Dog City: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
m (Dai-Guard moved page Dog City (Animation) to Dog City over redirect: Remove TVT Namespaces from title)
m (Mass update links)
Line 5: Line 5:
'''Eliot:''' ''Well, sometimes it's just staring you in the face.'' }}
'''Eliot:''' ''Well, sometimes it's just staring you in the face.'' }}


''Dog City'' was an animated/Muppet series based on a half-hour segment in ''[[The Jim Henson Hour (TV)|The Jim Henson Hour]]''. The original "Dog City" was about an anthropomorphic German Shepherd named Ace Yu, facing bulldog gangster Bugsy Them (the Dogfather) in a ''film noir'' environment. The segment was just recently released on DVD from Lionsgate, excluding the Jim Henson Hour part.
''Dog City'' was an animated/Muppet series based on a half-hour segment in ''[[The Jim Henson Hour]]''. The original "Dog City" was about an anthropomorphic German Shepherd named Ace Yu, facing bulldog gangster Bugsy Them (the Dogfather) in a ''film noir'' environment. The segment was just recently released on DVD from Lionsgate, excluding the Jim Henson Hour part.


In the series, Ace became private eye Ace Hart, and Bugsy became Bugsy Vile. They also became cartoon characters, with the original puppet versions becoming Eliot Shag, the cartoonist, and Bruno, the super of his apartment building. Other characters from the special were transplanted similarly; the character appeared in the cartoon, and the puppet appeared as someone in Eliot's building, supposedly inspiring him to create the animated version. Ace and Eliot would also have conversations with each other about the progress of the stories and how Eliot uses what he draws in the cartoon to solve problems in his real life.
In the series, Ace became private eye Ace Hart, and Bugsy became Bugsy Vile. They also became cartoon characters, with the original puppet versions becoming Eliot Shag, the cartoonist, and Bruno, the super of his apartment building. Other characters from the special were transplanted similarly; the character appeared in the cartoon, and the puppet appeared as someone in Eliot's building, supposedly inspiring him to create the animated version. Ace and Eliot would also have conversations with each other about the progress of the stories and how Eliot uses what he draws in the cartoon to solve problems in his real life.
Line 26: Line 26:
* [[Running Gag]] (Amounts of time being translated into dog years)
* [[Running Gag]] (Amounts of time being translated into dog years)
* [[Sting]]
* [[Sting]]
* [[Who's On First?]] (With names like Ace ''Yu'' and Bugsy ''Them'', this is a given.)
* [[Who's on First?]] (With names like Ace ''Yu'' and Bugsy ''Them'', this is a given.)
* [[You Killed My Father]]
* [[You Killed My Father]]


Line 41: Line 41:
* [[Even Bad Men Love Their Mamas]]: Baron von Rotweiller again, complete with a cameo of his [[Just for Pun|mutt]][[Gratuitous German|er]].
* [[Even Bad Men Love Their Mamas]]: Baron von Rotweiller again, complete with a cameo of his [[Just for Pun|mutt]][[Gratuitous German|er]].
* [[Fair Cop]] (Rosie O'Gravy)
* [[Fair Cop]] (Rosie O'Gravy)
* [[The Family for The Whole Family]]
* [[The Family for the Whole Family]]
* [[Femme Fatale]] (Miss Kitty)
* [[Femme Fatale]] (Miss Kitty)
* [[Fully-Dressed Cartoon Animal]]
* [[Fully-Dressed Cartoon Animal]]
Line 61: Line 61:
* [[Rubber Band History]]: Baron goes back to the time the pilgrims purchased the new world from the natives and made a better offer: squeak toys. This created a Bad Future where he rules. Somehow, Ace and Eddie had [[Ripple-Effect-Proof Memory]] and, after visiting a timeline where Eddie ruled, went back to the past and made an even better offer: a technologically advanced (even for present time standards) fire hydrant the heroes took from the Eddie-ruled timeline.
* [[Rubber Band History]]: Baron goes back to the time the pilgrims purchased the new world from the natives and made a better offer: squeak toys. This created a Bad Future where he rules. Somehow, Ace and Eddie had [[Ripple-Effect-Proof Memory]] and, after visiting a timeline where Eddie ruled, went back to the past and made an even better offer: a technologically advanced (even for present time standards) fire hydrant the heroes took from the Eddie-ruled timeline.
* [[Scooby-Dooby Doors]]: "Comedy of Horrors", featuring blink-and-you'll-miss-them cameos of other characters, up until Ace and [[Card-Carrying Villain|Baron]] [[Gratuitous German|von Rottweiler]] crash.
* [[Scooby-Dooby Doors]]: "Comedy of Horrors", featuring blink-and-you'll-miss-them cameos of other characters, up until Ace and [[Card-Carrying Villain|Baron]] [[Gratuitous German|von Rottweiler]] crash.
{{quote| Ace: "[[Leaning On the Fourth Wall|This is getting silly...]]"<br />
{{quote| Ace: "[[Leaning on the Fourth Wall|This is getting silly...]]"<br />
Baron Von Rottweiler: "Ja, it's not something I'd want mamma to see." }}
Baron Von Rottweiler: "Ja, it's not something I'd want mamma to see." }}
** And then before the above exchange.
** And then before the above exchange.

