Georgette Heyer: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
VisualWikitext
(Import from TV Tropes TVT:Main.GeorgetteHeyer 2012-07-01, editor history TVTH:Main.GeorgetteHeyer, CC-BY-SA 3.0 Unported license)
 
No edit summary
 
(19 intermediate revisions by 4 users not shown)
Line 1: Line 1:
{{trope}}
{{creator}}
{{Needs Image}}
One of the most successful romance novelists of the 20th century, Georgette Heyer's books were famous for her intelligent comedy, [[Official Couple|the genuine sweetness of her romances]] and [[Shown Their Work|her meticulous research on the Regency period]]. She also wrote a few detective novels here and there, but these aren't nearly as well-known, [[Needs More Love|which is a shame]].
One of the most successful romance novelists of the 20th century, '''Georgette Heyer'''{{'}}s books were famous for her intelligent comedy, [[Official Couple|the genuine sweetness of her romances]] and [[Shown Their Work|her meticulous research on the Regency period]]. She also wrote a few detective novels here and there, but these aren't nearly as well-known, [[Needs More Love|which is a shame]].


Heyer's heroes and heroines (occasionally dubbed [[Fan Nickname|Heyeroes and Heyeroines]]) tended to come in two types each:
Heyer's heroes and heroines (occasionally dubbed [[Fan Nickname|Heyeroes and Heyeroines]]) tended to come in two types each:
Line 8: Line 9:
'''Hero #2:''' This is the consummate gentleman, who invariably comes up with the perfect response to any situation. Their usual role is to [[Knight in Shining Armor|provide the heroine with an escape from any difficulties]], whereas Hero #1 is frequently the ''cause'' of those difficulties.
'''Hero #2:''' This is the consummate gentleman, who invariably comes up with the perfect response to any situation. Their usual role is to [[Knight in Shining Armor|provide the heroine with an escape from any difficulties]], whereas Hero #1 is frequently the ''cause'' of those difficulties.


'''Heroine #1:''' A [[Spirited Young Lady|lively young woman]]. She naturally gets herself into many a social scrape, [[Distressed Damsel|from which the hero must rescue her]], and either bounces back or feels humiliated deep down inside that he saw her in such a state.
'''Heroine #1:''' A [[Spirited Young Lady|lively young woman]]. She naturally gets herself into many a social scrape, [[Damsel in Distress|from which the hero must rescue her]], and either bounces back or feels humiliated deep down inside that he saw her in such a state.


'''Heroine #2:''' Overlooked and ignored, she may seem quiet. However, once the hero talks to her, or needs help, Heroine #2 comes into her own and reveals [[Hidden Depths]].
'''Heroine #2:''' Overlooked and ignored, she may seem quiet. However, once the hero talks to her, or needs help, Heroine #2 comes into her own and reveals [[Hidden Depths]].
Line 14: Line 15:
Heyer was not above mixing and matching types, as well as subverting the expectations of her readers. In ''Sylvester'', for example, the eponymous hero appears to be a Hero #1, whereas he's actually a Hero #2 (he merely has an unfortunate pair of eyebrows).
Heyer was not above mixing and matching types, as well as subverting the expectations of her readers. In ''Sylvester'', for example, the eponymous hero appears to be a Hero #1, whereas he's actually a Hero #2 (he merely has an unfortunate pair of eyebrows).


{{creatortropes}}
Heyer used a lot of tropes in various ways, so listing them by novel seems the best way to go.
Heyer used a lot of tropes in various ways, so listing them by novel seems the best way to go.


Line 23: Line 25:
''{{smallcaps|A Blunt Instrument}}''
''{{smallcaps|A Blunt Instrument}}''
* [[Beware the Nice Ones]]: The first victim is originally portrayed as a nice old guy... however, it soons turns out he's a [[Dirty Old Man]], {{spoiler|which explains why he was killed.}}
* [[Beware the Nice Ones]]: The first victim is originally portrayed as a nice old guy... however, it soons turns out he's a [[Dirty Old Man]], {{spoiler|which explains why he was killed.}}
* [[Fair Play Who Dunnit]]: ''Might'' be intentional... but if not, she was probably having an off day.
* [[Fair Play Whodunnit]]: ''Might'' be intentional... but if not, she was probably having an off day.
* [[The Fundamentalist]]: Constable Glass, [[Up to Eleven]].
* [[The Fundamentalist]]: Constable Glass, [[Up to Eleven]].
* [[Reality Ensues]]: One early chapter includes some of the suspects thinking about how to get some [[IO Us]] out of a safe. Failing completely, they immediately [[Lampshade]] the situation by pointing out how much easier it would be [[Leaning On the Fourth Wall|if they were all characters in a detective novel]].
* [[Reality Ensues]]: One early chapter includes some of the suspects thinking about how to get some [[IO Us]] out of a safe. Failing completely, they immediately [[Lampshade]] the situation by pointing out how much easier it would be [[Leaning on the Fourth Wall|if they were all characters in a detective novel]].
* [[Why Didn't You Just Say So]]: The main conflict in the novel stems from a married couple who'd grown apart, whose rows verge on [[Melodrama]], [[Lampshaded]] by everyone present. [[Slap Slap Kiss|They later reconcile]], spouting dialogue [[Tastes Like Diabetes|so damn soppy]] that everyone lampshades '''that'''!
* [[Why Didn't You Just Say So?]]: The main conflict in the novel stems from a married couple who'd grown apart, whose rows verge on [[Melodrama]], [[Lampshaded]] by everyone present. [[Slap Slap Kiss|They later reconcile]], spouting dialogue [[Tastes Like Diabetes|so damn soppy]] that everyone lampshades '''that'''!


''{{smallcaps|April Lady}}''
''{{smallcaps|April Lady}}''
Line 41: Line 43:
''{{smallcaps|Bath Tangle}}''
''{{smallcaps|Bath Tangle}}''
* [[First Love]]
* [[First Love]]
* [[Her Codename Was Mary Sue]]: in-universe example with ''Glenarvon''--Serena considers it [[So Bad Its Good]] and is highly entertained by trying to match the characters to the real people they're based on.
* [[Her Codename Was Mary Sue]]: in-universe example with ''Glenarvon''--Serena considers it [[So Bad It's Good]] and is highly entertained by trying to match the characters to the real people they're based on.
* [[Love Dodecahedron]]
* [[Love Dodecahedron]]
* [[Runaway Fiance]]: Subverted: Serena persuades her to go back to Rotherham, who is highly annoyed at Serena ruining his [[Plan]]
* [[Runaway Fiance]]: Subverted: Serena persuades her to go back to Rotherham, who is highly annoyed at Serena ruining his [[Plan]]
Line 50: Line 52:
''{{smallcaps|Beauvallet}}''
''{{smallcaps|Beauvallet}}''
* [[Gentleman Adventurer]]
* [[Gentleman Adventurer]]
* [[Historical in Joke]]
* [[Historical In-Joke]]


