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''Ran'' (乱, Japanese for "rebellion", "uprising" or "revolt", or to mean "disturbed" or "confused") is a 1985 film by [[Akira Kurosawa]], late in his career. It is [[Word of God|heavily influenced]] by ''[[King Lear]]'', [[Recycled in Space|relocated to the Warring States period in Japan.]]
''Ran'' (乱, Japanese for "rebellion", "uprising" or "revolt", or to mean "disturbed" or "confused") is a 1985 film by [[Akira Kurosawa]], late in his career. It is [[Word of God|heavily influenced]] by ''[[King Lear]]'', [[Recycled in Space|relocated to the Warring States period in Japan.]]
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With Saburo away, Taro and Jiro begin feuding over succession as head of the clan. Egged on by his wife, Lady Kaede, Taro uses Hidetora's insolent jester Kyoami as a pretext for stripping him of his powers. Hidetora is made persona non grata and forced to relocate to Saburo's abandoned castle, which is then sacked by Taro and Jiro's forces. Unable to find a blade to commit seppuku with, Hidetora goes mad and wanders, dazed, from the burning castle, [[World Half Empty|as the world crumbles around him]].
With Saburo away, Taro and Jiro begin feuding over succession as head of the clan. Egged on by his wife, Lady Kaede, Taro uses Hidetora's insolent jester Kyoami as a pretext for stripping him of his powers. Hidetora is made persona non grata and forced to relocate to Saburo's abandoned castle, which is then sacked by Taro and Jiro's forces. Unable to find a blade to commit seppuku with, Hidetora goes mad and wanders, dazed, from the burning castle, [[World Half Empty|as the world crumbles around him]].


Kurosawa wrote the screenplay ten years before its eventual release, [[Doing It for The Art|during which he meticulously painted storyboards for every scene]] while he sought funding. At the time of its release, it had the largest budget of any Japanese film ever made until then. While it garnered praise from critics worldwide, its box office performance was lackluster, [[Award Snub|and was passed over for the Academy Awards in both the United States and Japan]]. In the years since, [[Vindicated By History|it has come to be seen as one of Kurosawa's best films, and one of the best films of all time]].
Kurosawa wrote the screenplay ten years before its eventual release, [[Doing It for the Art|during which he meticulously painted storyboards for every scene]] while he sought funding. At the time of its release, it had the largest budget of any Japanese film ever made until then. While it garnered praise from critics worldwide, its box office performance was lackluster, [[Award Snub|and was passed over for the Academy Awards in both the United States and Japan]]. In the years since, [[Vindicated by History|it has come to be seen as one of Kurosawa's best films, and one of the best films of all time]].


Not to be confused with a [[Touhou|certain nine-tailed kitsune,]] nor to be confused with [[Ranma One Half|a sex-changing martial artist]] or a [[Norse Mythology|Norse sea goddess]].
Not to be confused with a [[Touhou|certain nine-tailed kitsune,]] nor to be confused with [[Ranma ½|a sex-changing martial artist]] or a [[Norse Mythology|Norse sea goddess]].
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{{tropelist}}
=== ''Ran'' contains the following tropes: ===

