Dept. Heaven: Difference between revisions

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Since that time, [[The Verse]] has been locked in something of a status quo: Demon factions are always on the lookout for a chance to attack Asgard or otherwise expand their turf, and the [[Have You Seen My God?|now-godless]] Asgard must continually discourage them. Thus, there is a constant battle of [[Order Versus Chaos]] being waged on a cosmic scale. Not helping things is that the Magi, originally humanoid beings with all-too-mortal desires, are waging a constant and quiet political war amongst themselves.
Since that time, [[The Verse]] has been locked in something of a status quo: Demon factions are always on the lookout for a chance to attack Asgard or otherwise expand their turf, and the [[Have You Seen My God?|now-godless]] Asgard must continually discourage them. Thus, there is a constant battle of [[Order Versus Chaos]] being waged on a cosmic scale. Not helping things is that the Magi, originally humanoid beings with all-too-mortal desires, are waging a constant and quiet political war amongst themselves.


And so, in the countless mortal worlds that lie between Asgard and Niflheim, life tends to be rather grim. And to make matters worse, even when their lives ''aren't'' being sidelined by the heavenly cold war, [[Humans Are Bastards|the people of the human realms have usually got their hands full persecuting and killing each other]].
And so, in the countless mortal worlds that lie between Asgard and Niflheim, life tends to be rather grim. And to make matters worse, even when their lives ''aren't'' being sidelined by the heavenly cold war, [[Humans Are the Real Monsters|the people of the human realms have usually got their hands full persecuting and killing each other]].


This is the setting of [[Sting Entertainment]]'s Dept. Heaven series. Each game released thus far has taken place in a different mortal world, depicting the struggles taking place therein (and, often as not, how interference courtesy of Asgard and demons has made it worse). The series as a whole is known for its [[Genre Busting]] gameplay, [[Dark Fantasy|dark storylines]], [[Gray and Grey Morality|morally ambiguous characters]], purposeful [[Art Style Dissonance]]<ref>[[Satoko Kiyuduki]], famed for her [[Puni Plush|puni-moe]] art style, has been the art director since the second game, 'natch</ref>, and oblique references to [[Norse Mythology]].
This is the setting of [[Sting Entertainment]]'s '''''Dept. Heaven''''' series. Each game released thus far has taken place in a different mortal world, depicting the struggles taking place therein (and, often as not, how interference courtesy of Asgard and demons has made it worse). The series as a whole is known for its [[Genre Busting]] gameplay, [[Dark Fantasy|dark storylines]], [[Gray and Grey Morality|morally ambiguous characters]], purposeful [[Art Style Dissonance]],<ref>[[Satoko Kiyuduki]], famed for her [[Puni Plush|puni-moe]] art style, has been the art director since the second game, 'natch</ref> and oblique references to [[Norse Mythology]].


The series is meant to span [[Numerological Motif|nine core episodes]], not counting spinoffs. It should be kept in mind that episode number has nothing at all to do with series chronology<ref>the episode numbers are in fact just the order that the games' original concepts were pitched in</ref>, and that the games are released out of chronological order as well. Usually, though, series mainstay characters (most often the archangel Marietta) will pop up briefly to give series fans an idea of when the story takes place.
The series is meant to span [[Numerological Motif|nine core episodes]], not counting spinoffs. It should be kept in mind that episode number has nothing at all to do with series chronology,<ref>the episode numbers are in fact just the order that the games' original concepts were pitched in</ref> and that the games are released out of chronological order as well. Usually, though, series mainstay characters (most often the archangel Marietta) will pop up briefly to give series fans an idea of when the story takes place.


Those of the games which have made it into English have always been localized by Atlus<ref>and TLC'ed by 505 Games for Europe and Australia</ref>, and around the time of the announcement of their localization of ''Knights in the Nightmare'', it was announced that Atlus of Japan would be Sting's exclusive publisher. Ideally, this would ensure that this series would continue being localized for the foreseeable future. ''Ideally.''
Those of the games which have made it into English have always been localized by Atlus,<ref>and TLC'ed by 505 Games for Europe and Australia</ref> and around the time of the announcement of their localization of ''Knights in the Nightmare'', it was announced that Atlus of Japan would be Sting's exclusive publisher. Ideally, this would ensure that this series would continue being localized for the foreseeable future. ''Ideally.''


Now has a [[Dept Heaven/Awesome Music|Crowning Music Of Awesome page]]; feel free to contribute.
Now has a [[Dept. Heaven/Awesome Music|Crowning Music Of Awesome page]]; feel free to contribute.