''{{smallcaps|Behold, Here's Poison}}'' (detective novel)
''{{smallcaps|Behold, Here's Poison}}'' (detective novel)
* [[Asshole Victim]]
* [[Asshole Victim]]
* [[Be As Unhelpful As Possible]]
* [[Be as Unhelpful as Possible]]
* [[Evil Uncle]]
* [[Evil Uncle]]
* [[Kissing Cousins]]
* [[Kissing Cousins]]
Line 64: Line 66:
''{{smallcaps|The Black Moth}}''
''{{smallcaps|The Black Moth}}''
* [[Aloof Big Brother]]: Tracy.
* [[Aloof Big Brother]]: Tracy.
* [[Annoying Younger Siblings]]: A grown-up example in Lavinia and Andrew.
* [[Annoying Younger Sibling]]s: A grown-up example in Lavinia and Andrew.
* [[Aw Look They Really Do Love Each Other]]: {{spoiler|Two-for-one example, as Tracy [[Magnificent Bastard|arranges]] for Lavinia and Richard to [[Love Epiphany|stay together]], and [[Meal Ticket|keep him in reach of the Carstares' money]].}}
* [[Aw, Look -- They Really Do Love Each Other]]: {{spoiler|Two-for-one example, as Tracy [[Magnificent Bastard|arranges]] for Lavinia and Richard to [[Love Epiphany|stay together]], and [[Meal Ticket|keep him in reach of the Carstares' money]].}}
* [[Beta Couple]]: [[The Dutiful Son|Richard]] and [[Spoiled Brat|Lavinia]], whose subplot is arguably more entertaining than the main's.
* [[Beta Couple]]: [[The Dutiful Son|Richard]] and [[Spoiled Brat|Lavinia]], whose subplot is arguably more entertaining than the main's.
* [[Clear My Name]]
* [[Clear My Name]]
* [[Distressed Damsel]]
* [[Damsel in Distress]]
* [[Dysfunctional Family]]: both the Carstares and Belmanoirs.
* [[Dysfunctional Family]]: both the Carstares and Belmanoirs.
* [[Graceful Loser]]
* [[Graceful Loser]]
* [[Handsome Devil]]: Tracy
* [[Handsome Devil]]: Tracy
* [[I Have You Now My Pretty]]: [[Villain Ball|Tried twice]]. [[What an Idiot|Failed.]] [[Just in Time|Twice.]]
* [[I Have You Now, My Pretty]]: [[Villain Ball|Tried twice]]. [[What an Idiot!|Failed.]] [[Just in Time|Twice.]]
* [[Impoverished Patrician]]: The Belmanoirs.
* [[Impoverished Patrician]]: The Belmanoirs.
* [[Poor Communication Kills]]: Justified; they're [[Upperclass Twit|idiots]].
* [[Poor Communication Kills]]: Justified; they're [[Upper Class Twit|idiots]].
* [[Love Makes You Dumb]]: and HOW.
* [[Love Makes You Dumb]]: and HOW.
* [[Love Redeems]]: Tracy's friends hope for this...but, nope! Guess he'll have to wait for the sequel.
* [[Love Redeems]]: Tracy's friends hope for this...but, nope! Guess he'll have to wait for the sequel.
Line 89: Line 91:
* [[Genre Savvy]]: Abby refuses to pull a [[Parental Marriage Veto]] on Fanny, knowing Fanny will try to elope with Stacey.
* [[Genre Savvy]]: Abby refuses to pull a [[Parental Marriage Veto]] on Fanny, knowing Fanny will try to elope with Stacey.
* [[Humiliation Conga]]: For Stacey Calverleigh.
* [[Humiliation Conga]]: For Stacey Calverleigh.
* [[Sibling Yin Yang]]: Abby and Selina.
* [[Sibling Yin-Yang]]: Abby and Selina.
* [[Virginity Makes You Stupid]]: Fanny.
* [[Virginity Makes You Stupid]]: Fanny.


''{{smallcaps|Charity Girl}}''
''{{smallcaps|Charity Girl}}''
* [[Childhood Friend Romance]]
* [[Childhood Friend Romance]]
* [[Distressed Damsel]]: But not the heroine herself.
* [[Damsel in Distress]]: But not the heroine herself.
* [[Just Friends]]
* [[Just Friends]]
* [[The Ingenue]]: Cherry, who is even referred to as such at one point.
* [[The Ingenue]]: Cherry, who is even referred to as such at one point.


Line 103: Line 105:
* [[Bittersweet Ending]]: Unusually, for a Heyer novel.
* [[Bittersweet Ending]]: Unusually, for a Heyer novel.
* [[First Love]]
* [[First Love]]
* [[Historical in Joke]]: Adam {{spoiler|buying Government stock}} just before Waterloo.
* [[Historical In-Joke]]: Adam {{spoiler|buying Government stock}} just before Waterloo.
* [[It Will Never Catch On]]: Jenny's father warning Adam that Wellington is bound to lose at Waterloo.
* [[It Will Never Catch On]]: Jenny's father warning Adam that Wellington is bound to lose at Waterloo.
* [[My Sister Is Off Limits]]: Parodied: Adam pretends to be doubtful about Brough's intentions.
* [[My Sister Is Off-Limits]]: Parodied: Adam pretends to be doubtful about Brough's intentions.
* [[Perfectly Arranged Marriage]]: Adam and Jenny, as despite initial appearances they're both willing to try and make it work - Jenny rather more so, of course - and suit each other well.
* [[Perfectly Arranged Marriage]]: Adam and Jenny, as despite initial appearances they're both willing to try and make it work - Jenny rather more so, of course - and suit each other well.
* [[Suddenly Suitable Suitor]]: Adam barely registers Jenny's existence until he finds out he's bankrupt and she has lots of money.
* [[Suddenly-Suitable Suitor]]: Adam barely registers Jenny's existence until he finds out he's bankrupt and she has lots of money.


''{{smallcaps|The Conquerer}}''
''{{smallcaps|The Conquerer}}''
* [[Heroic Bastard]]
* [[Heroic Bastard]]
* [[Historical in Joke]]
* [[Historical In-Joke]]