* [[Ambition Is Evil]]: One of the main themes of the film.
* [[Ambition Is Evil]]: One of the main themes of the film.
* [[Arrows On Fire]]
* [[Arrows on Fire]]
* [[Asskicking Equals Authority]]: Hidetora didn't become the sole head of the Ichimonji clan through sycophantic grovelling. He paved his way to kingship through war and battle. But when he retired...
* [[Asskicking Equals Authority]]: Hidetora didn't become the sole head of the Ichimonji clan through sycophantic grovelling. He paved his way to kingship through war and battle. But when he retired...
* [[Authority Equals Asskicking]]: Entirely subverted with Taro and Jiro. Jiro is especially cowardly, and his lack of strong back-bone makes him Lady Kaede's obedient little lap dog. He deliberately ignores Kurogane's veteran military wisdom and commits to foolhardy strategies that {{spoiler|ultimately lead to the destruction of his kingdom}}.
* [[The Atoner]]: Hidetora sports shades of this by the end.
* [[The Atoner]]: Hidetora sports shades of this by the end.
* [[Authority Equals Asskicking]]: Entirely subverted with Taro and Jiro. Jiro is especially cowardly, and his lack of strong back-bone makes him Lady Kaede's obedient little lap dog. He deliberately ignores Kurogane's veteran military wisdom and commits to foolhardy strategies that {{spoiler|ultimately lead to the destruction of his kingdom}}.
* [[Badass Grandpa]]: When he was sane, Hidetora was this.
* [[Badass Grandpa]]: When he was sane, Hidetora was this.
* [[Camp Gay]]: A drag artist plays Kyoami, after the fashion of traditional Japanese ''Noh'' theater.
* [[Camp Gay]]: A drag artist plays Kyoami, after the fashion of traditional Japanese ''Noh'' theater.
* {{spoiler|[[The Chessmaster]]: Lady Kaede}}
* {{spoiler|[[The Chessmaster]]: Lady Kaede}}.
* [[Coitus Uninterruptus]]
* [[Coitus Uninterruptus]]
* [[Color Coded for Your Convenience]]: Taro, Jiro, and Saburo are yellow, red, and blue respectively. Hidetora is for the most part coded with white, and this is reflected in Saburo's flags, which have white stripes in them.
* [[Color Coded for Your Convenience]]: Taro, Jiro, and Saburo are yellow, red, and blue respectively. Hidetora is for the most part coded with white, and this is reflected in Saburo's flags, which have white stripes in them.
* [[Creator Breakdown]]
* [[The Dragon]]: Kurogane.
* [[The Dragon]]: Kurogane.
* [[Downer Ending]]: Basically, the ending states that God is blind.
* [[Downer Ending]]: Basically, the ending states that God is blind.
** Either that or that he just doesn't care and is purposefully spiteful.
** Either that or that he just doesn't care and is purposefully spiteful.
* [[Even Evil Has Standards]]: [[The Dragon|Kurogane]], a man who is no stranger to war, bloodshed and assassinations, is outraged when Lady Kaede orders [[The Pollyanna|Lady Sué's]] death.
* [[Even Evil Has Standards]]: [[The Dragon|Kurogane]], a man who is no stranger to war, bloodshed and assassinations, is outraged when Lady Kaede orders [[The Pollyanna|Lady Sué's]] death.
** {{spoiler|When another assassin brings the head of Lady Sué, this motivates Kurogane into such a state of fury that he murders Kaede himself.}}
** {{spoiler|When another assassin brings the head of Lady Sué, this motivates Kurogane into such a state of fury that he murders Kaede himself.}}
* [[Eye Scream]]: Tsurumaru. Done offscreen, thankfully.
* [[Eye Scream]]: Tsurumaru. Done offscreen, thankfully.
* [[Flaw Exploitation]]: Lady Kaede exploits {{spoiler|Hidetora's pride, Taro's lack of assertiveness, and Jiro's obsession with virility}}.
* [[Flaw Exploitation]]: Lady Kaede exploits {{spoiler|Hidetora's pride, Taro's lack of assertiveness, and Jiro's obsession with virility}}.
* [[Four Star Badass]]: Kurogane.
* [[Four-Star Badass]]: Kurogane.
* [[Gender Flip]]: The feuding children are male, as opposed to the ones in ''[[King Lear]]''.
* [[Gender Flip]]: The feuding children are male, as opposed to the ones in ''[[King Lear]]''.
** In the opposite direction, Edmund has been turned into a woman.
** In the opposite direction, Edmund has been turned into a woman.
* [[Gorn]]: The battle scenes are remarkably brutal. The sack of the Third Castle inspired the aftermath of Omaha Beach in ''[[Saving Private Ryan]]''.
* [[Gorn]]: The battle scenes are remarkably brutal. The sack of the Third Castle inspired the aftermath of Omaha Beach in ''[[Saving Private Ryan]]''.
* [[Gory Discretion Shot]] You don't need to see a beheading when the results of it are even more obvious. Results in [[High Pressure Blood]].
* [[Gory Discretion Shot]] You don't need to see a beheading when the results of it are even more obvious. Results in [[High-Pressure Blood]].
* [[Henpecked Husband]]: Taro. {{spoiler|Not that Jiro does any better.}}
* [[Henpecked Husband]]: Taro. {{spoiler|Not that Jiro does any better.}}
* [[Heroic BSOD]]
* [[Heroic BSOD]]
* [[Trauma Conga Line]]: Part of Hidetora's [[Character Development]]. From [[Complete Monster]] to traumatized, lonely, [[The Atoner|remorseful old man]].
* [[It Got Worse]]
* [[It Got Worse]]
* [[The Jester]]: Kyoami's job.
* [[The Jester]]: Kyoami's job.
* [[Jidai Geki]]
* [[Jidai Geki]]
* [[Karmic Death]]: {{spoiler|Be honest. Didn't everyone cheer a little when Kurogane treated Lady Kaede to a well-deserved, justified death?}}
* [[Karmic Death]]: {{spoiler|Be honest. Didn't everyone cheer a little when Kurogane treated Lady Kaede to a well-deserved, justified death?}}
* {{spoiler|[[Kill Em All]]}}
* {{spoiler|[[Kill'Em All]]}}
* [[Kill It With Fire]]: What happens to the Third Castle.
* [[Kill It with Fire]]: What happens to the Third Castle.
* [[Lady Macbeth]]: Lady Kaede.
* [[Lady Macbeth]]: Lady Kaede.
* [[Laser Guided Karma]]: Hidetora gets a big, heaping helping of it.
* [[Laser-Guided Karma]]: Hidetora gets a big, heaping helping of it.
* [[Losing Your Head]]: {{spoiler|Lady Sue, then Lady Kaede.}}
* [[Losing Your Head]]: {{spoiler|Lady Sue, then Lady Kaede.}}
* [[Manipulative Bitch]]: Lady Kaede.
* [[Manipulative Bitch]]: Lady Kaede.
* [[Murder the Hypotenuse]]
* [[Murder the Hypotenuse]]
* [[Offstage Villainy]]: Hidetora's bloody conquests. We meet some of the survivors, who are, understandably, rather ticked off.
