of Bagdad was very popular in its day, partly due the charm of child actor Sabu. It had a lasting influence on Hollywood; many of the tropes the Arabian Nights made were actually codified by this movie. It's also the first film to use Chroma Key.

Tropes used in The Thief of Bagdad include:

Merchant: "Allah be with you. [beat] But I doubt it."

Abu: "I'm Abu the Thief. Son of Abu the Thief. Grandson of Abu the Thief."

"Men are evil, hatred in their eyes, lies on their lips, betrayal in their hearts. You will learn one day, great king, that there are three things that men respect; the lash that descends, the yoke that breaks and the sword that slays. By the power and terror of these you may conquer the Earth."

    • Later, the Genie has his say on the subject, after Abu's third wish goes awry (though this is more Humans Are Flawed):

"You're a clever little man little master of the universe, but mortals are weak and frail. If their stomach speaks, they forget their brain. If their brain speaks, they forget their heart. And if their heart speaks, they forget everything."

  • Hypnotize the Princess: Jaffar erases the princess' memories of Ahmad, hoping she'll start loving him. Slightly subverted in that he previously refused to use his powers to make her fall in love with him directly.
  • Hypercompetent Sidekick / Puss in Boots: Abu to Ahmad, who is pretty much a Fish Out of Water.
  • King Incognito: Ahmad.
  • Large Ham: Genie.
  • Love At First Sight
  • Love Potion: Inverted. The Blue Flower of Forgetfulness is intended to make the Princess forget about Ahmad.
  • Loveable Rogue: Abu
  • Magic Carpet: How Abu makes his grand entrance and grand exit.
  • McGuffin: This movie has everything, including one of these. The genie takes Abu to a temple where he has to steal a jewel to find Ahmad. The genie can't get it for him because... that wouldn't be fun enough.
  • The Mountains of Illinois
  • Musicalis Interruptus: briefly, when dog-Abu is caught by the executioner.
  • Prophecy Twist: The prophecy at the start of the movie says "a tyrant shall be overthrown by the lowest of the low, who appears on a cloud"; Ahmad and the peasants believe it's about him, but it's about a slightly different tyrant.
  • Raven Hair, Ivory Skin: The Princess.
  • Reverse Psychology: Used by Abu to entrap the genie.
  • Robot Girl: The sultan of Basra dies at her mechanical hands.
  • Scarpia Ultimatum: Jaffar reveals that the only way to restore Ahmad's eyesight is for the princess to embrace him; she does.
  • Sealed Evil in a Can: The genie, borrowing from the 1001 Arabian Nights tale "The Fisherman and the Genie."
  • Shout-Out: It is the subject of a lot of them; Aladdin's Abu is a monkey version of Sabu's character, and Jaffar is Conrad Veidt.
    • The Aladdin series also features the Blue Rose of Forgetfulness in one episode. Not to mention that the Sultan of Agrabah basically is the Sultan of Basra, as is the King in The Thief and the Cobbler.
    • Abu mentions Sinbad the Sailor was willing to give them berths on his ship...
  • Street Urchin: Abu at the start of the movie
  • Three Wishes: The genie grants Abu these.
  • Trope Codifier: For several "Arabian Nights" tropes, including Grand Vizier Jafar.
  • True Love's Kiss: Jaffar tries to exploit this by wiping the Princess' memory and then kissing her.
  • Visual Effects of Awesome: A lot of the special effects are astonishingly good for a film made in 1940. Extensive use is made of back-projection in particular.
  • The White Prince: Ahmad.