=== The Dept. Heaven series includes: ===
== The Dept. Heaven series includes ==
* '''Episode I:''' ''Yakusoku no Chi Riviera''/''[[Riviera: The Promised Land]]'', which tells the story of an angel named Ein and his attempts to save the eponymous island from both Asgard and Niflheim. Originally released for the WonderSwan (2002), ported to the Game Boy Advance (2004), and there localized by [[Atlus]]. Then ported to the PSP, and localized by [[Atlus]] yet again (2006).
* '''Episode I:''' ''Yakusoku no Chi Riviera''/''[[Riviera: The Promised Land]]'', which tells the story of an angel named Ein and his attempts to save the eponymous island from both Asgard and Niflheim. Originally released for the WonderSwan (2002), ported to the Game Boy Advance (2004), and there localized by [[Atlus]]. Then ported to the PSP, and localized by [[Atlus]] yet again (2006).
* '''Episode II:''' ''[[Yggdra Union]]: We'll Never Fight Alone'', wherein Princess Yggdra attempts to rescue her kingdom from the empire that has conquered it. Released for the GBA (2006), localized by [[Atlus]], ported to the PSP (2008), and rereleased by [[Atlus]].
* '''Episode II:''' ''[[Yggdra Union]]: We'll Never Fight Alone'', wherein Princess Yggdra attempts to rescue her kingdom from the empire that has conquered it. Released for the GBA (2006), localized by [[Atlus]], ported to the PSP (2008), and rereleased by [[Atlus]].
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* '''Episode IX:''' ''[[Gungnir]]: Inferno of the Demon Lance and the War of Heroes,'' the story of a young boy named Julio and his comrades, who come upon the eponymous lance while struggling to rise up against the ruling class of their Empire. Has finally reemerged after two solid years of [[Development Hell]]. Published by Atlus on the PSP. Released in May 2011. Set for a North American release in June 2012.
* '''Episode IX:''' ''[[Gungnir]]: Inferno of the Demon Lance and the War of Heroes,'' the story of a young boy named Julio and his comrades, who come upon the eponymous lance while struggling to rise up against the ruling class of their Empire. Has finally reemerged after two solid years of [[Development Hell]]. Published by Atlus on the PSP. Released in May 2011. Set for a North American release in June 2012.



----
{{tropelist}}
=== Common tropes utilized in this series: ===
* [[Aerith and Bob]]: The range of names goes from "normal" (Rose, Marietta, Luciana) to "a little strange, but believable" (Malice, Nordische, Kylier) to "downright bizarre" (Staehelingum, Medoute).
* [[Aerith and Bob]]: The range of names goes from "normal" (Rose, Marietta, Luciana) to "a little strange, but believable" (Malice, Nordische, Kylier) to "downright bizarre" (Staehelingum, Medoute).
* [[All There in the Manual]]: Good luck piecing together the full plot without the World Guidance books and the various interviews with the director.
* [[All There in the Manual]]: Good luck piecing together the full plot without the World Guidance books and the various interviews with the director.
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* [[Fantastic Racism]]: In many flavors.
* [[Fantastic Racism]]: In many flavors.
* [[Genre Busting]]: Gameplay-wise, [[Doing It for the Art|this is the whole point of the series]].
* [[Genre Busting]]: Gameplay-wise, [[Doing It for the Art|this is the whole point of the series]].
* [[Good Is Not Nice]]: Oh boy. Asgard is acknowledged everywhere as the force preserving order, but it is filled with [[Fantastic Racism|racist, elitist fanatics]] and is {{spoiler|run by the [[Big Bad]]}}. It was no better when the gods were in charge, even--they had a nasty habit of raining down [[Disproportionate Retribution]] upon anyone that looked at them funny.
* [[Good Is Not Nice]]: Oh boy. Asgard is acknowledged everywhere as the force preserving order, but it is filled with [[Fantastic Racism|racist, elitist fanatics]] and is {{spoiler|run by the [[Big Bad]]}}. It was no better when the gods were in charge, even—they had a nasty habit of raining down [[Disproportionate Retribution]] upon anyone that looked at them funny.
** [[Light Is Not Good]] / [[Dark Is Not Evil]]: In all games but ''Riviera''.
** [[Light Is Not Good]] / [[Dark Is Not Evil]]: In all games but ''Riviera''.
* [[Gray and Grey Morality]]: All games except ''Riviera''.
* [[Gray and Grey Morality]]: All games except ''Riviera''.
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{{reflist}}
{{reflist}}
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[[Category:{{PAGENAME}}]]
[[Category:Atlus]]
[[Category:Atlus]]
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[[Category:Video Game]]
[[Category:Miscellaneous Games]]
[[Category:Miscellaneous Games]]
[[Category:Trope Overdosed]]
[[Category:Trope Overdosed]]
[[Category:index]]
[[Category:Index]]
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[[Category:Dept Heaven]]
⚫
[[Category:Video Game]]