''{{smallcaps|The Convenient Marriage}}''
''{{smallcaps|The Convenient Marriage}}''
Line 123: Line 125:
* [[Attractive Bent Gender]]
* [[Attractive Bent Gender]]
* [[Mistaken for Gay]]: Implicit; and then at the end several [[Innocent Bystanders]] see the hero "ruthlessly" kissing the heroine -- who's still dressed as a boy.
* [[Mistaken for Gay]]: Implicit; and then at the end several [[Innocent Bystanders]] see the hero "ruthlessly" kissing the heroine -- who's still dressed as a boy.
* [[Racefor Your Love]]
* [[Race For Your Love]]
* [[Runaway Fiance]]
* [[Runaway Fiance]]
* [[Sickeningly Sweethearts]]: Parodied.
* [[Sickeningly Sweethearts]]: Parodied.
Line 134: Line 136:
* [[Converting for Love]]: It's mentioned in passing that {{spoiler|Olivia}} will probably have to become a Catholic to marry {{spoiler|Camille}}.
* [[Converting for Love]]: It's mentioned in passing that {{spoiler|Olivia}} will probably have to become a Catholic to marry {{spoiler|Camille}}.
* [[Genius Ditz]]: Freddy.
* [[Genius Ditz]]: Freddy.
* [[Hands On Approach]]: Freddy and Kitty dancing.
* [[Hands-On Approach]]: Freddy and Kitty dancing.
* [[I Want My Beloved to Be Happy]]: Freddy tries to do this for Kitty, despite {{spoiler|genuine reservations about Jack beyond simple jealousy}}.
* [[I Want My Beloved to Be Happy]]: Freddy tries to do this for Kitty, despite {{spoiler|genuine reservations about Jack beyond simple jealousy}}.
* [[Kick the Dog]]: Jack {{spoiler|blackmails}} Camille and {{spoiler|insults}} Freddy.
* [[Kick the Dog]]: Jack {{spoiler|blackmails}} Camille and {{spoiler|insults}} Freddy.
* [[Loving a Shadow]]: Kitty's realisation that {{spoiler|she only ever loved her childhood hero, not Jack himself}}.
* [[Loving a Shadow]]: Kitty's realisation that {{spoiler|she only ever loved her childhood hero, not Jack himself}}.
* [[Masquerade Ball]]: Kitty has a miserable time at one of these until Freddy rescues her.
* [[Masquerade Ball]]: Kitty has a miserable time at one of these until Freddy rescues her.
* [[Operation Jealousy]]: Kitty tries one of these on {{spoiler|Jack}}.
* [[Operation: Jealousy]]: Kitty tries one of these on {{spoiler|Jack}}.
* [[Poirot Speak]]: Camille.
* [[Poirot Speak]]: Camille.
* [[Reformed Rakes]]: Subverted: {{spoiler|not only is Jack not planning to reform for Kitty's sake, he's actively trying to seduce a friend of hers while courting her}}.
* [[Reformed Rakes]]: Subverted: {{spoiler|not only is Jack not planning to reform for Kitty's sake, he's actively trying to seduce a friend of hers while courting her}}.
* [[Runaway Fiance]]: Sort of: Kitty is running away from the ''possibility'' of being forced into an engagement to please her guardian, before coming up with a better plan.
* [[Runaway Fiance]]: Sort of: Kitty is running away from the ''possibility'' of being forced into an engagement to please her guardian, before coming up with a better plan.
* [[Secret Relationship]]: Freddy and Kitty pretend to have one of these.
* [[Secret Relationship]]: Freddy and Kitty pretend to have one of these.
* [[Shut Up Kiss]]
* [["Shut Up" Kiss]]
* [[Wrong Guy First]]
* [[Wrong Guy First]]


Line 160: Line 162:
* [[Driven to Suicide]]: The [[Smug Snake]]'s late brother claimed this is what the [[Smug Snake]] had done to him in a letter... {{spoiler|Actually, [[Never Suicide|it was murder made to look like suicide]], which the [[Asshole Victim]] was blackmailing the [[Smug Snake]] about, hence why he was killed.}}
* [[Driven to Suicide]]: The [[Smug Snake]]'s late brother claimed this is what the [[Smug Snake]] had done to him in a letter... {{spoiler|Actually, [[Never Suicide|it was murder made to look like suicide]], which the [[Asshole Victim]] was blackmailing the [[Smug Snake]] about, hence why he was killed.}}
* [[This Is a Work of Fiction]]: As Heyer herself states at the very beginning of the book:
* [[This Is a Work of Fiction]]: As Heyer herself states at the very beginning of the book:
{{quote| There are some who may believe that this book is about them. They are, in fact, mistaken.}}
{{quote|There are some who may believe that this book is about them. They are, in fact, mistaken.}}