* [[Offstage Villainy]]: Hidetora's bloody conquests. We meet some of the survivors, who are, understandably, rather ticked off.
* [[Only Sane Man]]: Kurogane plays this role in Jiro's circle. He's the only one maintaining anything resembling a code of ethics. Naturally, his insight - which could have prevented half the tragedy in this movie - is discarded. Instead, [[What an Idiot|Jiro opts to bend over for Kaede.]]
* [[Only Sane Man]]: Kurogane plays this role in Jiro's circle. He's the only one maintaining anything resembling a code of ethics. Naturally, his insight - which could have prevented half the tragedy in this movie - is discarded. Instead, [[What an Idiot!|Jiro opts to bend over for Kaede.]]
** The Jester certainly feels like the [[Only Sane Man]] when he has to look after an increasingly maddened Hidetora.
** The Jester certainly feels like the [[Only Sane Man]] when he has to look after an increasingly maddened Hidetora.
** Among the three brothers, Saburo does not succumb to any lust for power.
** Among the three brothers, Saburo does not succumb to any lust for power.
* [[Perspective Flip]]
* [[Perspective Flip]]
* [[Playing the Heart Strings]]: During the sack of the third castle. {{spoiler|The music is cut short by Taro's assassination}}.
* [[The Pollyanna]]: Lady Sue.
* [[The Pollyanna]]: Lady Sue.
* [[Playing the Heart Strings]]: During the sack of the third castle. {{spoiler|The music is cut short by Taro's assassination}}.
* [[Rage Against the Heavens]]
* [[Rage Against the Heavens]]
* [[Rain of Arrows]]: The attack on the Third Castle.
* [[Rain of Arrows]]: The attack on the Third Castle.
* [[Red Sky Take Warning]]
* [[Red Sky, Take Warning]]
* [[Samurai]]
* [[Samurai]]
* [[Sanity Slippage]]: Hidetora. Kyoami moans that the fool is now acting like a King, and the King is acting like a fool.
* [[Sanity Slippage]]: Hidetora. Kyoami moans that the fool is now acting like a King, and the King is acting like a fool.
* [[Scenery Gorn]]: Oh, man, the attack on the Third Castle scene. Oh, God. [[Your Mileage May Vary|YMMV]] but that will overlap as [[Nightmare Fuel]] for a lot of people. The sheer brutality of that scene was even the basis for the Omaha Beach scene in [[Saving Private Ryan]], right down to the soldier holding his torn arm.
* [[Scenery Porn]]: Some of the establishing shots are quite likely amongst the most beautiful in cinema history.
* [[Scenery Porn]]: Some of the establishing shots are quite likely amongst the most beautiful in cinema history.
** Not even just the establishing shots, as the framing is ''excellent'' in this film: it would be fair to say that any scene where the camera doesn't move would be just as good a painting.
** Not even just the establishing shots, as the framing is ''excellent'' in this film: it would be fair to say that any scene where the camera doesn't move would be just as good a painting.
** The colors! The colors!!
** The colors! The colors!!
* [[Seppuku]]: Lady Kaede's mother after Hidetora took the First Castle; Hidetora's concubines during the attack on the Third Castle. In addition, {{spoiler|Jiro, Kurogane, and Jiro's other main retainers presumably do so offscreen when the First Castle is about to be destroyed.}}
* [[Scenery Gorn]]: Oh, man, the attack on the Third Castle scene. Oh, God. [[Your Mileage May Vary|YMMV]] but that will overlap as [[Nightmare Fuel]] for a lot of people. The sheer brutality of that scene was even the basis for the Omaha Beach scene in [[Saving Private Ryan]], right down to the soldier holding his torn arm.
* [[Seppuku]]: Lady Kaede's mother after Hidetora took the First Castle; Hidetora's concubines during the attack on the Third Castle. In addition, {{spoiler|Jiro, Kurogane, and Jiro's other main retainers presumably do so offscreen when the First Castle is about to be destroyed.}}
** Averted in Hidetora's case. [[Breakable Weapons|It pays to have an extra sword on hand in times like these.]]
** Averted in Hidetora's case. [[Breakable Weapons|It pays to have an extra sword on hand in times like these.]]
* {{spoiler|[[Shoot the Shaggy Dog]]}}
* {{spoiler|[[Shoot the Shaggy Dog]]}}
* [[Smug Snake]]: Lady Kaede.
* [[Smug Snake]]: Lady Kaede.
* [[The Sons and The Spears]]: Hidetora tries to use this to encourage his sons to stick together. The meaning is slightly hindered by Saburo managing to break it anyway.
* [[The Sons and the Spears]]: Hidetora tries to use this to encourage his sons to stick together. The meaning is slightly hindered by Saburo managing to break it anyway.
* [[Theme Naming]]: Taro, Jiro and Saburo literally mean "first son," "second son" and "third son."
* [[Theme Naming]]: Taro, Jiro and Saburo literally mean "first son," "second son" and "third son".
* [[Too Dumb to Live]]: There are some things worth leaving behind...
* [[Too Dumb to Live]]: There are some things worth leaving behind...
* [[Tragedy]]
* [[Tragedy]]
* [[Trash the Set]]: The burning of the Third Castle.
* [[Trash the Set]]: The burning of the Third Castle.
* [[Trauma Conga Line]]: Part of Hidetora's [[Character Development]]. From [[Complete Monster]] to traumatized, lonely, [[The Atoner|remorseful old man]].
* [[Unfriendly Fire]]: {{spoiler|Taro meets his end this way.}}
* [[Unfriendly Fire]]: {{spoiler|Taro meets his end this way.}}
* [[War Is Hell]]
* [[War Is Hell]]
* [[What Do You Mean Its Not Symbolic]]: The boar hunt and the final shots of Tsurumaru.
* [[What Do You Mean Its Not Symbolic]]: The boar hunt and the final shots of Tsurumaru.
* [[What the Hell Hero]]: His most loyal son gives Hidetora one when he decides to divide the kingdom into three duchys.
* [[What the Hell, Hero?]]: His most loyal son gives Hidetora one when he decides to divide the kingdom into three duchys.
* [[Wise Prince]]: Saburo.
* [[Wise Prince]]: Saburo.
* [[Yandere]]: Lady Kaede.
* [[Yandere]]: Lady Kaede.
* [[Youngest Child Wins]]: {{spoiler|[[Subverted Trope|Subverted.]] Saburo is assassinated just as he is reunited with Hidetora.}}
* [[Youngest Child Wins]]: {{spoiler|[[Subverted Trope|Subverted.]] Saburo is assassinated just as he is reunited with Hidetora.}}