Revision as of 03:24, 15 April 2014

Or is that Eliot Shag's Dog City?

 Bruno: How'd a loser like you create a great character like Bugsy?

Eliot: Well, sometimes it's just staring you in the face.

Dog City was an animated/Muppet series based on a half-hour segment in The Jim Henson Hour. The original "Dog City" was about an anthropomorphic German Shepherd named Ace Yu, facing bulldog gangster Bugsy Them (the Dogfather) in a film noir environment. The segment was just recently released on DVD from Lionsgate, excluding the Jim Henson Hour part.

In the series, Ace became private eye Ace Hart, and Bugsy became Bugsy Vile. They also became cartoon characters, with the original puppet versions becoming Eliot Shag, the cartoonist, and Bruno, the super of his apartment building. Other characters from the special were transplanted similarly; the character appeared in the cartoon, and the puppet appeared as someone in Eliot's building, supposedly inspiring him to create the animated version. Ace and Eliot would also have conversations with each other about the progress of the stories and how Eliot uses what he draws in the cartoon to solve problems in his real life.


Dog City included examples of:

Special:

  • Binocular Shot (Parodied. From the POV of villain Bugsy Them, we see the two leads through two overlapping circles. Then the camera cuts to a wide shot to reveal that Bugsy isn't looking through binoculars -- he's just holding up a piece of cardboard with two overlapping holes and looking through it.)
  • The Cameo: Rowlf the Dog plays piano at the bar.
  • Dogs Are Dumb (mostly averted. the only exception is Bugsy's hired muscle, Mad Dog, whose two- I mean, fourteen years of obedience school have done nothing for his thinking ability)
  • Family-Friendly Firearms (Averted big time.)
  • Getting Crap Past the Radar (Colleen Barker's musical number)

 Colleen: (singing)

"Don't care if he's a big dog.

I don't care if he's rich.

He'll be my ever-lovin' puppy,

and I'll just be his—"

Rowlf: HEY! (Beat) Welcome to family programming, folks!

The series:

 Ace: "This is getting silly..."

Baron Von Rottweiler: "Ja, it's not something I'd want mamma to see."

    • And then before the above exchange.
  • The Scrappy: Eddie the newspup got turned into one in-universe for one episode, and then he was literally Rescued From the Scrappy Heap. Whether he actually was a scrappy for the audience is a different story.
  • Sexophone: Given that the animated segments are parodies of classic detective stories and Film Noir, one would occasionally play for Rosie O'Gravy (specifically whenever Ace would think of her in his narrations).
  • Show Within a Show
  • Shout-Out: Way too many to name, but here's one example.

  Bowser (just smashed a hole in the wall as the door is blocked by a panicking Eliot, Bruno and Artie): "Here's Bowser! And I brought the tools."