''{{smallcaps|Devil's Cub}}''
''{{smallcaps|Devil's Cub}}''
* [[Actually, I Am Him]]: Avon ... after Mary tells him how "sinister" she's heard he is.
* [[All Girls Want Bad Boys]]: Although Mary mocks Vidal as being no more than bratty and not nearly as bad as he thinks he is.
* [[All Girls Want Bad Boys]]: Although Mary mocks Vidal as being no more than bratty and not nearly as bad as he thinks he is.
* [[Continuity Nod]]: Avon deplores Vidal's [[Deadpan Snarker|lack of finesse]] in methods of daylight abduction.
* [[Continuity Nod]]: Avon deplores Vidal's [[Deadpan Snarker|lack of finesse]] in methods of daylight abduction.
* [[Distressed Damsel]]: Subverted: Mary shoots Vidal when he comes near her and derides crying and screaming as a useless ploy when in trouble.
* [[Damsel in Distress]]: Subverted: Mary shoots Vidal when he comes near her and derides crying and screaming as a useless ploy when in trouble.
* [[The Glorious War of Sisterly Rivalry]]: Mary and Sophia.
* [[The Glorious War of Sisterly Rivalry]]: Mary and Sophia.
* [[Happily Married]]: Avon and Léonie from ''These Old Shades''.
* [[Happily Married]]: Avon and Léonie from ''These Old Shades''.
* [[Innocent Cohabitation]]: It may not have been intended as such, but Vidal goes to great lengths to make sure everyone knows he and Mary have not had sex.
* [[Innocent Cohabitation]]: It may not have been intended as such, but Vidal goes to great lengths to make sure everyone knows he and Mary have not had sex.
* [[It Seemed Like a Good Idea At The Time]]: See [[Twin Switch]] below.
* [[It Seemed Like a Good Idea At the Time]]: See [[Twin Switch]] below.
* [[Parent Ex Machina]]: {{spoiler|Avon}}.
* [[Parent Ex Machina]]: {{spoiler|Avon}}.
* [[Parental Marriage Veto]]: Mary fully expects one of these from Vidal's parents, {{spoiler|so she runs away before they get there; averted because they both thoroughly approve of her}}.
* [[Parental Marriage Veto]]: Mary fully expects one of these from Vidal's parents, {{spoiler|so she runs away before they get there. Averted because they both thoroughly approve of her. Avon states he'll be very obliged to her if she '''does''' marry his son ... but he feels a duty to advise her that '''she can do better for herself'''}}.
* [[Poirot Speak]]: Leonie.
* [[Poirot Speak]]: Leonie.
* [[Rescue Romance]]: Averted: Vidal is what Mary needs to be rescued ''from''.
* [[Rescue Romance]]: Averted: Vidal is what Mary needs to be rescued ''from''. And he's determined to protect her from himself.
* [[Troubled but Cute]]: Vidal.
* [[Troubled but Cute]]: Vidal.
* [[Twin Switch]]: Sort of: Mary, although not Sophia's twin, swaps places with her in her elopement with Vidal in order to put him off.
* [[Twin Switch]]: Sort of: Mary, although not Sophia's twin, swaps places with her in her elopement with Vidal in order to put him off.
Line 190: Line 193:
* [[Betty and Veronica]]: Subverted: everyone ''thinks'' Gilly is in love with Belinda, but he isn't.
* [[Betty and Veronica]]: Subverted: everyone ''thinks'' Gilly is in love with Belinda, but he isn't.
* [[Coming of Age Story]]
* [[Coming of Age Story]]
* [[Mommas Boy]]
* [[Momma's Boy]]
* [[Shrinking Violet]]
* [[Shrinking Violet]]
* [[Too Dumb to Live]]: Belinda, as [[Lampshade Hanging|lampshaded]] by many, many characters.
* [[Too Dumb to Live]]: Belinda, as [[Lampshade Hanging|lampshaded]] by many, many characters.
Line 226: Line 229:
* [[Cleaning Up Romantic Loose Ends]]
* [[Cleaning Up Romantic Loose Ends]]
* [[The Chessmaster]]: Sophy, of course.
* [[The Chessmaster]]: Sophy, of course.
* [[Licked By the Dog]]: Everyone thinks Charles is a domestic tyrant, but Sophy knows better...because every animal in the novel loves and trusts him, of course!
* [[Licked by the Dog]]: Everyone thinks Charles is a domestic tyrant, but Sophy knows better...because every animal in the novel loves and trusts him, of course!
* [[Locked in A Room]]: Subverted: Eugenia and Augustus are locked in a wood, but emerge only extremely annoyed.
* [[Locked in a Room]]: Subverted: Eugenia and Augustus are locked in a wood, but emerge only extremely annoyed.
* [[Love At First Sight]]: Parodied with Celia and Augustus.
* [[Love At First Sight]]: Parodied with Celia and Augustus.
* [[Only a Flesh Wound]]: Sophy shoots a friend in the arm with only the noblest of intentions.
* [[Only a Flesh Wound]]: Sophy shoots a friend in the arm with only the noblest of intentions.
Line 233: Line 236:
* [[Poirot Speak]]: Sancia.
* [[Poirot Speak]]: Sancia.
* [[Slap Slap Kiss]]: Sophy and Charles.
* [[Slap Slap Kiss]]: Sophy and Charles.
** The last dialogue in the book is Charles refusing to cooperate with another of her schemes. Sophy exaggerates, saying it's proof that he doesn't love her (her phrasing makes plain that she isn't serious), and he, between kisses, agrees that he dislikes her "excessively." Followed by more kissing....
* [[Triang Relations]]: Sophy/Charles/Eugenia, Celia/Augustus/Charlbury.
* [[Triang Relations]]: Sophy/Charles/Eugenia, Celia/Augustus/Charlbury.
* [[Wrong Guy First]]: Celia and Augustus.
* [[Wrong Guy First]]: Celia and Augustus.
Line 242: Line 246:
* [[Beauty Is Never Tarnished]]: Subverted: Charles has his arm amputated.
* [[Beauty Is Never Tarnished]]: Subverted: Charles has his arm amputated.
* [[Broken Bird]]
* [[Broken Bird]]
* [[Historical in Joke]]
* [[Historical In-Joke]]
* [[Well Excuse Me Princess]]
* [[Well, Excuse Me, Princess!]]


''{{smallcaps|Lady of Quality}}''
''{{smallcaps|Lady of Quality}}''
Line 253: Line 257:
* [[Attractive Bent Gender]]
* [[Attractive Bent Gender]]
* [[The Chessmaster]]: Lord Barham
* [[The Chessmaster]]: Lord Barham
* [[Cross Dresser]]
* [[Crossdresser]]
* [[Sweet Polly Oliver]]
* [[Sweet Polly Oliver]]


''{{smallcaps|My Lord John}}''
''{{smallcaps|My Lord John}}''
* [[Author Existence Failure]]: Heyer died while writing it.
* [[Author Existence Failure]]: Heyer died while writing it.
* [[Very Loosely Based On a True Story]]: John of Lancaster.
* [[Very Loosely Based on a True Story]]: John of Lancaster.


''{{smallcaps|The Nonesuch}}''
''{{smallcaps|The Nonesuch}}''
* [[Uncle Pennybags]]
* [[Uncle Pennybags]]
* [[Well Excuse Me Princess]]
* [[Well, Excuse Me, Princess!]]


''{{smallcaps|Penhallow}}''
''{{smallcaps|Penhallow}}''
Line 275: Line 279:
* [[Accidental Marriage]]: In "Hazard", the hero is so drunk when he wins the card game that he and the heroine are halfway to Gretna Green when he wakes up the next morning.
* [[Accidental Marriage]]: In "Hazard", the hero is so drunk when he wins the card game that he and the heroine are halfway to Gretna Green when he wakes up the next morning.
* [[Arranged Marriage]]: The hero of "Hazard" is about to go through with one of these; luckily for him, he has a [[Runaway Fiance]].
* [[Arranged Marriage]]: The hero of "Hazard" is about to go through with one of these; luckily for him, he has a [[Runaway Fiance]].
* [[Lost Him in A Card Game]]: "Hazard".
* [[Lost Him in a Card Game]]: "Hazard".
* [[Platonic Life Partners]]: Annabella and Tom from "Full Moon", who are very fond of each other and plan to elope only because Annabella is so horrified at the idea of marrying an old man.
* [[Platonic Life Partners]]: Annabella and Tom from "Full Moon", who are very fond of each other and plan to elope only because Annabella is so horrified at the idea of marrying an old man.
* [[Repetitive Name]]: Carlington Carlington in "Hazard".
* [[Repetitive Name]]: Carlington Carlington in "Hazard".
Line 285: Line 289:


''{{smallcaps|The Quiet Gentleman}}''
''{{smallcaps|The Quiet Gentleman}}''
* [[Historical in Joke]]
* [[Historical In-Joke]]
* [[The Mole]]
* [[The Mole]]


''{{smallcaps|Regency Buck}}''
''{{smallcaps|Regency Buck}}''
* [[Actually, That's My Assistant]]: Judith chats with a pleasant gentleman at one party, telling him she's heard a lot about [https://en.wikipedia.org/wiki/Beau_Brummell Beau Brummell], the epitome of style, but what she's seen of the man doesn't impress her. She hasn't yet been told that Brummell is quietly elegant, not flashy like the fellow she mistook for him. Luckily, he's amused rather than offended and they become good friends.
* [[Belligerent Sexual Tension]]: Judith really does not get on with Worth for about half the book.
* [[Belligerent Sexual Tension]]: Judith really does not get on with Worth for about half the book.
* [[Jerk With a Heart of Gold]]: Worth, who is busy being an arse to Judith's face while protecting her from fortune-hunters and her brother from murderers behind her back.
* [[Jerk with a Heart of Gold]]: Worth, who is busy being an arse to Judith's face while behind her back protecting her from fortune-hunters and her brother from murderers.
* [[Meet Cute]]
* [[Meet Cute]]
* [[Reverse Psychology]]: How Worth gets Judith to take the house he wants in Brighton.
* [[Reverse Psychology]]: How Worth gets Judith to take the house he wants in Brighton.
Line 301: Line 306:
* [[Bookcase Passage]]: Actually in a closet, but close enough.
* [[Bookcase Passage]]: Actually in a closet, but close enough.
* [[MacGuffin]]: The missing document.
* [[MacGuffin]]: The missing document.
* [[One Dialogue Two Conversations]]: A hilarious one between Elinor and Carlyon at the start of the book, non-sexual for once. Carlyon thinks Elinor has [[Mail Order Bride|answered his advertisement for a woman to marry his cousin]], while she thinks he's discussing a governess position.
* [[One Dialogue, Two Conversations]]: A hilarious one between Elinor and Carlyon at the start of the book, non-sexual for once. Carlyon thinks Elinor has [[Mail Order Bride|answered his advertisement for a woman to marry his cousin]], while she thinks he's discussing a governess position.
* [[Secret Path]]: The hidden entrance to Highnoons.
* [[Secret Path]]: The hidden entrance to Highnoons.
* [[Secret Relationship]]: The cover story for why Eustace suddenly has a wife.
* [[Secret Relationship]]: The cover story for why Eustace suddenly has a wife.


''{{smallcaps|Royal Escape}}''
''{{smallcaps|Royal Escape}}''
* [[Historical in Joke]]
* [[Historical In-Joke]]
* [[King Incognito]]
* [[King Incognito]]


Line 314: Line 319:


''{{smallcaps|The Spanish Bride}}''
''{{smallcaps|The Spanish Bride}}''
* [[Historical in Joke]]
* [[Historical In-Joke]]
* [[Very Loosely Based On a True Story]]
* [[Very Loosely Based on a True Story]]


''{{smallcaps|Sprig Muslin}}''
''{{smallcaps|Sprig Muslin}}''
Line 326: Line 331:
* [[First Girl Wins]]: Subverted.
* [[First Girl Wins]]: Subverted.
* [[Friendless Background]]: Hester, who isn't close to anyone but Gareth, and not that close to Gareth when the book begins.
* [[Friendless Background]]: Hester, who isn't close to anyone but Gareth, and not that close to Gareth when the book begins.
* [[I Don't Want to Ruin Our Friendship|I Don't Want To Ruin Our Friendship]]: Hester's main anxiety about rejecting Gareth's first proposal.
* [[I Don't Want to Ruin Our Friendship]]: Hester's main anxiety about rejecting Gareth's first proposal.
* [[Mistaken for Cheating]]: Hester's family are shocked that Gareth would bring his supposed mistress to their house.
* [[Mistaken for Cheating]]: Hester's family are shocked that Gareth would bring his supposed mistress to their house.
* [[Nobody Thinks It Will Work]]: Gareth and Hester.
* [[Nobody Thinks It Will Work]]: Gareth and Hester.
Line 334: Line 339:
* [[The Tale]]: Amanda spins about a dozen of these throughout the novel.
* [[The Tale]]: Amanda spins about a dozen of these throughout the novel.
* [[True Companions]]: Gareth, Hester, Amanda and Hildebrand. Neil would probably have been adopted one way or another had the book been longer.
* [[True Companions]]: Gareth, Hester, Amanda and Hildebrand. Neil would probably have been adopted one way or another had the book been longer.
** Probably? Another fellow says something stupid and intrusive, and Gareth requests that Neil toss the idiot out, preferably onto a garbage heap. Neil's response is, "With the greatest of pleasure!" He's been adopted, all right.


''{{smallcaps|Sylvester}}''
''{{smallcaps|Sylvester}}''
Line 339: Line 345:
* [[Break the Haughty]]: Sylvester, though a mild example.
* [[Break the Haughty]]: Sylvester, though a mild example.
* [[Defrosting Ice Queen]]: Sylvester.
* [[Defrosting Ice Queen]]: Sylvester.
* [[Evil Uncle]]: Subverted: Sylvester is perceived to be this by everyone, but he's actually a far better [[Parental Figure]] than the boy's mother.
* [[Evil Eyebrows]]: Sylvester's, although they only '''look''' the part.
* [[Evil Uncle]]: Subverted: Sylvester is perceived to be this by everyone, but he's actually a far better parental figure than the boy's mother. Because she's [[Brainless Beauty|mind-numbingly stupid]].
* [[Like Brother and Sister]]: Phoebe and Tom.
* [[Like Brother and Sister]]: Phoebe and Tom.
* [[Mouthy Kid]]: Edmund.
* [[Mouthy Kid]]: Edmund.
Line 345: Line 352:


''{{smallcaps|The Talisman Ring}}''
''{{smallcaps|The Talisman Ring}}''
* [[Arranged Marriage]]: Tristram and Eustacie. {{Spoiler|Quickly dropped when they each find someone more to their taste. It doesn't hurt that Ludovic, once his name is cleared, is heir to the Lavenham lordship and thus has the authority to overrule Eustacie's arranged marriage (and marry her himself).}}.
* [[Arranged Marriage]]: Tristram and Eustacie.
* [[Clear My Name]]: Ludovic.
* [[Clear My Name]]: Ludovic.
* [[Great Way to Go]]: Old Lord Lavenham's dying words are a "gross" insult directed at the doctor attending his deathbed. His great-nephews are highly amused to hear this, one of them saying "how right, how fitting" it was for the old man's personality.
* [[Hoist by His Own Petard|Hoist by Her Own Petard]]: Sarah, asked in front of several witnesses why she ventured outdoors in the middle of the night, tries to embarrass Tristram (as well as concealing her true reason) by hinting she went out for a flirtation with him. "Miss Thane found that she had underrated her opponent." Tristram not only immediately agrees that she came to meet him, but embarrasses '''her''' by going on to state that they're "deeply in love." (Well, they '''are''', but at the moment he's saying that just for the amusement of seeing her outraged reaction.) Hilariously, her brother is completely unfazed and mildly scolds, "You've been flirting again."
* [[Improbable Aiming Skills]]: Ludovic's are renowned. At one point, a Mook exclaims in horror that Ludovic must have shot out the light, because no one else could have managed such a shot. Tristram, the actual shooter in this case, murmurs, "Oh, could they not?"
* [[It's All About Me]]: Eustacie doesn't like Tristram because he has the discourtesy to point out when her self-centered attitude is unrealistic. She fantasizes that if she'd been taken to the [[The French Revolution|guillotine]], her youth and beauty (and the white dress she imagines herself wearing) would've made even the [[Reign of Terror|revolutionary mob]] feel sorry for her. To her mind, it's very callous of Tristram to say he'd feel sorry for '''anyone''', not just her, about to be guillotined.
* [[MacGuffin]]: The title ring. It's a family heirloom, {{Spoiler|and Ludovic treasures it}}, but unimpressive in appearance, as Eustacie comments. Its greatest importance is that, as Tristram puts it, {{Spoiler|the man Ludovic's accused of killing was murdered "by someone who wanted the talisman ring and only that." So the murderer will have '''kept''' the ring}} — find whoever's got it, and....
* [[Snark-to-Snark Combat]]: Tristram and Sarah needle each other a lot; it's the closest they get to '''physical''' slapping in their [[Slap Slap Kiss]] (aside from a few threats of boxing ears). She says that at thirty-one, he's reached middle age (she's twenty-eight); he, when she pretends to faint, says they should throw cold water on her.
{{Quote|"Middle—Has anyone ever boxed your ears, Miss Thane? ... You have been undeservedly fortunate...."}}
* [[Title Drop]]: It being the MacGuffin, people mention the talisman ring '''a lot'''.