{{reflist}}
{{reflist}}
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[[Category:Ran]]
[[Category:Ran]]
[[Category:Film]]
[[Category:Film]]
[[Category:Akira Kurosawa]]

Latest revision as of 02:05, 23 June 2023

Ran (乱, Japanese for "rebellion", "uprising" or "revolt", or to mean "disturbed" or "confused") is a 1985 film by Akira Kurosawa, late in his career. It is heavily influenced by King Lear, relocated to the Warring States period in Japan.

The warlord Hidetora of the Ichimonji clan, once a feared and powerful man, is now in his twilight years. He decides to divide his kingdom between his three sons Taro, Jiro, and Saburo, while he remains a figurehead. Saburo, the youngest, disagrees with the plan and is banished. Sound familiar?

With Saburo away, Taro and Jiro begin feuding over succession as head of the clan. Egged on by his wife, Lady Kaede, Taro uses Hidetora's insolent jester Kyoami as a pretext for stripping him of his powers. Hidetora is made persona non grata and forced to relocate to Saburo's abandoned castle, which is then sacked by Taro and Jiro's forces. Unable to find a blade to commit seppuku with, Hidetora goes mad and wanders, dazed, from the burning castle, as the world crumbles around him.

Kurosawa wrote the screenplay ten years before its eventual release, during which he meticulously painted storyboards for every scene while he sought funding. At the time of its release, it had the largest budget of any Japanese film ever made until then. While it garnered praise from critics worldwide, its box office performance was lackluster, and was passed over for the Academy Awards in both the United States and Japan. In the years since, it has come to be seen as one of Kurosawa's best films, and one of the best films of all time.

Not to be confused with a certain nine-tailed kitsune, nor to be confused with a sex-changing martial artist or a Norse sea goddess.


Tropes used in Ran include: