The Public Enemy: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
m (Dai-Guard moved page The Public Enemy (Film) to The Public Enemy over redirect: Remove TVT Namespaces from title)
No edit summary
 
(8 intermediate revisions by 5 users not shown)
Line 1:
{{work}}
[[File:The_Public_Enemy_3497.jpg|frame|[[Last Words|I ain't so tough!]]]]
 
 
{{quote|''I know what you've been doing all this time, how you got those clothes and those new cars. You've been telling Ma that you've gone into politics, that you're on the city payroll. Pat Burke told me everything. You murderers! There's not only beer in that jug. There's beer and blood -- blood of men!"''|'''Mike Powers''', confronting his brother}}
 
''[[The Public Enemy]]'' is a 1931 pre-[[Hays Code|Code]] Warner Bros. gangster film directed by William A. Wellman. It's often seen as the film that made [[James Cagney]] a star.
 
The "Public Enemy" of the film is Tom Powers, played by James Cagney, a young man living in Chicago during Prohibition whose crimes progress from small-time theft to bootlegging and murder.
 
''The Public Enemy'' was added to the [[National Film Registry]] in 1998.
 
----
{{tropelist}}
=== Tropes: ===
* [[Ambiguously Gay]]: The tailor, in who is in approximately 2 minutes of the film. See for yourself right [http://www.youtube.com/watch?v=VSIDwa_MG_E&feature=related here.]
* [[Book Ends]]: Opens with a message that this film's purpose isn't to glorify gangsters, and closes with the message that 'The Public Enemy' is a problem in society that must be stopped.
* [[Damn, It Feels Good to Be Aa Gangster!]]: Tom Powers and Matt Doyle - they get all the girls, the snappy suits, and the cars.
* [[Domestic Abuse]]: The infamous grapefruit-in-the-face scene.
{{quote| '''Tom:''' Ain't you got a drink in the house?<br />
'''Kitty:''' Not before breakfast, dear.<br />
'''Tom:''' I didn't ask you for any lip. I asked you if you had a drink. }}
* [[Do Not Do This Cool Thing]]
Line 22 ⟶ 24:
* [[The Irish Mob]]
* [[Killed Mid-Sentence]]: {{spoiler|Putty Nose's song is cut off at the same point as earlier in the film, when Tom and Matt were kids.}}
* [[No Honor Among Thieves]]: When teenaged Tom and Matt botch a robbery, their boss Putty Nose ditches them. {{spoiler|[[Rewarded Asas a Traitor Deserves|But when they see Putty Nose again during Matt's wedding and follow him back home...]]}}
* [[Parental Favoritism]]: Ma Powers favors her 'Tommy boy' over elder son Mike.
* [[Pretty in Mink]]: Gwen Allen
Line 31 ⟶ 33:
 
{{reflist}}
{{AFI's 100 Years 100 Heroes and Villains}}
[[Category:Films of the 1930s]]
[[Category:The Public Enemy{{PAGENAME}}]]
[[Category:Film]]
[[Category:Films Based on Novels]]
[[Category:Films of the 1930s]]
[[Category:National Film Registry]]
{{DEFAULTSORT:Public Enemy, The}}

Latest revision as of 18:14, 25 August 2021

I ain't so tough!
I know what you've been doing all this time, how you got those clothes and those new cars. You've been telling Ma that you've gone into politics, that you're on the city payroll. Pat Burke told me everything. You murderers! There's not only beer in that jug. There's beer and blood -- blood of men!"
Mike Powers, confronting his brother

The Public Enemy is a 1931 pre-Code Warner Bros. gangster film directed by William A. Wellman. It's often seen as the film that made James Cagney a star.

The "Public Enemy" of the film is Tom Powers, played by James Cagney, a young man living in Chicago during Prohibition whose crimes progress from small-time theft to bootlegging and murder.

The Public Enemy was added to the National Film Registry in 1998.


Tropes used in The Public Enemy include:
  • Ambiguously Gay: The tailor, in who is in approximately 2 minutes of the film. See for yourself right here.
  • Book Ends: Opens with a message that this film's purpose isn't to glorify gangsters, and closes with the message that 'The Public Enemy' is a problem in society that must be stopped.
  • Damn, It Feels Good to Be a Gangster!: Tom Powers and Matt Doyle - they get all the girls, the snappy suits, and the cars.
  • Domestic Abuse: The infamous grapefruit-in-the-face scene.

Tom: Ain't you got a drink in the house?
Kitty: Not before breakfast, dear.
Tom: I didn't ask you for any lip. I asked you if you had a drink.