''{{smallcaps|The Toll-Gate}}''
''{{smallcaps|The Toll-Gate}}''
* [[Altar the Speed]]: John and Nell are...unexpectedly...married by Sir Peter's bedside because he's decided he wants it done before he dies.
* [[Altar the Speed]]: John and Nell are ... unexpectedly ... married by Sir Peter's bedside because he's decided he wants it done before he dies. Nell expresses qualms, actually saying John is being forced into it. John replies that he doesn't even need to be persuaded, but he '''will''' hold off if she really doesn't want to do it now.
* [[Historical in Joke]]
* [[Historical In-Joke]]
* [[Stranger in A Familiar Land]]
* [[Stranger in a Familiar Land]]


''{{smallcaps|These Old Shades}}''
''{{smallcaps|These Old Shades}}''
Line 365: Line 380:
''{{smallcaps|The Unfinished Clue}}'' (detective story)
''{{smallcaps|The Unfinished Clue}}'' (detective story)
* [[Asshole Victim]] / Complete Monster / [[Abusive Dad]]: Sir Arthur Billington-Smith
* [[Asshole Victim]] / Complete Monster / [[Abusive Dad]]: Sir Arthur Billington-Smith
* [[Cultural Stereotypes]]: [[Latin Land|Lola de Silva]] and her agent, a [[Greedy Jew]].
* [[Cultural Stereotypes]]: [[Latin Land|Lola de Silva]] and her agent, a [[Greedy Jew]].
* [[I Have No Son]]: Arthur Billington-Smith tried to do this {{spoiler|and that was why he was killed.}}
* [[I Have No Son]]: Arthur Billington-Smith tried to do this {{spoiler|and that was why he was killed.}}
* {{spoiler|[[Mama Bear]]}}: {{spoiler|The murderess was Billington-Smith's first wife, making sure her son wasn't disinherited. [[Title Drop|The unfinished clue]] is the word "There", the last thing he wrote. [[Chekhov's Gun|In spite of most people not paying too much attention to it, TheInspector realises it's the first letters of]] ''Theresa'', the Major's first wife. }}
* {{spoiler|[[Mama Bear]]}}: {{spoiler|The murderess was Billington-Smith's first wife, making sure her son wasn't disinherited. [[Title Drop|The unfinished clue]] is the word "There", the last thing he wrote. [[Chekhov's Gun|In spite of most people not paying too much attention to it, The Inspector realises it's the first letters of]] ''Theresa'', the Major's first wife. }}


''{{smallcaps|The Unknown Ajax}}''
''{{smallcaps|The Unknown Ajax}}''
Line 376: Line 391:
''{{smallcaps|Venetia}}''
''{{smallcaps|Venetia}}''
* [[Annoying Younger Sibling]]: Aubrey to an extent, although Venetia's older brother is far worse despite never actually appearing
* [[Annoying Younger Sibling]]: Aubrey to an extent, although Venetia's older brother is far worse despite never actually appearing
* [[Brother Sister Team]]: Aubrey and Venetia have elements of this
* [[Brother-Sister Team]]: Aubrey and Venetia have elements of this
* [[Cool Big Sis]]: Venetia
* [[Cool Big Sis]]: Venetia
* [[Its Not You Its My Enemies]]: Damerel sends Venetia away due to the irreparable damage that would be done to her reputation if they married
* [[It's Not You, It's My Enemies]]: Damerel sends Venetia away due to the irreparable damage that would be done to her reputation if they married
* [[Moment Killer]]: Every time Damerel tries to propose to Venetia, Aubrey pops up
* [[Moment Killer]]: Every time Damerel tries to propose to Venetia, Aubrey pops up
* [[Nobody Thinks It Will Work]]: Everyone, with the exception of Aubrey and Venetia – and including Damerel – thinks Damerel and Venetia will be miserable together
* [[Nobody Thinks It Will Work]]: Everyone, with the exception of Aubrey and Venetia – and including Damerel – thinks Damerel and Venetia will be miserable together
Line 386: Line 401:
* [[Amateur Sleuth]]: Frank Amberley - the person who solves the mystery - is a barrister, although it's noted in the story that he has some experience rounding up major criminals, having helped the police at least once.
* [[Amateur Sleuth]]: Frank Amberley - the person who solves the mystery - is a barrister, although it's noted in the story that he has some experience rounding up major criminals, having helped the police at least once.
* [[Crazy Prepared]]: When the [[Big Bad]] tries to get away via a motorboat, Frank just happens to have a motorboat of his own ready. [[Justified]] in that he'd done some research during the previous day, and figured that would happen.
* [[Crazy Prepared]]: When the [[Big Bad]] tries to get away via a motorboat, Frank just happens to have a motorboat of his own ready. [[Justified]] in that he'd done some research during the previous day, and figured that would happen.
* [[Genius Ditz]]: Frank's aunt Marion is often referred to as having a "vague" manner ... but it turns out she's figured out what's going on. She lets him do all the sleuthing anyway.
* [[Police Are Useless]]: [[Averted]]. the police are just at sea because there are no clues to go on, and Amberley has quite a few of them... [[Locked Out of the Loop|not that he tells the police most of them]].
* [[Police Are Useless]]: [[Averted]]. the police are just at sea because there are no clues to go on, and Amberley has quite a few of them... [[Locked Out of the Loop|not that he tells the police most of them]].
* [[Slap Slap Kiss]]: It doesn't help that Frank is something of a [[Troll]] throughout the whole book, and not just to the girl.
* [[Slap Slap Kiss]]: It doesn't help that Frank is something of a [[Troll]] throughout the whole book, and not just to the girl.
Line 395: Line 411:
{{reflist}}
{{reflist}}
[[Category:Authors]]
[[Category:Authors]]
[[Category:Georgette Heyer]]
[[Category:{{PAGENAME}}]]
[[Category:Trope]]

Latest revision as of 16:08, 17 March 2022

/wiki/Georgette Heyercreator
This page needs visual enhancement.
You can help All The Tropes by finding a high-quality image or video to illustrate the topic of this page.


One of the most successful romance novelists of the 20th century, Georgette Heyer‍'‍s books were famous for her intelligent comedy, the genuine sweetness of her romances and her meticulous research on the Regency period. She also wrote a few detective novels here and there, but these aren't nearly as well-known, which is a shame.