Latest revision as of 18:34, 16 September 2023

One thousand years ago, the gods and the most powerful demons enacted an extremely destructive war called Ragnarok. The gods, who otherwise would have lost, broke the taboo that mortal creatures must not have godly powers in order to create the Grim Angels, incomplete yet extremely powerful beings who were able to turn the tide. Afterward, the gods vanished, sealing their powers within the recently liberated land of Riviera and entrusting the rule of Asgard to seven proxies called the Magi. The Grim Angels, too, were sealed away until the time would come that their powers would once again be necessary to protect Asgard from the threat of demons.

Since that time, The Verse has been locked in something of a status quo: Demon factions are always on the lookout for a chance to attack Asgard or otherwise expand their turf, and the now-godless Asgard must continually discourage them. Thus, there is a constant battle of Order Versus Chaos being waged on a cosmic scale. Not helping things is that the Magi, originally humanoid beings with all-too-mortal desires, are waging a constant and quiet political war amongst themselves.

And so, in the countless mortal worlds that lie between Asgard and Niflheim, life tends to be rather grim. And to make matters worse, even when their lives aren't being sidelined by the heavenly cold war, the people of the human realms have usually got their hands full persecuting and killing each other.

This is the setting of Sting Entertainment's Dept. Heaven series. Each game released thus far has taken place in a different mortal world, depicting the struggles taking place therein (and, often as not, how interference courtesy of Asgard and demons has made it worse). The series as a whole is known for its Genre Busting gameplay, dark storylines, morally ambiguous characters, purposeful Art Style Dissonance,[1] and oblique references to Norse Mythology.

The series is meant to span nine core episodes, not counting spinoffs. It should be kept in mind that episode number has nothing at all to do with series chronology,[2] and that the games are released out of chronological order as well. Usually, though, series mainstay characters (most often the archangel Marietta) will pop up briefly to give series fans an idea of when the story takes place.

Those of the games which have made it into English have always been localized by Atlus,[3] and around the time of the announcement of their localization of Knights in the Nightmare, it was announced that Atlus of Japan would be Sting's exclusive publisher. Ideally, this would ensure that this series would continue being localized for the foreseeable future. Ideally.

Now has a Crowning Music Of Awesome page; feel free to contribute.

The Dept. Heaven series includes

  • Episode I: Yakusoku no Chi Riviera/Riviera: The Promised Land, which tells the story of an angel named Ein and his attempts to save the eponymous island from both Asgard and Niflheim. Originally released for the WonderSwan (2002), ported to the Game Boy Advance (2004), and there localized by Atlus. Then ported to the PSP, and localized by Atlus yet again (2006).
  • Episode II: Yggdra Union: We'll Never Fight Alone, wherein Princess Yggdra attempts to rescue her kingdom from the empire that has conquered it. Released for the GBA (2006), localized by Atlus, ported to the PSP (2008), and rereleased by Atlus.
  • Episode III: Currently planned as an MMO of some type, although production is on hiatus. Ito mentioned that it is supposed to take place roughly at the same time as Knights. See this interview for details.
  • Episode IV: Knights in The Nightmare, the story of a world overrun by demons and the unlikely pair of a disembodied soul and mysterious valkyrie trying to save it. First released on Nintendo DS in 2008. Published by Atlus. PSP remake released in 2010, which contains the Yggdra route cut during the DS game's production.
  • Episode IX: Gungnir: Inferno of the Demon Lance and the War of Heroes, the story of a young boy named Julio and his comrades, who come upon the eponymous lance while struggling to rise up against the ruling class of their Empire. Has finally reemerged after two solid years of Development Hell. Published by Atlus on the PSP. Released in May 2011. Set for a North American release in June 2012.


Tropes used in Dept. Heaven include:
  1. ↑ Satoko Kiyuduki, famed for her puni-moe art style, has been the art director since the second game, 'natch
  2. ↑ the episode numbers are in fact just the order that the games' original concepts were pitched in
  3. ↑ and TLC'ed by 505 Games for Europe and Australia
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