Heyer's heroes and heroines (occasionally dubbed Heyeroes and Heyeroines) tended to come in two types each:

Hero #1: Tall, usually dark, and definitely handsome. Almost always has a past. While highly unlikely to actually mistreat the heroine, they're not above scaring her into submission (however, as they're often dealing with Heroine #1, it's unlikely to work).

Hero #2: This is the consummate gentleman, who invariably comes up with the perfect response to any situation. Their usual role is to provide the heroine with an escape from any difficulties, whereas Hero #1 is frequently the cause of those difficulties.

Heroine #1: A lively young woman. She naturally gets herself into many a social scrape, from which the hero must rescue her, and either bounces back or feels humiliated deep down inside that he saw her in such a state.

Heroine #2: Overlooked and ignored, she may seem quiet. However, once the hero talks to her, or needs help, Heroine #2 comes into her own and reveals Hidden Depths.

Heyer was not above mixing and matching types, as well as subverting the expectations of her readers. In Sylvester, for example, the eponymous hero appears to be a Hero #1, whereas he's actually a Hero #2 (he merely has an unfortunate pair of eyebrows).

Georgette Heyer provides examples of the following tropes:

Heyer used a lot of tropes in various ways, so listing them by novel seems the best way to go.

Present in Most Heyers

  • Asshole Victim: Always present in her whodunnits.
  • Author Appeal Expect at least one kiss to be described as "crushing".
  • Deadpan Snarker -- Hero #1 almost certainly; frequently Hero #2 as well. Less common but far from unknown among the heroines; it may come up as part of Heroine #2's Hidden Depths.

A Blunt Instrument

April Lady

Arabella

Bath Tangle

Beauvallet

Behold, Here's Poison (detective novel)

The Black Moth

Black Sheep

Charity Girl


A Civil Contract

The Conquerer

The Convenient Marriage

The Corinthian

Cotillion

  • All Girls Want Bad Boys: Subverted.
  • Le Beau Geste: Parodied: Camille makes extravagant proclamations of what he would do to save Olivia, but is surprised when practical Freddy suggests simply eloping with her. Also played subtly straight with Freddy submitting to a day of sightseeing with Kitty.
  • Converting for Love: It's mentioned in passing that Olivia will probably have to become a Catholic to marry Camille.
  • Genius Ditz: Freddy.
  • Hands-On Approach: Freddy and Kitty dancing.
  • I Want My Beloved to Be Happy: Freddy tries to do this for Kitty, despite genuine reservations about Jack beyond simple jealousy.
  • Kick the Dog: Jack blackmails Camille and insults Freddy.
  • Loving a Shadow: Kitty's realisation that she only ever loved her childhood hero, not Jack himself.
  • Masquerade Ball: Kitty has a miserable time at one of these until Freddy rescues her.
  • Operation: Jealousy: Kitty tries one of these on Jack.
  • Poirot Speak: Camille.
  • Reformed Rakes: Subverted: not only is Jack not planning to reform for Kitty's sake, he's actively trying to seduce a friend of hers while courting her.
  • Runaway Fiance: Sort of: Kitty is running away from the possibility of being forced into an engagement to please her guardian, before coming up with a better plan.
  • Secret Relationship: Freddy and Kitty pretend to have one of these.
  • "Shut Up" Kiss
  • Wrong Guy First

Cousin Kate

Detection Unlimited {detective story, duh.)

There are some who may believe that this book is about them. They are, in fact, mistaken.

Devil's Cub

False Colours

Faro's Daughter

The Foundling

Frederica

Friday's Child

  • Alpha Bitch: Isabella could be, but most of her unpleasant moments are also her most sympathetic.
  • Beta Couple: George and Isabella, Gil and Ferdy.
  • The Bro Code: Essentially the reason why Sherry throws a fit at the idea of George and Hero having an affair - that, and he's in love with Hero, of course.
  • Byronic Hero: Invoked and parodied - George would love to be this.
  • Cloudcuckoolander: Hero, Ferdy.
  • Coming of Age Story: Sherry, Hero to an extent.
  • Defrosting Ice Queen: Isabella.
  • Friendless Background: Hero seems to have only had two friends in her life prior to marrying Sherry, one of whom was him, the other being Isabella, and neither of them seem to have paid her much attention.
  • Kick the Dog: Revesby, first when he rejects his discarded, pregnant mistress and second when he arranges for Hero to get into debt.
  • Lovable Coward: Ferdy, who Sherry can't even stay angry when he finds out Ferdy hid his wife from him for weeks because Ferdy is so shamelessly trying to placate him.
  • Marry for Love: Isabella eventually cracks and admits that this is what she wants.
  • Masquerade Ball: Hero gets into trouble at one of these as a result of Sherry ditching her.
  • Meet Cute: While not a first meeting, Sherry accidentally comes across Hero crying on a wall and proposes marriage.
  • Reformed Rakes: Part of Sherry's Character Development.
  • Relationship Upgrade: Sherry elopes with Hero in the first few chapters.
  • Shrinking Violet: Hero.
  • Tsundere: Isabella.
  • Victorious Childhood Friend: Hero.

The Grand Sophy

  • Beta Couple: Celia and Charlbury, among others.
  • Cleaning Up Romantic Loose Ends
  • The Chessmaster: Sophy, of course.
  • Licked by the Dog: Everyone thinks Charles is a domestic tyrant, but Sophy knows better...because every animal in the novel loves and trusts him, of course!
  • Locked in a Room: Subverted: Eugenia and Augustus are locked in a wood, but emerge only extremely annoyed.
  • Love At First Sight: Parodied with Celia and Augustus.
  • Only a Flesh Wound: Sophy shoots a friend in the arm with only the noblest of intentions.
  • Pair the Spares
  • Poirot Speak: Sancia.
  • Slap Slap Kiss: Sophy and Charles.
    • The last dialogue in the book is Charles refusing to cooperate with another of her schemes. Sophy exaggerates, saying it's proof that he doesn't love her (her phrasing makes plain that she isn't serious), and he, between kisses, agrees that he dislikes her "excessively." Followed by more kissing....
  • Triang Relations: Sophy/Charles/Eugenia, Celia/Augustus/Charlbury.
  • Wrong Guy First: Celia and Augustus.

The Great Roxhythe

An Infamous Army

Lady of Quality

The Masqueraders

My Lord John

The Nonesuch

Penhallow

Pistols For Two

  • Accidental Marriage: In "Hazard", the hero is so drunk when he wins the card game that he and the heroine are halfway to Gretna Green when he wakes up the next morning.
  • Arranged Marriage: The hero of "Hazard" is about to go through with one of these; luckily for him, he has a Runaway Fiance.
  • Lost Him in a Card Game: "Hazard".
  • Platonic Life Partners: Annabella and Tom from "Full Moon", who are very fond of each other and plan to elope only because Annabella is so horrified at the idea of marrying an old man.
  • Repetitive Name: Carlington Carlington in "Hazard".
  • Right in Front of Me: Annabella and Tom complain bitterly to a friendly stranger about the "horrid old friend" of Annabella's father whom she's expected to marry. Neither of them have ever met him, leading to predictable results.

Powder and Patch

The Quiet Gentleman

Regency Buck

  • Actually, That's My Assistant: Judith chats with a pleasant gentleman at one party, telling him she's heard a lot about Beau Brummell, the epitome of style, but what she's seen of the man doesn't impress her. She hasn't yet been told that Brummell is quietly elegant, not flashy like the fellow she mistook for him. Luckily, he's amused rather than offended and they become good friends.
  • Belligerent Sexual Tension: Judith really does not get on with Worth for about half the book.
  • Jerk with a Heart of Gold: Worth, who is busy being an arse to Judith's face while behind her back protecting her from fortune-hunters and her brother from murderers.
  • Meet Cute
  • Reverse Psychology: How Worth gets Judith to take the house he wants in Brighton.
  • Slap Slap Kiss

The Reluctant Widow

Royal Escape

Simon the Coldheart

The Spanish Bride

Sprig Muslin

  • Annoying Younger Sibling: Hester's brother, despite being older, fulfills this trope; Hildebrand at one point pretends to be this to Amanda and Gareth.
  • Betty and Veronica: Subverted: Amanda may be far more beautiful and exciting than Hester, but Gareth has no romantic interest in her whatsoever.
  • Blatant Lies: Amanda.
  • Celibate Hero: Gareth.
  • Christmas Cake: Hester.
  • The First Cut Is the Deepest: Hester's fears about Gareth.
  • First Girl Wins: Subverted.
  • Friendless Background: Hester, who isn't close to anyone but Gareth, and not that close to Gareth when the book begins.
  • I Don't Want to Ruin Our Friendship: Hester's main anxiety about rejecting Gareth's first proposal.
  • Mistaken for Cheating: Hester's family are shocked that Gareth would bring his supposed mistress to their house.
  • Nobody Thinks It Will Work: Gareth and Hester.
  • Parental Marriage Veto: Amanda's grandfather refuses his consent to her marriage to Neil.
  • Sarcastic Confession: Gareth: "Yes, I have kidnapped this young lady and am keeping her with me against her will." Amanda is furious that he would abuse the truth this way, instead of lying fluently like she does.
  • Shrinking Violet: Hester.
  • The Tale: Amanda spins about a dozen of these throughout the novel.
  • True Companions: Gareth, Hester, Amanda and Hildebrand. Neil would probably have been adopted one way or another had the book been longer.
    • Probably? Another fellow says something stupid and intrusive, and Gareth requests that Neil toss the idiot out, preferably onto a garbage heap. Neil's response is, "With the greatest of pleasure!" He's been adopted, all right.

Sylvester

The Talisman Ring

  • Arranged Marriage: Tristram and Eustacie. Quickly dropped when they each find someone more to their taste. It doesn't hurt that Ludovic, once his name is cleared, is heir to the Lavenham lordship and thus has the authority to overrule Eustacie's arranged marriage (and marry her himself)..
  • Clear My Name: Ludovic.
  • Great Way to Go: Old Lord Lavenham's dying words are a "gross" insult directed at the doctor attending his deathbed. His great-nephews are highly amused to hear this, one of them saying "how right, how fitting" it was for the old man's personality.
  • Hoist by Her Own Petard: Sarah, asked in front of several witnesses why she ventured outdoors in the middle of the night, tries to embarrass Tristram (as well as concealing her true reason) by hinting she went out for a flirtation with him. "Miss Thane found that she had underrated her opponent." Tristram not only immediately agrees that she came to meet him, but embarrasses her by going on to state that they're "deeply in love." (Well, they are, but at the moment he's saying that just for the amusement of seeing her outraged reaction.) Hilariously, her brother is completely unfazed and mildly scolds, "You've been flirting again."
  • Improbable Aiming Skills: Ludovic's are renowned. At one point, a Mook exclaims in horror that Ludovic must have shot out the light, because no one else could have managed such a shot. Tristram, the actual shooter in this case, murmurs, "Oh, could they not?"
  • It's All About Me: Eustacie doesn't like Tristram because he has the discourtesy to point out when her self-centered attitude is unrealistic. She fantasizes that if she'd been taken to the guillotine, her youth and beauty (and the white dress she imagines herself wearing) would've made even the revolutionary mob feel sorry for her. To her mind, it's very callous of Tristram to say he'd feel sorry for anyone, not just her, about to be guillotined.
  • MacGuffin: The title ring. It's a family heirloom, and Ludovic treasures it, but unimpressive in appearance, as Eustacie comments. Its greatest importance is that, as Tristram puts it, the man Ludovic's accused of killing was murdered "by someone who wanted the talisman ring and only that." So the murderer will have kept the ring — find whoever's got it, and....
  • Snark-to-Snark Combat: Tristram and Sarah needle each other a lot; it's the closest they get to physical slapping in their Slap Slap Kiss (aside from a few threats of boxing ears). She says that at thirty-one, he's reached middle age (she's twenty-eight); he, when she pretends to faint, says they should throw cold water on her.

"Middle—Has anyone ever boxed your ears, Miss Thane? ... You have been undeservedly fortunate...."

  • Title Drop: It being the MacGuffin, people mention the talisman ring a lot.

The Toll-Gate

  • Altar the Speed: John and Nell are ... unexpectedly ... married by Sir Peter's bedside because he's decided he wants it done before he dies. Nell expresses qualms, actually saying John is being forced into it. John replies that he doesn't even need to be persuaded, but he will hold off if she really doesn't want to do it now.
  • Historical In-Joke
  • Stranger in a Familiar Land

These Old Shades

The Unfinished Clue (detective story)

The Unknown Ajax

Venetia

Why Shoot A Butler? (detective story)

  • Amateur Sleuth: Frank Amberley - the person who solves the mystery - is a barrister, although it's noted in the story that he has some experience rounding up major criminals, having helped the police at least once.
  • Crazy Prepared: When the Big Bad tries to get away via a motorboat, Frank just happens to have a motorboat of his own ready. Justified in that he'd done some research during the previous day, and figured that would happen.
  • Genius Ditz: Frank's aunt Marion is often referred to as having a "vague" manner ... but it turns out she's figured out what's going on. She lets him do all the sleuthing anyway.
  • Police Are Useless: Averted. the police are just at sea because there are no clues to go on, and Amberley has quite a few of them... not that he tells the police most of them.
  • Slap Slap Kiss: It doesn't help that Frank is something of a Troll throughout the whole book, and not just to the girl.
  • Smug Snake: Frank Amberley is this, making him something of a Designated Hero.
  • Title Drop: In the second chapter, no less!

…Oh, and Happily Ever After usually comes in somewhere... unless it's Penhallow.

Retrieved from "https://allthetropes.org/wiki/Georgette_Heyer?oldid=1958230"